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#16 |
Grand Sorcerer
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I'm 80% through now. I can't say the book is enamoring me that much. I like the tone and the book speaks through atmosphere quite well, but it's a lot of nothing about a person who outside of shyness and sexual orientation that was not social norm felt as an outcast. It's lacking much drama for me. It's a very soft book for me and easy to read in that respect. Probably deeper for many.
I believe that not having read any of Henry James' work yet I am at a disadvantage for getting more out of the book. Either that or I'm just daft. Which is quite possibly true. I did like the scene of them drowning the clothes. I thought it was one of the best descriptions and alluded to so many things in his life. |
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#17 |
Hiding with an ereader
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A 6 hour flight delay yesterday permitted me to finish the book. I loved the first half and then the style really ran out of gas for me. This book should have been 250 pages. By the time Henry had cycled through what felt like the same interior patterns regarding several people it just wore me out and became somewhat predictable. There was some beautiful and smart writing, but I just grew tired. I'll contribute more when everyone is finished.
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#18 | ||
Snoozing in the sun
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I have just finished the book, having deliberately spent time savouring it. I loved it - really beautifully done. And I really liked the final paragraph: it rang true in this portrait of such an introverted and reticent man. And I really liked the way that Tóibín showed his self-knowledge, as for example this in describing a story he may be going to write, which is really the story of his own life:
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#19 |
Wizard
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I've had a bit of good news.
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#20 | |
E-reader Enthusiast
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#21 |
E-reader Enthusiast
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I've finished! I really liked this book. I have now read the Wikipedia summaries of both Colm Tóibín and Henry James to have a better biographical understanding of both men as well as the key themes of their works. I found this New York Times book review extremely insightful into what motivated Tóibín to write about James and what influenced him in the manner he chose to portray James. The reviewer also identifies other sources about James and whether some of the events that Tóibín fictionalized are realistic or embellished from the viewpoint of these other sources.
http://www.nytimes.com/2004/06/20/bo...l?pagewanted=1 I was fascinated by imagining Lamb House and the garden. Here's an article on its history. http://www.ryemuseum.co.uk/lamb-house/ Lastly I wanted to mention that the Wikipedia article on the Protestant Cemetery in Rome is extremely interesting. What a long list of famous authors and artists buried there! It includes a photo of Story's sculpture, Angel of Grief, which is very beautiful and moving. Last edited by Bookworm_Girl; 03-29-2015 at 01:41 PM. |
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#22 |
Snoozing in the sun
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Many thanks for these really interesting finds, Bookworm_Girl. I found the review of the book particularly interesting, though I don't agree with the reviewer about Tóibín making James cold. Perhaps the reviewer is an extravert! As an introvert I didn't find James cold, at least in an uncaring sense, but rather very reserved and needing space between him and others.
I can't help feeling that he was the product of a pretty odd family when you think about the father, and William, and Alice. But then I suppose we are all a bit odd in our own ways! |
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#23 | |
Snoozing in the sun
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Further to the above post, I was trying to put in the following poem, but kept on being booted out, so am trying putting this on a Word document and then pasting it in.
Reading the book, I was reminded of this poem by Siegfried Sassoon called “One Who Watches”: Quote:
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#24 |
E-reader Enthusiast
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I thought Tóibín made James appear colder than he probably was. I don't think he was uncaring though. I think his introverted nature made him overthink relationships and worry about perceptions. I've been reading some extracts from his letters, and he seems warmer and less emotionally closed off than the impression that I got from the book.
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#25 | |
Hiding with an ereader
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Your thoughts about his letters are interesting. But, he was a writer and so it's possible that clarity of emotion and resolve may come through in letters in a way that he couldn't muster face to face. |
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#26 |
Snoozing in the sun
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Yes, he quite possibly was more comfortable writing to people than speaking to them face to face. It would give that safety of distance for him. I suppose the modern equivalent is people who spend all day on computers conversing with others on Facebook (and MR!) rather than spending time with people.
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#27 |
Indie Advocate
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I'm 2/3 through the audio book and although I'm really enjoying the narrator and this view of Henry James (of whom I know very little), I'm finding it a bit scattered.
I think it should be called "Tales of James" or something. What this book has done more than anything so far is make me interested to read more of James' works. I'm not sure which of his novels is considered the apex of his work, but some of them are a bit "meaty" for me at the moment. Perhaps Daisy Miller or Washington Square? |
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#28 | |
languorous autodidact ✦
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Of his shorter famous stories, I haven't read Daisy Miller or Turn of the Screw yet. I wouldn't say Washington Square is necessarily his apex but it is very good and I think would give a good feel for James in a shorter package. |
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#29 | |
Indie Advocate
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#30 | |
E-reader Enthusiast
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The Wall Street Journal has a book club. It was just announced that Colm Tóibín will be hosting the next club. He's selected The Golden Bowl to read which is one of the books that James wrote after this time period covered by The Master. I thought the article was interesting because there are interview questions with Tóibín which reveal some further insights on his view of James and his writing style and longevity.
http://www.wsj.com/articles/colm-toi...lub-1427903917 Quote:
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