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#31 |
Wizard
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The list below has been compiled from this page:-
https://www.goodreads.com/list/show/...he_BOOK?page=1 One that can swing either way is Gone with the Wind. Others that are more clear cut include:- The Notebook Fight Club Forrest Gump Jurassic Park The Silence of the Lambs Howl's Moving Castle Brokeback Mountain The Last of the Mohicans The Bourne Identity A Clockwork Orange The Children of Men Casino Royale The Bridges of Madison County Schindler's List The Da Vinci Code 2001: A Space Odyssey The Hours No Country for Old Men Trainspotting The Virgin Suicides How to Train Your Dragon Dead Poets Society Catch Me If You Can MASH |
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#32 | |
Grand Sorcerer
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I thought that the books for Jaws and the Godfather (mentioned by someone earlier) were quite good. I suspect that in general, a movie tends to be more impactful when both the book and movie are good. |
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#33 | |
Resident Curmudgeon
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A lot of old books are better on screen because they are hard to read. Jane Austen books are better on screen. I cannot stand to read her books. |
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#34 |
Resident Curmudgeon
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#35 |
Wizard
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#36 |
Outside of a dog
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The soundtrack alone makes it the best Bond movie by far. At least, it's the only one other than "Live and Let Die" that I consider entertaining enough to be worth re-watching.
Last edited by curtw; 08-26-2020 at 10:41 AM. |
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#37 | |
o saeclum infacetum
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![]() I thought of MASH; the problem is that none of them stand the test of time. The movie is arguably better than the book, although the scene with Sally Kellerman taking a shower just isn’t funny now. However, the tv show is deeply offensive, and I thought so at the time. It’s highly sanctimonious while at the same time making running jokes about sexual harassment, homosexuality and cross-dressing. I might be able to excuse the jokes as of their time if it weren’t for the show’s constant preaching and patting itself on the back for its high moral stand. Yeah, right. |
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#38 |
Gentleman and scholar
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#39 | |
Gentleman and scholar
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#40 | ||
Running with scissors
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I never did understand the section in Strunk and White's The Elements of Style about passive writing but after trying to re-read some of these old books I decided that that's what the problem was with them; nonstop passive writing. But my confusion with passive writing was due to Strunk and White's bad examples; see https://thecriticalreader.com/bad-advice-about-the-passive-voice-from-strunk-and-white/ So now I'll just call it turgid writing. |
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#41 | |
Wizard
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I didn't see the Dracula BBC series and I haven't read the book so I can't compare those. Barry |
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#42 |
Wizard
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I read "Ivanhoe" a few decades ago. I don't recall any problems reading it. I didn't find that paragraph you quoted difficult to understand although it is a very long sentence with a lot of clauses and that requires a bit of focus. I see no problem with having to focus as I read.
I recently read A J Cronin's "Hatter's Castle", written in Scotland in 1931 and full of Scots slang, which is very unlike the American slang I'm accustomed to. It took some effort and required a lot of googling to learn the meaning of some of the words but it was an excellent book and well worth reading. I don't want a steady stream of that sort of thing but I'm glad I'm not too lazy to enjoy some of it. Most of the books I read are more modern and use more local language that takes little effort to read and I enjoy that but sometimes I want to do a bit more work to enjoy a book. Barry |
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#43 |
Running with scissors
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I envy you. There are many books that a lot of people enjoy but that make me yawn and start falling asleep. I wish I could read them.
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#44 |
Wizard
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There were two reasons why Houston's movie of "The Maltese Falcon" was so good: casting (Bogey and Sidney Greenstreet specially); and the fact that the dialogue and action were all direct from the book. What helped was that the book itself is quite short. Houston started with a different script, but quickly jettisoned it and used the book, cutting out just one book character and one scene (the cut character was Gutman's daughter). There've been three movie versions of "The Maltese Falcon", but nobody remembers the other two.
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#45 | |
Resident Curmudgeon
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Quote:
It's not the story that's a problem. It's the way it's written. Dracula (for example) is dry and dull. It's told in letters and journal entries and is not scar at all. The book is dull. Shakespeare is also an issue due to the writing and "Ye Old English" used back then. If that's the King's English, give me American English any time. |
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