NPR:

Life in a small seaside town in Denmark becomes the basis for high drama in Carsten Jensen's international bestseller, We, the Drowned, just now hitting U.S. shelves. This is a book for lovers of seafaring tales, adventure myths and whimsical coming-of-age stories.

Goodreads:

It is an epic drama of adventure, courage, ruthlessness and passion by one of Scandinavia’s most acclaimed storytellers.
In 1848 a motley crew of Danish sailors sets sail from the small island town of Marstal to fight the Germans. Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.
As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company.
...
From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature

Amazon and Goodreads have the same blurb:

Against all expectations Marcel Féron has made a “normal” life in a bucolic French suburb in the Ardennes. But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling choice.

A quote from the NY Times:

There is no false note, not one word or sigh or smile which strikes me as anything but unavoidable. This is not a writer’s romancing story of a little man caught in the war; it is the unknown history of many little men in that vast war.

From a New York Review of Books review:

This short, perfect novel seems to encapsulate all the world’s pain in a soap bubble. Its surface is as smooth as a fable, its setting and characters are unremarkable, its tone is blithe, and its effect is shattering.

Any story about people is implicitly concerned with fate: How has it come about that this thing rather than that thing has happened to this person rather than that person? Much fiction employs one sort of crude causation or another to strongarm events into a clumsily trumped-up case asserting that A has led inexorably to Z, or, at the other pole, drops in front of us a heap of arbitrary incident and demands that we marvel at the inscrutability of life’s course—which in fact is something we can do perfectly well on our own.

And as we’re well aware that one thing rather than another happens to each person, why should we be interested in what happens to someone who was made up in the first place? We look to fiction writers to divine the true relationships—or true lack of them—between the elements that constitute a human life. In Skylark, we encounter lives that contain no hidden exits or negotiable margins, and we come away from the book feeling that we have experienced the inalterable workings of destiny.

Dezso Kosztolányi ingeniously poises his leading characters to expose, over the course of a week—not only to us but also to themselves—the tangle of intractable emotions that has taken years to develop and binds them hand and foot. The current of satire that runs through Skylark—sometimes faint and melancholy, sometimes rollickingly gleeful—as well as the book’s brevity, might suggest a slight work; on the contrary, the book is essential, a distillation of the heart’s properties.

For young Aleksandar - the best magician in the non-aligned states and painter of unfinished things - life is endowed with a mythic quality in the Bosnian town of Višegrad, a rich playground for his imagination. When his grandfather dies, Aleks channels his storytelling talent to help with his grief.

It is a gift he calls on again when the shadow of war spreads to Višegrad, and the world as he knows it stops. Though Aleks and his family flee to Germany, he is haunted by his past - and by Asija, the mysterious girl he tried to save. Desperate to learn of her fate, Aleks returns to his hometown on the anniversary of his grandfather's death to discover what became of her and the life he left behind.

Goodreads:

The corpse of an unknown provincial is discovered under the rails of a train in a Tokyo station, and Detective Imanishi is assigned to the case.

In a police procedural by Japan's foremost master of mystery, Inspector Imanishi Eitaro, a typically Japanese detective fond of gardening and haiku, must follow a killer's trail across the social strata of Japan.

From Goodreads:

Both an exploration of character and a reflection on the meaning of history, Memoirs of Hadrian has received international acclaim since its first publication in France in 1951. In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

From Goodreads:

Kafka on the Shore, a tour de force of metaphysical reality, is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle - yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

THE FIRST INSPECTOR BRENNER NOVEL

The darkly comic book that launched the bestselling series . . .

Wolf Haas is firmly established as one of the world’s bestselling crime novelists. And now the novel that introduced Simon Brenner, Haas’s inimitable protagonist—a detective who always gets where he’s going, but never the way anyone else would—is available for the first time 
in English.

When the corpses of two Americans turn up on a ski lift in the idyllic Swiss town of Zell, former police inspector Brenner, who needs a new job, not to mention more migraine medication, agrees to investigate the deaths for an insurance company.

But as Brenner gets acquainted with the finer points of curling, community theater, and certain sexy local schoolteachers, he notices one thing starkly missing: any semblance of a clue.

Until he stumbles across a buried secret that might have explosive consequences.

From Amazon:

Spirited, romantic, and full of danger, Kidnapped is Robert Louis Stevenson's classic of high adventure. Beloved by generations, it is the saga of David Balfour, a young heir whose greedy uncle connives to do him out of his inherited fortune....

Acclaimed by Henry James as Robert Louis Stevenson's best novel, Kidnapped achieves what Stevenson called, "the particular crown and triumph of the artist...not simply to convince, but to enchant."

Orphaned and penniless, young David Balfour sets out to find his last living relative. But in doing so he will become caught up the greatest and most frightening adventure of his life.

