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#106 |
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It is. One of the findings in Micro-Sparc v. Amtype is that ownership of a legitimate copy of a work does not entitle you to copies made from a different legitimate copy of that work.
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#107 | |
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But in the real world, it's all about what ratinox said above. Last edited by ApK; 05-25-2017 at 10:30 AM. |
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#108 |
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That's whatever you used for the rip. It's easy to split FLAC album files into track files if you have CUE sheets (which is why I have CUE sheets). I use cuetools and shntool for this but foobar2000 can do it easily, too, if you prefer the GUI.
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#109 |
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I'm still not understanding the value of the one-big-file + cue sheet vs. ripping individual tracks. At least not since gapless playblack became the norm. Rock operas, and continuous symphony-type stuff all playback smoothly, so why introduce the extra steps to be able to grab a track and make a mix?
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#110 |
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#111 | |
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Before gapless playback, a gap would be introduced between mp3 files no matter what (or they'd be artificially transitioned together in an ugly mess) but I haven't had that problem in a long while. However, if it still happens for people, then I understand the reason. But it still seems like a lot of work, if grabbing individual tracks is one's main use pattern. Myself, I think I'd probably still rip tracks, then only go back and re-rip particular albums that needed the precise cueing. Plus, do all players that support FLAC support cue sheets? Last edited by ApK; 05-25-2017 at 11:20 AM. |
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#112 |
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#113 |
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#114 |
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#115 | ||
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Quote:
Quote:
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#116 |
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One of the nice things about Canadian copyright law: format-shifting is explicitly protected. As long as it's for personal use I can rip my CDs to FLAC then convert them to anything, all perfectly within the law. Similarly, I'm allowed to rip a DVD to put it on my tablet.
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#117 |
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#118 |
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#119 | |
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#120 | |
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Edit: that is, unless Canada has finally submitted to US demands to pass DMCA-style legislation? |
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