It won both the Hawthornden Prize and the James Tait Black Memorial Prize (the oldest literary prize in Britain). From Amazon:

A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.

In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's reminiscences about childhood and the beginning of World War I are channeled through young George Sherston, whose life of local cricket tournaments and fox-hunts falls apart as war approaches and he joins up to fight. Sassoon's first novel, though rife with comic characters and a jaunty sense of storytelling, presents his own loss of innocence and the destruction of the country he knew and loved.

From Amazon:

WINNER OF THE PULITZER PRIZE

NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • LONGLISTED FOR THE AMERICAN LIBRARY ASSOCIATION’S ANDREW CARNEGIE MEDAL • WINNER OF THE CALIFORNIA BOOK AWARD FOR FICTION • NEW YORK TIMES BESTSELLER

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • Entertainment Weekly • The Wall Street Journal • Los Angeles Times • San Francisco Chronicle • Financial Times • Newsweek/The Daily Beast • The Plain Dealer • St. Louis Post-Dispatch • Milwaukee Journal Sentinel • Slate • Salon • BookPage • Shelf Awareness

“The single best work of fiction published in 2012 . . . The book’s cunning, flair and pathos are testaments to the still-formidable power of the written word.”—The Wall Street Journal

Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs a work camp for orphans. Superiors in the state soon recognize the boy’s loyalty and keen instincts. Considering himself “a humble citizen of the greatest nation in the world,” Jun Do rises in the ranks. He becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”

In this epic, critically acclaimed tour de force, Adam Johnson provides a riveting portrait of a world rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love.

Praise for The Orphan Master’s Son

“A daring and remarkable novel.”—Michiko Kakutani, The New York Times

“Gripping . . . Deftly blending adventure, surreal comedy and Casablanca-style romance, the novel takes readers on a jolting ride through an Orwellian landscape of dubious identity and dangerous doublespeak.”—San Jose Mercury News

“This is a novel worth getting excited about. . . . Adam Johnson has taken the papier-mâché creation that is North Korea and turned it into a real and riveting place that readers will find unforgettable.”—The Washington Post

“[A] brilliant and timely novel.”—The Wall Street Journal

“Remarkable and heartbreaking . . . To [the] very short list of exceptional novels that also serve a humanitarian purpose The Orphan Master’s Son must now be added.”—The New Republic

“A triumph of imagination . . . [Grade:] A.”—Entertainment Weekly

“A spellbinding saga of subverted identity and an irrepressible love.”—Vogue

• 2011 National Book Award for Nonfiction winner
• 2012 Pulitzer Prize for General Non-Fiction winner

From the Sony Reader Store:

A riveting tale of the great cultural "swerve" known as the Renaissance.

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius-a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

Her internationally acclaimed Magnus opus "Heren van de Thee" was translated to ‘The Tea Lords’ in 2010. It is a historical novel set in the Dutch East Indies of the 19th and 20th century, based on a trove of documents and letters deposited in the Netherlands by the heirs and relations of the book’s characters.

The Tea Lords, published in the Netherlands in 1992 and well rendered into English by Ina Rilke, is Haasse's first appearance here for 15 years. It is one of her largest-scale exercises in fictional sympathy: a portrayal of three generations of Dutch colonial experience in the East Indies, and altogether more forgiving than Multatuli's classic 1860 novel, Max Havelaar, which sweepingly denounced his country's abuses. (Multatuli appears in Haasse's narrative as a distant cousin-by-marriage and is given fair, if mocking, treatment for his vanity and egotism, especially where women were concerned.)
Haasse's intention in The Tea Lords is not to slay the monster of colonialism again, but to seek out a representative family's story – a product of its time rather than its greediest architect or blackest sheep.

It won the 2012 Nebula Award for Best Novel, the Hugo Award for Best Novel and the British Fantasy Award (from wiki).

... Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment. ...

More Than Human is about a gestalt organism--the next step in human evolution. It concerns a group of people with extraordinary mental and psychic powers who "blesh" (blend + mesh} together so as to form a single entity. The book explores the development of this entity and the nature and morality of such a being. Beautifully--even poetically--written, it is often considered to be Sturgeon's masterpiece.

In a world with no poverty, no crime, no sickness and no unemployment, and where every family is happy, 12-year-old Jonas is chosen to be the community's Receiver of Memories. Under the tutelage of the Elders and an old man known as the Giver, he discovers the disturbing truth about his utopian world and struggles against the weight of its hypocrisy. With echoes of Brave New World, in this 1994 Newbery Medal winner, Lowry examines the idea that people might freely choose to give up their humanity in order to create a more stable society. Gradually Jonas learns just how costly this ordered and pain-free society can be, and boldly decides he cannot pay the price.

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy. From Goodreads

• 1997 National Book Award for Nonfiction winner.

