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#76 | |
Grand Sorcerer
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And participants enter and leave at their discretion. That makes it a wash. It's not like the deep discount clauses in tradpub contracts where the publisher can make more money by wholesaling books cheaper in order to pay lower (or nil) royalties and the author has no recourse. I don't think anybody is saying KU (or Amazon) is perfect. But they do allow participants the flexibility to say no. There is no ball and chain, long term commitment in KDP Select. It's all temporary, 90 days (or less, in case of duress) at a time. The tech disruption is still ongoing and nobody, not authors, not publishers, and not even Amazon knows where things are headed. So Amazon stays flexible and gives their ebook suppliers similar flexibility. (They even cut special deals, paying more for titles they want in KU, when they feel like it.) We're all in the grip of the law of unintended consequences and nobody knows how things are going to shake out in the long term. Some things work, some don't; KU 1.0 turned out to be heavenly for short form writers and hucksters. The former was good, the latter less so. So Amazon changed the rules. Some left, some came in, and the system rebalanced. The ebook business isn't done changing; at a minimum, somebody somewhere will get serious about giving Amazon a real challenge. And then we'll see more change. Some will survive the change, some won't. The flexible players stand a better chance of surviving so why cast in concrete things that will probably have to change? Any moment now, somebody with deep pockets could choose to buy Nook, drop the Glowlight to $50 and raise Indie "royalties" to 90%. Think that wouldn't lead to a stampede? Don't like how things look? Wait a while. But stay flexible while you wait. |
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#77 | |
Just a Yellow Smiley.
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Other pet peeve on blurbs is when they start with #1 best seller on Amazon. This is usually some unknown who made #1 in a free subcat that has like 4 books total in the category. And like Maria (apologies that I thought she was a he), I hate reviews in blurbs. I want the author's words not someone else's idea. Now back to the payout, has anyone found out if it is more profitable since they are now paying by the page? |
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#78 | |
Maria Schneider
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I didn't try the old KU as it never made sense to me. The new one will probably end up making me the same amount of money had I stayed wide--what I lose in Kobo/B&N/Apple/etc I'll make in KU reads. I've only been in 3 weeks with one book and 4 with the other, but it's looking like a wash for me. Of course, that could change before the 90 days is over. Reading habits also change. If people read more in the summer versus winter, the stats could have seasonal changes too. Buying habits do have seasonal changes so I'd expect KU to also fluctuate. |
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#79 |
Wizard
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Maria, I think the reason those shorts didn't do so well under KU1.0 is because there was a lot of "series" of a "book" that got chopped up into 80-90 page chunks which should have been one book. Those were very annoying, but since KU2.0 those are not there so much to be replaced by real novel length books with 400+ pages. Now the short stories are no longer under the bad reputation of being click bait and book slot wasters (of the 10 books max you can borrow).
But that is just my theory. The appearance of more long books is welcome. I still cannot say that it is all that complicated to find complete series that are start to finish in KU (including one I am following that has a new book coming out later this month already announced to be in KU as well). It seems some authors don't mind going smaller payout to get more readers - some may even purchase outright for keepsake or become fan of the author to buy non-KU books. |
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#80 |
Just a Yellow Smiley.
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Well now, I don't find 60k all that short.
I know a few authors that did write strictly for KU1. Those authors did pull their books. |
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#81 |
Fanatic
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I think Amazon is pushing authors hard into KU, and as someone mentioned, it may not always be a good deal as they change the amount of money in that pool at their discretion.
Just to be clear, with the changes regarding payments, an author with a 500 page novel in KU is better off than the author with 150 page novel? |
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#82 | |
Maria Schneider
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Tigger, yes, I agree with your points and there are many authors willing to just deal with Amazon. It's easier. It's faster. And if the books sell well enough the authors may be curious about a broader base, but not willing to risk it. There are many reasons for this. A couple of examples: You can do very well with smashwords/apple --IF you qualify for their promo ops. Those who do are selling very well and have no incentive to go with just Amazon. You can do quite well with kobo IF you qualify for their promo ops. But you have to know the rules, how to get in the promos and you have to work to qualify. While you are doing all that, you could just be selling on Amazon and building your base there. SOME promo ops fail. Kobo has done a lot of different promos and some of them have flopped completely. For an author, this can mean taking sales that are normally 60 to 100 or more on a channel per month and reducing them to 10 due to lack of visibility. The next promo might work and your sales go back up. Sometimes Kobo does more than one promo a month. Sometimes your books may not qualify for a particular promo so you have to do your own advertising (and that is very difficult to be effective. Ad places are very particular and most want prices of free or 99 cents--and that means you have to lower on all channels, which has headaches of its own. It also means you make zero money or very little and have to hope for "forward sales" of others in the series. This works for some books and not for others). Ad places are becoming less and less effective partly because there are so many of them. Ads have also gone up in price. This is all part of the usual business gyrations and people jockey for position. Last edited by BearMountainBooks; 10-13-2015 at 12:45 PM. |
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#83 | |
Just a Yellow Smiley.
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How many people are finishing the book. A good book regardless of length will do better than a bad book of any length. Theoretically yes. In reality, it depends on the book. Under the old KU, it was one price for all 10% reads. Usually about $1.33 per read. Length didn't matter nor price. |
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#84 |
Wizard
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#85 |
Just a Yellow Smiley.
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#86 |
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Thanks guys. So a 500 page book is better in KU than a 150 page book if it is fully read, but still makes less than a book sold depending on the price of the book.
I'm wondering if KU is having a negative impact on book sales, so that authors are pretty much stuck with KU regardless. I also wonder if the author ought to just put a ridiculous price on their ebook to make it more attractive to KU readers. In other words, a book that is only listed at $2.99 might not look as good as a $9.99 book. They might think at the lower price they could just buy it, whereas the higher priced book they might want to read with their KU membership. Last edited by conan50; 10-13-2015 at 01:23 PM. |
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#87 |
Just a Yellow Smiley.
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No. The author is paid by the page. But yes a 600 page book will make roughly $3 if it is read in its entirety.
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#88 | |
Maria Schneider
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In short...it's a crap shoot. Sometimes things work and sometimes they don't! |
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#89 | |
Grand Sorcerer
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The way it works is that full reads in KU are treated as paid (discounted) reads so they count towards sales ranking and higher rankings boost visibility in the sales lists as well as in the alsobot algorithms. Both of which sales. So, rather than substitute for sales, KU is a net booster and raising prices dramatically would probably be counterproductive. Milleage varies by author and by book, though. Last edited by fjtorres; 10-13-2015 at 02:57 PM. |
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#90 | |
Just a Yellow Smiley.
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