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#121 |
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HarryT -
I suppose you are right. I guess I was just naively assuming that they would be much cheaper in their ubiquity. I am probably just being cheap! ![]() Stephen King's new book at ~$15USD is pretty good... |
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#122 | |||
Fledgling Demagogue
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You seem to be disputing the idea that the cost of production should partially determine the price of the object. To do this, you appear to be making two different arguments: 1. That charging too much is for a thing is a traditional and time-honored mode of capitalism and various levels of excess should be tolerated because you don't mind paying more personally and/or the practice is already common. Counter: But if that were true, then price fixing wouldn't be an issue. Besides which, virtually everything is priced above its value. The question is not whether it is overpriced but how much and in relation to what. If every winemaker got together and decided to charge $3,000 a bottle for merlot, there's very little we could do about it and some people would pay. But do you really want to live in a world in which only the wealthy and the financially irresponsible have access to merlot (and, no, the trick answer is not I prefer Malbec)? Where is the civilized line between reasonable and infinite increase where demand is infinite? 2. In your view, paperbacks have been perceived traditionally as the cheapest form of a book, especially in relation to hardbacks. Additionally, you not only prefer eBooks to paperbacks but feel they are classier and more convenient. Therefore, even though paperbacks cost substantially more to produce than eBooks and the same argument against convenience applies to hardcovers as paperbacks, you personally wouldn't mind seeing three tiers of pricing with the least expensive and least secure format priced higher than the second-least expensive and second-most secure. Counter: First, the ubiquitously cheap paperback has been limited to pulp and cutouts since the mid-80s. The dimestore paperback is a fond and distant memory, as any student with a textbook purchasing list will attest. Second, pricing eBooks higher than paperbacks due to greater convenience has no parallel model. Mp3s are never priced higher than CDs -- they are impermanent and lossy -- and there is an equivalent loss of advanced formatting and image resolution whether an individual book uses either or not. Pictures universally look worse. Complex layouts are impractical for the moment. If the original is in color, then the eBook either is not or cannot be seen that way (at least on a pre-Mirasol eInk screen). Even devices that allow for color layouts do not offer the resolution and clarity of a physical book. And so on. It makes no sense to adopt one pricing model for film, music and art and an astronomically inflated one for publishing, which involves the least amount of work of any of the media and preceded them all in terms of basic tech. What you have is the least technically involved kind of media possible distributed by people who are behaving like cell phone providers. News flash, publishers: Your jobs and expenses aren't nearly that demanding or complex. Higher resolution FLAC files are more expensive than mp3s but not nearly as expensive as CDs nor CDs as expensive as SACDs, HCDs or DVD-A. For reference, see this price list on Boomkat, but there are many other examples. Typical pricing In media, thus far, the scheme goes like this: High-resolution media (Blu-Ray, SACD) Standard resolution media (DVDs, CDs) Legacy media (vinyl, etc.) High-resolution files (24-bit-92k FLAC; few other commercial examples) Standard resolution files (FLAC, ALAC, DVD-quality files) Lossy files (mp3s, movie files optimized for iPods, etc.) Logically speaking, publishing should look like this: Gorgeous full-color illustrated editions Standard hardcovers Standard paperbacks High-resolution color editions with special features Standard color editions Lossy editions (ePub, mobi, etc.) Also: Quote:
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We're heading for a world in which physical books are largely gone, but that doesn't mean book publishers can or should charge people for their attendant decluttering. Lack of clutter is an end result and not a feature. Writers are not visiting our houses, cleaning out our closets and donating things to Good Will, nor does Microsoft charge more for applications that take up less space. Last edited by Prestidigitweeze; 12-11-2011 at 08:08 AM. Reason: Wanted to further clarify a distinction in the final paragraph. |
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#123 | ||
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What can happen, of course, is that a particular retail may choose to discount a paper book so that it becomes cheaper than the eBook, but it's not the publisher who's doing so. |
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#124 | |
Fledgling Demagogue
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Harry:
Your first quote is from my interpretation of Harmon's position, which could be in error and which he is certainly free to correct. I needn't offer an example of that sort of peculiar pricing because it isn't my idea and I don't find it desirable or practical (which was my point). The second quote is from a response to Harmon's specific idea that he wouldn't mind having eBooks priced higher than paperbacks. It doesn't make sense unless you remember that I'm responding to an idea which I find not only unfeasible but unprecedented. Again, I'm not certain whether Harmon meant all or only certain eBooks, whether I understood his point or whether he was entirely serious. Again, he is welcome to correct me if I've failed to grasp his argument. Quote:
Last edited by Prestidigitweeze; 12-09-2011 at 08:02 AM. |
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#125 |
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Thanks for the clarification - we are in agreement about this
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#126 | |
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#127 |
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Yes, that's true. The remainders still have to be paid for, but publisher does save at least some money. Even so, that only underscores the point, paper is a lot more expensive than electrons.
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#128 | |
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(I'm saying "might be because of Amazon's surcharge" because that's not applied to every single book as far as I can tell, considering I still get the odd $0.99 or $1.99 book as well.) Random examples: Beguilement (The Sharing Knife, Book 1) by Lois McMaster Bujold - Kindle price $10.57, paperback (full retail price) $7.99 The New Policeman by Kate Thompson - Kindle price $12.12, paperback (full retail price) $8.99 The London Eye Mystery by Siobhan Dowd - Kindle price $10.49, paperback (full retail price) $7.50 |
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#129 | |
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Beguilement: Kindle eBook £5.75, paperback £7.99 The New Policeman: Kindle £6.07, paperback £7.99 The London Eye Mystery: Kindle £3.99, paperback £5.99 |
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#130 | |
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Greg Weeks I case you are interested in the actual costs of printing, the last time I looked a few years ago a 200-300 page mass market sized paperback cost about $.75 each to print and bind in reasonable quantity of 5000. Shipping them in pallets to the warehouse added pennies each to the cost. Drop the quantity down and the price goes up steeply. Increase the quantity and the price goes down slightly. I don't know what the costs are today, I'm sure they have gone up. The sweet spot for the number of books to print has changed too I'm sure. Hard cover printing and binding has changed so that it's possible to do short runs of 20 or so hard covers for about $20 each for the printing and binding. Not POD, but actual offset printing. The POD printers have made things easier too. A moderately sized trade paperback can be done with POD for about $9 now in quantity 1. The shipping for quantity 1 will set you back almost as much as the printing and binding. Last edited by gweeks; 12-10-2011 at 09:48 AM. |
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#131 |
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Mass market seems to be going away. What is happening is that on new print runs, we are getting trade format so the publisher can charge more. Also, because it's now in trade and that's the cheapest current version, the eBook price goes up. So where we had the $7.99 MMPB, we now have the $9.99-$14.99 trade. Given agency pricing, the eBook price remains high due to the trick of swapping MMPB for trade. This is very sleazy and should not be allowed. But it is and they get away with it. Trade needs to go away except when warranted. In most cases, it's not warranted. It's just there so publishers can charge more for paperback books and eBooks.
When publishers started switching to trade, they said it's what the customer wanted. That's BS. The customer does not want to get ripped off. |
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#132 | |
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#133 | |
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I just meant to point out that it's not nearly as clear-cut for all of us. In some regions (and without agency pricing being a factor here), the difference can be rather marked - the ebook costing $2.50-3.50 more than the RRP of an already released paperback is a fairly common occurrence. I haven't yet come across an ebook costing more than the RRP of a hardcover, though, and in plenty of cases, the paper book and ebook prices are comparable or in the ebook's favour. |
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#134 | |
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Greg Weeks |
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#135 | |
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