From Barnes & Noble:

For a man who insisted that life on the public stage was not what he had in mind, Thomas Jefferson certainly spent a great deal of time in the spotlight--and not only during his active political career. After 1809, his longed-for retirement was compromised by a steady stream of guests and tourists who made of his estate at Monticello a virtual hotel, as well as by more than one thousand letters per year, most from strangers, which he insisted on answering personally. In his twilight years Jefferson was already taking on the luster of a national icon, which was polished off by his auspicious death (on July 4, 1896); and in the subsequent seventeen decades of his celebrity--now verging, thanks to virulent revisionists and television documentaries, on notoriety--has been inflated beyond recognition of the original person.

For the historian Joseph J. Ellis, the experience of writing about Jefferson was "as if a pathologist, just about to begin an autopsy, has discovered that the body on the operating table was still breathing." In American Sphinx, Ellis sifts the facts shrewdly from the legends and the rumors, treading a path between vilification and hero worship in order to formulate a plausible portrait of the man who still today "hover[s] over the political scene like one of those dirigibles cruising above a crowded football stadium, flashing words of inspiration to both teams." For, at the grass roots, Jefferson is no longer liberal or conservative, agrarian or industrialist, pro- or anti-slavery, privileged or populist. He is all things to all people. His own obliviousness to incompatible convictions within himself (which left him deaf to most forms of irony) has leaked out into the world at large--a world determined to idolize him despite his foibles.

From Ellis we learn that Jefferson sang incessantly under his breath; that he delivered only two public speeches in eight years as president, while spending ten hours a day at his writing desk; that sometimes his political sensibilities collided with his domestic agenda, as when he ordered an expensive piano from London during a boycott (and pledged to "keep it in storage"). We see him relishing such projects as the nailery at Monticello that allowed him to interact with his slaves more palatably, as pseudo-employer to pseudo-employees. We grow convinced that he preferred to meet his lovers in the rarefied region of his mind rather than in the actual bedchamber. We watch him exhibiting both great depth and great shallowness, combining massive learning with extraordinary naïveté, piercing insights with self-deception on the grandest scale. We understand why we should neither beatify him nor consign him to the rubbish heap of history, though we are by no means required to stop loving him. He is Thomas Jefferson, after all--our very own sphinx.

A collection of short stories that won the Pulitzer and the Hemingway Foundation/PEN award in 2000.

GoodReads.

It won both the Hawthornden Prize and the James Tait Black Memorial Prize (the oldest literary prize in Britain). From Amazon:

A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.

In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's reminiscences about childhood and the beginning of World War I are channeled through young George Sherston, whose life of local cricket tournaments and fox-hunts falls apart as war approaches and he joins up to fight. Sassoon's first novel, though rife with comic characters and a jaunty sense of storytelling, presents his own loss of innocence and the destruction of the country he knew and loved.

From Amazon:

WINNER OF THE PULITZER PRIZE

NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • LONGLISTED FOR THE AMERICAN LIBRARY ASSOCIATION’S ANDREW CARNEGIE MEDAL • WINNER OF THE CALIFORNIA BOOK AWARD FOR FICTION • NEW YORK TIMES BESTSELLER

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • Entertainment Weekly • The Wall Street Journal • Los Angeles Times • San Francisco Chronicle • Financial Times • Newsweek/The Daily Beast • The Plain Dealer • St. Louis Post-Dispatch • Milwaukee Journal Sentinel • Slate • Salon • BookPage • Shelf Awareness

“The single best work of fiction published in 2012 . . . The book’s cunning, flair and pathos are testaments to the still-formidable power of the written word.”—The Wall Street Journal

Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs a work camp for orphans. Superiors in the state soon recognize the boy’s loyalty and keen instincts. Considering himself “a humble citizen of the greatest nation in the world,” Jun Do rises in the ranks. He becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”

In this epic, critically acclaimed tour de force, Adam Johnson provides a riveting portrait of a world rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love.

Praise for The Orphan Master’s Son

“A daring and remarkable novel.”—Michiko Kakutani, The New York Times

“Gripping . . . Deftly blending adventure, surreal comedy and Casablanca-style romance, the novel takes readers on a jolting ride through an Orwellian landscape of dubious identity and dangerous doublespeak.”—San Jose Mercury News

“This is a novel worth getting excited about. . . . Adam Johnson has taken the papier-mâché creation that is North Korea and turned it into a real and riveting place that readers will find unforgettable.”—The Washington Post

“[A] brilliant and timely novel.”—The Wall Street Journal

“Remarkable and heartbreaking . . . To [the] very short list of exceptional novels that also serve a humanitarian purpose The Orphan Master’s Son must now be added.”—The New Republic

“A triumph of imagination . . . [Grade:] A.”—Entertainment Weekly

“A spellbinding saga of subverted identity and an irrepressible love.”—Vogue

Winner of the 2011 National Book Award for Nonfiction and the 2012 Pulitzer Prize for General Non-Fiction.

