In this astonishing tour de force, Margaret Atwood takes the reader back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. In 1843, at the age of sixteen, servant girl Grace Marks was convicted for her part in the vicious murders of her employer and his mistress. Some believe Grace is innocent; others think her evil or insane. Grace herself claims to have no memory of the murders. As Dr. Simon Jordan – an expert in the burgeoning field of mental illness – tries to unlock her memory, what will he find? Was Grace a femme fatale – or a weak and unwilling victim of circumstances? Taut and compelling, penetrating and wise, Alias Grace is a beautifully crafted work of the imagination that vividly evokes time and place. The novel and its characters will continue to haunt the reader long after the final page.

(From Amazon US book description). Boisterous, ribald, and ultimately shattering, Ken Kesey’s 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy’s heroic attempt to do battle with the powers that keep them all imprisoned

From Wikipedia:

Picnic at Hanging Rock is an Australian historical fiction novel by Joan Lindsay. Set in 1900, it is about a group of female students at an Australian girls' boarding school who vanish at Hanging Rock while on a Valentine's Day picnic, and the effects the disappearances have on the school and local community. The novel was first published in 1967 in Australia by Cheshire Publishing and was reprinted by Penguin in 1975. It is widely considered by critics to be one of the best Australian novels.

Although the events depicted in the novel are entirely fictional, it is framed as though it is a true story, corroborated by ambiguous pseudohistorical references. Its irresolute conclusion has sparked significant public, critical, and scholarly analysis, and the narrative has become a part of Australia's national folklore as a result.

Shortlisted for the 2003 Man Booker Prize, Zoë Heller's Notes on a Scandal is a darkly compelling novel that explores the taboo subject of pupil/teacher relationships, obsession and betrayal.

From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story and, as Sheba will soon discover, a friend can be just as treacherous as any lover.

'Brilliant, nasty, gripping' Zadie Smith
'Compelling, dark, sexy' Observer
'Superbly gripping. One of the most compelling books I've read in ages' Daily Telegraph
'Deliciously sinister' Daily Mail

Determined to secure a brilliant marriage for her beautiful sister, Frederica seeks out their distant cousin the Marquis of Alverstoke. Lovely, competent, and refreshingly straightforward, Frederica makes such a strong impression that to his own amazement, the Marquis agrees to help launch them all into society.

Normally wary of his family, which includes two overbearing sisters and innumerable favor-seekers, Lord Alverstoke does his best to keep his distance. But with his enterprising — and altogether entertaining —country cousins getting into one scrape after another right on his doorstep, before he knows it the Marquis finds himself dangerously embroiled.

I could smell him - or rather the booze on his breath - before he even opened the door, but my sense of smell is pretty good, probably better than yours.

So begins this fabulous, funny new detective novel featuring Bernie, a slightly down-at-heel PI; and his offsider, Chet, a dog - and the captivating narrator of the story.

Chet may have flunked out of police school (I'd been the best leaper in K-9 class, which had led to all the trouble in a way I couldn't remember exactly, although blood was involved), but he's just as much a detective as Bernie - superior, sometimes, in his insight into human foibles.

In Dog On It, their first adventure, Chet and Bernie investigate the disappearance of a teenage girl who may or may not have been kidnapped, but who's definitely gotten herself mixed up with some very unsavoury characters.

Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research.

When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...

In this sublime reminiscence of the pleasures of solitude, the wonders of the sea, and the odd courses life takes, Peter Hill writes, "In 1973 I worked as a lighthouse keeper on three islands off the west coast of Scotland. Before taking the job I didn't really think through what a lighthouse keeper actually did. I was attracted by the romantic notion of sitting on a rock, writing haikus and dashing off the occasional watercolor. The light itself didn't seem important: it might have been some weird coastal decoration, like candles on a Christmas tree, intended to bring cheer to those living in the more remote parts of the country."

