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#121 |
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#122 | |
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#123 | |
Grand Sorcerer
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If you want perpetual copyright, it ought to be taxed the same way - over and above any income. |
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#124 |
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Not all property is treated like land. I’d be content with the income tax against income earned by fiction
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#125 | |
Grand Sorcerer
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Land is perpetual. Most other things eventually wear out. I don't believe in a untaxed perpetual monopoly. That is what you are asking for. |
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#126 |
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Cash is real property. Bonds and stocks are real property. Gold and jewels are real property. Pieces of art are real property. All are subjected to income and estate taxes.
How would one value a story to tax it? Is a story written by an Indie and we A only a few hundred copies to be taxed the same as a Steven King novel? Much better to tax on the income the stories bring...just like art, gold and the like |
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#127 | |
The Grand Mouse 高貴的老鼠
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#128 | |
Banned
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This does not necessarily apply to philosophy as much, though. Philosophy like science deals with truth that can happen anytime and any place (they are not chronotopic) but their methods are different. They also both currently use specialized nomenclature that keeps the layman out because it speeds up communication within their niche of people. Modern philosophy has taken a huge step backwards, though The genius Stephen Hawking (RIP) in his book "The Grand Design" said that philosophy has failed to keep up with science so it is now obsolete (I realize that is controversial statement but bears consideration since he was a genius). Project Gutenberg has Schopenhauer and Wittgenstein etc.. that is good enough for me. I don't need Sartre's existentialism. I think the modern founder genetics/dna James Watson said it best. He told an interviewer he was an Atheist. He told the interviewer that he doesn't think we are here for anything but just accidents of evolution. The interviewer asked him what his reason for living was. He said "I am anticipating a good lunch" (paraphrase) That latter statement demolishes Sartre's fanciful existentialism. |
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#129 | |
Grand Sorcerer
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The whole copyright as property is a very new concept, one that was not recognized for the some 2500 years that we have had literary works. Physical property laws have been recognized for just as long. The Library of Alexandria was build by scribes making copies (and giving the copies back rather than the original) of every scroll they could get their hands on. It takes a little more than a simple assertion to over come all that history. There are very good reasons that literary works have not been treated as property through all of history, yet buildings and money have. It's basically impossible to prevent someone from making a copy of a book. It's impossible to keep story tellers from telling stories that they hear. Through most of history, the very idea that one would want to do these things would have been considered madness. The shared stories are what binds a society together. Last edited by pwalker8; 07-24-2019 at 09:42 AM. |
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#130 | |
Interested Bystander
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"Promoting the progress of science and useful arts" is a good thing. Limited time copyright is a means to achieve that. It is not a good thing in and of itself. |
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#131 |
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We learn and improve from history. Clearly intellectual property is real, there is real value. That's WHY certain people don't want copyright at all, or only limited.
They want free stuff. Why pay for a book....it should be free. They want to benefit financially from someone else's work. Why write your own stories when you can make a movie based on the excellent story someone else wrote. But having made the movie, the new person wants to own the merchandizing rights to their version of the characters. Intellectual property wouldn't have value if there weren't patents and copyrights....true. It has to be clear, though, that IP has been a hugely positive societal force. |
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#132 |
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Copyright started as a means to reduce competition for publishers, the first to claim a manuscript in the local area(hopefully by buying it from the author) had dibs, which was attached to the author when it was realized that author's rights would gain more support then publisher's rights.
Or so I gathered from Piracy: The Intellectual Property Wars from Gutenburg to Gates Now I do think that it's better for society that some authors no longer need an independent source of money or to be tied to patrons (plenty still are of course). This said I'm not sure that I need or indeed should be able to profit off of my remote ancestors' work in such a direct fashion. I am not the one who put in the work and I would be only one of a large number of people who could claim ancestry (I come from large families on both sides). [The previous assumes that I have an ancestor that a)produced something of lasting value that was b)not sold off, c) not diluted and rendered near valueless by the sheer numbers of heirs needing to agree or d)inherited by someone else in order to keep the property intact by not having too many heirs to make any decisions.] And on society's side stories are important as being a large part of what makes one society distinct from another and being a large part of the inculturation of values. The monopoly of stories while good for publishers (and hopefully authors) does influence the spread of values and shapes society in a particular fashion. The way stories, such as The Little Mermaid, are retold both reflects and transforms their societal influence in ways that can be greatly influential. Simply by having the little mermaid's attempt to have a upper class stranger love and marry her succeed dramatically changes the original author's message for better or worse. The fact that both variants are around provides a clear basis for discussions on how our stories reflect both ourselves and our societies in a way that can be understood by even younger children. Just collecting different versions of the same Aesop's fables and the different morals that they give is useful in this area. Having the children retell these out of copyright tales in their own words is also a very useful teaching technique. |
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#133 | |
Grand Sorcerer
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Intellectual property isn't real. It's simply a catch phrase, a PR ploy. What is real is that creative efforts have value to society, but a large part of that value is how other people can build on them. That's the whole point of public domain. Without PD, very little gets improved. Mobile phones would still be a novelty rather than the modern smart phone. So how to reward creative efforts? Historically, they were paid either by patrons, performance fees or commission. Shakespeare didn't live off the royalties from his works, rather he was part of an acting company. While some of his plays were published during his lifetime, most of them weren't published until after his death. Certainly, they could have come up with a system where artists were paid a salary to produce works rather than copyright. Some countries have had systems like that. The British used a variation of their copyright system (which were assigned to printing companies rather than the actual authors of the works) to reward artists. Copyright has always been a government granted monopoly rather than true property. |
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#134 |
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Nobody has put forth the societal good of fiction. I have distinguished fiction from inventions, medicines and the like where there is a societal good.
Nobody needs public domain fiction. There is no limit to the imagination. Can’t copy Superman? Then write about Fantastic man! Or Super Woman. Or Alien baby man. Better yet, come up with more original story and move fiction forward. You can write Macbeth today....actual Macbeth. But so many stories and movies are actually Macbeth anyway....in ways that would still be ok if the Shakespeare estate had an infinite copyright. There is no harm to society whatsoever to not be able to plunder the rights of artists. There is clearly a harm to be had for the rights holders. |
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#135 | |
Grand Sorcerer
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