From the Sony Reader Store:

A riveting tale of the great cultural "swerve" known as the Renaissance.

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius-a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

Her internationally acclaimed Magnus opus "Heren van de Thee" was translated to ‘The Tea Lords’ in 2010. It is a historical novel set in the Dutch East Indies of the 19th and 20th century, based on a trove of documents and letters deposited in the Netherlands by the heirs and relations of the book’s characters.

The Tea Lords, published in the Netherlands in 1992 and well rendered into English by Ina Rilke, is Haasse's first appearance here for 15 years. It is one of her largest-scale exercises in fictional sympathy: a portrayal of three generations of Dutch colonial experience in the East Indies, and altogether more forgiving than Multatuli's classic 1860 novel, Max Havelaar, which sweepingly denounced his country's abuses. (Multatuli appears in Haasse's narrative as a distant cousin-by-marriage and is given fair, if mocking, treatment for his vanity and egotism, especially where women were concerned.)
Haasse's intention in The Tea Lords is not to slay the monster of colonialism again, but to seek out a representative family's story – a product of its time rather than its greediest architect or blackest sheep.

It won the 2012 Nebula Award for Best Novel, the Hugo Award for Best Novel and the British Fantasy Award (from wiki).

... Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment. ...

More Than Human is about a gestalt organism--the next step in human evolution. It concerns a group of people with extraordinary mental and psychic powers who "blesh" (blend + mesh} together so as to form a single entity. The book explores the development of this entity and the nature and morality of such a being. Beautifully--even poetically--written, it is often considered to be Sturgeon's masterpiece.

In a world with no poverty, no crime, no sickness and no unemployment, and where every family is happy, 12-year-old Jonas is chosen to be the community's Receiver of Memories. Under the tutelage of the Elders and an old man known as the Giver, he discovers the disturbing truth about his utopian world and struggles against the weight of its hypocrisy. With echoes of Brave New World, in this 1994 Newbery Medal winner, Lowry examines the idea that people might freely choose to give up their humanity in order to create a more stable society. Gradually Jonas learns just how costly this ordered and pain-free society can be, and boldly decides he cannot pay the price.

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy. From Goodreads

Winner of the 1997 National Book Award for Nonfiction.

From Barnes & Noble:

For a man who insisted that life on the public stage was not what he had in mind, Thomas Jefferson certainly spent a great deal of time in the spotlight--and not only during his active political career. After 1809, his longed-for retirement was compromised by a steady stream of guests and tourists who made of his estate at Monticello a virtual hotel, as well as by more than one thousand letters per year, most from strangers, which he insisted on answering personally. In his twilight years Jefferson was already taking on the luster of a national icon, which was polished off by his auspicious death (on July 4, 1896); and in the subsequent seventeen decades of his celebrity--now verging, thanks to virulent revisionists and television documentaries, on notoriety--has been inflated beyond recognition of the original person.

For the historian Joseph J. Ellis, the experience of writing about Jefferson was "as if a pathologist, just about to begin an autopsy, has discovered that the body on the operating table was still breathing." In American Sphinx, Ellis sifts the facts shrewdly from the legends and the rumors, treading a path between vilification and hero worship in order to formulate a plausible portrait of the man who still today "hover[s] over the political scene like one of those dirigibles cruising above a crowded football stadium, flashing words of inspiration to both teams." For, at the grass roots, Jefferson is no longer liberal or conservative, agrarian or industrialist, pro- or anti-slavery, privileged or populist. He is all things to all people. His own obliviousness to incompatible convictions within himself (which left him deaf to most forms of irony) has leaked out into the world at large--a world determined to idolize him despite his foibles.

From Ellis we learn that Jefferson sang incessantly under his breath; that he delivered only two public speeches in eight years as president, while spending ten hours a day at his writing desk; that sometimes his political sensibilities collided with his domestic agenda, as when he ordered an expensive piano from London during a boycott (and pledged to "keep it in storage"). We see him relishing such projects as the nailery at Monticello that allowed him to interact with his slaves more palatably, as pseudo-employer to pseudo-employees. We grow convinced that he preferred to meet his lovers in the rarefied region of his mind rather than in the actual bedchamber. We watch him exhibiting both great depth and great shallowness, combining massive learning with extraordinary naïveté, piercing insights with self-deception on the grandest scale. We understand why we should neither beatify him nor consign him to the rubbish heap of history, though we are by no means required to stop loving him. He is Thomas Jefferson, after all--our very own sphinx.

A collection of short stories that won the Pulitzer and the Hemingway Foundation/PEN award in 2000.

GoodReads.