Hill learned quickly, though, of the centuries-old mechanics of the lighthouse, of the life-and-death necessity of its luminescence to seafarers, and of the great and unlikely friendships formed out of routine. With his head filled with Hendrix, Kerouac, and the war in Vietnam, Hill shared cups of tea and close quarters with salty lighthouse keepers of an entirely different generation. The stories they told and idiosyncrasies they exhibited came to define a summer Hill has memorialized with great wit and a disarmingly affectionate style.

Mary Rose Moreland and Simon Blake are the perfect couple: successful young professionals in Philadelphia, attractive, madly in love, and ready to start a life together. When they travel to England for Simon to ask her parents’ permission to marry Mary Rose, he learns an unsettling secret: Mary Rose disappeared when she was a little girl while the family was vacationing on a remote Scottish island. She reappeared mysteriously thirty-three days later in the exact same spot without a scratch on her and no memory of what had happened.

After Simon hears about this disturbing episode in Mary Rose’s childhood, he becomes obsessed with finding out what happened. He proceeds to launch his own investigation and arranges during their honeymoon for them to visit the island where she disappeared. But as Mary Rose’s behavior gets stranger after their engagement, the need for Simon to unlock the truth about her past grows even more urgent. What he uncovers is beyond his most terrifying fears.

Mary Rose is author Geoffrey Girard’s chilling and modern take on a classic ghost story originally written by J. M. Barrie. And for years, master of suspense Alfred Hitchcock attempted to adapt Mary Rose into a film but was never successful. With this novel, Girard taps into the nightmarish fears that inspired both Barrie and Hitchcock, while also bringing the story to the present day with his own unique voice.

The book explores imagination and the imaginable through the descriptions of cities by an explorer, Marco Polo. The book is framed as a conversation between the aging and busy emperor Kublai Khan, who constantly has merchants coming to describe the state of his expanding and vast empire, and Polo. The majority of the book consists of brief prose poems describing 55 fictitious cities that are narrated by Polo, many of which can be read as parables or meditations on culture, language, time, memory, death, or the general nature of human experience.

Short dialogues between Kublai and Polo are interspersed every five to ten cities discussing these topics. These interludes between the two characters are no less poetically constructed than the cities, and form a framing device that plays with the natural complexity of language and stories. In one key exchange in the middle of the book, Kublai prods Polo to tell him of the one city he has never mentioned directly—his hometown. Polo's response: "Every time I describe a city I am saying something about Venice."

This is Oscar Wilde's tale of the American family moved into a British mansion, Canterville Chase, much to the annoyance its tired ghost. The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance. . .

SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME.

Harry August is on his deathbed. Again.

No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes.

Until now.

As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message."

This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

Living in the ten-billion-year-old city of Diaspar, Alvin is the last child born of humanity, and he is intensely curious about the outside world. But according to the oldest histories kept by the city fathers, there is no outside world—it was destroyed by the Invaders millions of years ago.

One day, Alvin finds a rock with an inscription seemingly meant for him: “There is a better way. Give my greetings to the Keeper of the Records. Alaine of Lyndar.” This cryptic message takes Alvin on a quest to discover humanity’s true past—and its future.

Originally published in the November 1948 issue of Startling Stories, Against the Fall of Night is a rich and intensely poetic vision of a distant future that’s sure to delight fans of Clarke and science fiction as a genre.

It's Easter in Reading—a bad time for eggs—and no one can remember the last sunny day. Ovoid D-class nursery celebrity Humpty Stuyvesant Van Dumpty III, minor baronet, ex-convict, and former millionaire philanthropist, is found shattered to death beneath a wall in a shabby area of town. All the evidence points to his ex-wife, who has conveniently shot herself.

But Detective Inspector Jack Spratt and his assistant Mary Mary remain unconvinced, a sentiment not shared with their superiors at the Reading Police Department, who are still smarting over their failure to convict the Three Pigs of murdering Mr. Wolff. Before long Jack and Mary find themselves grappling with a sinister plot involving cross-border money laundering, bullion smuggling, problems with beanstalks, titans seeking asylum, and the cut and thrust world of international chiropody.

And on top of all that, the JellyMan is coming to town . . .