In the untamed West, pioneers came to test their fortunes -- and their wills. The Wyoming territory was a harsh, unforgiving land, with its own unwritten code of honor by which men lived and died. Into this rough landscape rides the Virginian, a solitary man whose unbending will is his only guide through life. The Virginian's unwavering beliefs in right and wrong are soon tested as he tries to prove his love for a woman who cannot accept his sense of justice; at the same time, a betrayal by his most trusted friend forces him to fight against the corruption that rules the land. Still as exciting and meaningful as it was when first published one hundred years ago, Owen Wister's epic tale of a man caught between his love for a woman and his quest for justice exemplifies one of the most significant and enduring themes in all of American literature. With remarkable character depth and vivid passages, "The Virginian" stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity. With an engaging new introduction by Gary Scharnhorst, professor of English at the University of New Mexico, this volume is an indispensable addition to the library of American Western literature.

Thorne Smith's rapid-fire dialogue, brilliant sense of the absurd, and literary aplomb put him in the same category as the beloved P.G. Wodehouse. The Night Life of the Gods—the madcap story of a scientist who instigates a nocturnal spree with the Greek gods—is arguably his most sparkling comedic achievement.

Hunter Hawk has a knack for annoying his ultrarespectable relatives. He likes to experiment and he particularly likes to experiment with explosives. His garage-cum-laboratory is a veritable minefield, replete with evil-smelling clouds of vapor through which various bits of wreckage and mysteriously bubbling test tubes are occasionally visible.

With the help of Megaera, a fetching nine-hundred-year-old lady leprechaun he meets one night in the woods, he masters the art (if not the timing) of transforming statues into people. And when he practices his new witchery in the stately halls of the Metropolitan Museum of Art—setting Bacchus, Mercury, Neptune, Diana, Hebe, Apollo, and Perseus loose on the unsuspecting citizenry of Prohibition-era New York—the stage is set for Thorne Smith at his most devilish and delightful.

Born in Annapolis, Maryland, in 1892, educated at Dartmouth, THORNE SMITH was an early cohort of Dorothy Parker's. He achieved literary success in 1926 with the publication of Topper and went on to publish nine novels in the next eight years. He earned a passionate following among both critics and readers before his death, at the age of forty-two, in 1934.

The book was made into a Universal Pictures movie in 1935 starring Alan Mowbray.

From Amazon:

Spirited, romantic, and full of danger, Kidnapped is Robert Louis Stevenson's classic of high adventure. Beloved by generations, it is the saga of David Balfour, a young heir whose greedy uncle connives to do him out of his inherited fortune....

Acclaimed by Henry James as Robert Louis Stevenson's best novel, Kidnapped achieves what Stevenson called, "the particular crown and triumph of the artist...not simply to convince, but to enchant."

Orphaned and penniless, young David Balfour sets out to find his last living relative. But in doing so he will become caught up the greatest and most frightening adventure of his life.

It's part a detective story, part comedy, and part social commentary.

In the untamed West, pioneers came to test their fortunes -- and their wills. The Wyoming territory was a harsh, unforgiving land, with its own unwritten code of honor by which men lived and died. Into this rough landscape rides the Virginian, a solitary man whose unbending will is his only guide through life. The Virginian's unwavering beliefs in right and wrong are soon tested as he tries to prove his love for a woman who cannot accept his sense of justice; at the same time, a betrayal by his most trusted friend forces him to fight against the corruption that rules the land. Still as exciting and meaningful as it was when first published one hundred years ago, Owen Wister's epic tale of a man caught between his love for a woman and his quest for justice exemplifies one of the most significant and enduring themes in all of American literature. With remarkable character depth and vivid passages, "The Virginian" stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity. With an engaging new introduction by Gary Scharnhorst, professor of English at the University of New Mexico, this volume is an indispensable addition to the library of American Western literature.

The Haunted House was first published in 1859. It was part of a collection for the periodical All the Year Round that contained five other authors, but here only the three contributions from Charles Dickens are present.
• "The Mortals in the House"
• "The Ghost in Master B's Room"
• "The Ghost in the Corner Room"

From a review by Joseph Pearce:

[Lord of the World] is truly remarkable and deserves to stand beside Huxley's Brave New World and Orwell's Nineteen Eighty-Four as a classic of dystopian fiction. In fact, though Huxley's and Orwell's modern masterpieces may merit equal praise as works of literature, they are clearly inferior as works of prophecy. The political dictatorships that gave Orwell's novel-nightmare an ominous potency have had their day. Today, his cautionary fable serves merely as a timely reminder of what has been and what may be again if the warnings of history are not heeded. Benson's novel-nightmare, on the other hand, is coming true before our very eyes.

Zane Grey's very first Western.

From Goodreads

'It is very pleasant dinning with a bachelor...I only hope it is not improper; so many pleasant things are!'

A portrait of the residents of an English country town in the mid nineteenth century, Cranford relates the adventures of Miss Matty and Miss Deborah, two middle-aged spinster sisters striving to live with dignity in reduced circumstances. Through a series of vignettes, Elizabeth Gaskell portrays a community governed by old-fashioned habits and dominated by friendships between women. Her wry account of rural life is undercut, however, by tragedy in its depiction of such troubling events as Matty's bankruptcy, the violent death of Captain Brown or the unwitting cruelty of Peter Jenkyns. Written with acute observation, Cranford is by turns affectionate, moving and darkly satirical.