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#91 |
Grand Sorcerer
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#92 |
Groupie
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BTW, no one seems to like to mix their peanut butter with their chocolate more than Wen Spencer. Her Elfhome series certainly does a lot of mixing of genres. The first book, Tinker, is part of the Baen Free Library.
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#93 | |
temp. out of service
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Quote:
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#94 |
eBook Enthusiast
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#95 |
Grand Sorcerer
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#96 |
eBook Enthusiast
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I will. I probably have it if it's a Baen thing. I've only read a rather small fraction of my complete set of Baen Webscriptions
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#97 |
temp. out of service
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If you don't go for the book CDs
The 'claws that catch' disc has, apart from the looking glass series, he co authored with ringo Doc's solos too. I read both warp books and they are awesome. Am at one day on mars now. |
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#98 |
Grand Sorcerer
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#99 |
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#100 |
temp. out of service
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Just like a lot of fantasy readers frequent RPG cons. Hmm... while we are at it; I wonder where erotica readers meet
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#101 |
Wizard
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Well, this past weekend was the RWA (Romance Writer's of America) convention, open to a lot more than just the writers and other industry professionals, although it is aimed primarily at them rather than readers. RWA has pretty traditionally not wanted to think about erotica, and there's no erotica category in the RITA awards. They are becoming more open to indy authors and small publishers, though, and this may change their openness to erotica as a category.
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#102 |
temp. out of service
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Ohhh no NastyCon? *sigh*
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#103 |
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Fortunate (?) misallocation of genres
Back in 1968, one rainy lunchtime in highschool I went to the school library looking for more books to satisfy my craving for science fiction. There was a set of three books on the shelves which I had been distantly aware of for some time. On the flyleaf inside Volume one was a quote (forget from whom) which said: "This is really super science fiction"... so I took the first two volumes out. That started my adolescent obsession with Lord of the Rings. I hadn't read the Hobbit, and the Lord of the Rings craze (already by that time well-established in the US) had not really made much impact yet in the UK.
I think it would be rash to say that there is a blanket disregard of "genre" fiction in literary circles...after all what about the great dystopias of the twenties, thirties and forties? Orwell's "1984", Huxley's "Brave New World" and Yevgeny Zamyatin's "We" are all science fiction. I'm pretty sure Orwell called "Animal Farm" a "fairy story". Mervyn Peake's "Titus" series is fantasy/dystopia. And what about HG Wells? He considered himself a journalist more than a literary writer, but Henry James (then the "doyen" of literary London), thought him a gifted writer, and had a long correspondence with him. I don't know whether this is any more than an unqualified personal observation (because I certainly haven't done any research) but there seems to have been in the last 30 years a huge expansion in the number of books published in the broad "fantasy" genre. When I was a kid back in the sixties the published output in "fantasy" seemed fairly small compared with science fiction. Now it seems to me there is a lot more fantasy (including all the sub-genres) than science-fiction. Does anyone else share that perception? |
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#104 |
Gnu
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#105 | |
Grand Sorcerer
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Quote:
![]() Fantasy exploded in the late 70's and early 80's. For a time you couldn't walk into a bookstore without running into a half-dozen new fantasy trilogies every week. (Always trilogies, always Tolkienesque--publishers wanted the next LoTR.) After a while the genre started to mature and we started getting new voices and tropes and the genre moved on. Better quality and readability when everybody wasn't trying to be Tolkien or Brooks. Nowadays the sparkly vamp fad has started to fade just as the tough monster-hunting cute chick fad has faded into a background sub-genre. The good news is the next publisher fad isn't SF or Fantasy but watered down S&M. So we should have a few years of relative peace. ![]() |
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