Unutterably Silly Quiz

[Stitchawl]

Originally Posted by poohbear_nc

Vaudeville stage entertainer(s)?

Stage, but never Vaudeville, although he was entertaining during those same years. He was active between 1928-2009... from age 13.

... and every single person here knows his name as well as their own! I'm off to do chores. Back in a few hours...


Stitchawl

[PeterT]

Inventor of the les paul guitar?

[Stitchawl]

Originally Posted by PeterT

Inventor of the les paul guitar?

I'm not sure that I would put it quite like that, but... yes!

Lester William Polfuss is better known to us all as Les Paul! Les is the man responsible for inventing the 'solid body electric guitar.' Prior to this, electrics were all hollow-bodied acoustic guitars that had electrical pickups added to them. Les Paul decided that he wanted a different sound, and so put some pickups on an ordinary 2x4, added a guitar neck and bridge, and created the solid body sound. He's also responsible for bringing sound-on-sound 'over-dubbing,' and multi-track to the attention of the rest of us!

Gibson Guitars produces several models of the 'Les Paul' guitar, one of the most popular styles of electric guitars around the world!




PeterT.... a question, please!


Stitchawl

[Daithi]

The answer was right there in his name. Stitchawl also gave a clue about him working with his wife, and I just watched an episode of Pawn Stars where someone brought in Mary Ford's guitar. Oh well.

[Bookpossum]

Sorry - never heard of him as my musical education was a classical one. I can understand that his innovations would have been important to the development of the electric guitar.

[poohbear_nc]

I was hopelessly sidetracked by the nickname "Rhubarb Red" -- a real red herring!

[Daithi]

It has been 12 hours since our last quiz, so I hope no one minds me posting this one (I did win two quizzes ago and didn't go )

This quiz has 10 paragraphs written by various famous authors who are somewhat famous for their styles of writing. I've tried to select paragraphs that highlight their styles. You get 3 points if you can tell us who wrote each block of text, and you get one bonus point if you can tell us the novel the block of text is from.

1. The garret, built to be a depository for firewood and the like, was dim and dark: for, the window of dormer shape, was in truth a door in the roof, with a little crane over it for the hoisting up of stores from the street: unglazed, and closing up the middle in two pieces, like any other door of French construction. To exclude the cold, one half of this door was fast closed, and the other was opened but a very little way. Such a scanty portion of light was admitted through these means, that it was difficult, on first coming in, to see anything; and long habit alone could have slowly formed in any one, the ability to do any work requiring nicety in such obscurity. Yet, work of that kind was being done in the garret; for, with his back towards the door, and his face towards the window where the keeper of the wine-shop stood looking at him, a white-haired man sat on a low bench, stooping forward and very busy, making shoes.

2. As I arose from the attempt, the mystery of the alteration in the chamber broke at once upon my understanding. I have observed that, although the outlines of the figures upon the walls were sufficiently distinct, yet the colors seemed blurred and indefinite. These colors had now assumed, and were momentarily assuming, a startling and most intense brilliancy, that gave to the spectral and fiendish portraitures an aspect that might have thrilled even firmer nerves than my own. Demon eyes, of a wild and ghastly vivacity, glared upon me in a thousand directions, where none had been visible before, and gleamed with the lurid lustre of a fire that I could not force my imagination to regard as unreal.

3. My steps had to slow now. I was closing the distance between myself and the lunging pair too quickly. I had a good loud scream, and I sucked in air, preparing to use it, but my throat was so dry I wasn't sure how much volume I could manage. With a quick movement I slipped my purse over my head, gripping the strap with one hand, ready to surrender it or use it as weapon as need demanded.
The thickset man shrugged away from the wall as I warily came to a stop, and walked slowly into the street.
"Stay away from me," I warned in a voice that was supposed to sound strong and fearless. But I was right about the dry throat --- no volume.

4. In there. The words hit me hard. In there was my best friend lying on the floor dead. The body. Now I could call it that. Yesterday it was Jack Williams, the guy that shared the same mud bed with me through two years of warfare in the stinking slime of the jungle. Jack, the guy who said he'd give his right arm for a friend and did when he stopped a bastard Jap from slitting me in two. He caught the bayonet in the biceps and they amputated his arm.

5. The commander's voice turned suddenly stern. Susan, I'm calling because I need you here. Pronto."
She tried to focus. "It's Saturday, sir. We don't usually--"
"I know," he said calmly. "It's an emergency."
Susan sat up, Emergency? She had never heard the word cross Commander Strathmore's lips. An emergency? In Crypto? She couldn't imagine. "Y-yes, sir."
She paused. "I'll be there as soon as I can."
"Make it sooner." Strathmore hung up.

6. "Sure they stop, but it ain't to eat. They ain't hardly ever hungry. They're just goddamn sick of goin'--get sick of it. Joints is the only place you can pull up, an' when you stop you go to buy somepin so you sling the bull with the broad behind the counter. So you get a cup of coffee and a piece pie. Kind of gives a guy a little rest." He chewed his gum slowly and turned it with his tongue.

7. A mile from the sea, where pines give way to dusty poplars, is an isolated railroad stop, whence one June morning in 1925 a victoria brought a woman and her daughter down to Gausse’s Hotel. The mother’s face was of a fading prettiness that would soon be patted with broken veins; her expression was both tranquil and aware in a pleasant way. However, one’s eye moved on quickly to her daughter, who had magic in her pink palms and her cheeks lit to a lovely flame, like the thrilling flush of children after their cold baths in the evening. Her fine forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big clear, wet, and shining, the color of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood–she was almost eighteen, nearly complete, but the dew was still on her.

8. How simple it would be if I could make the line fast, he thought. But with one small lurch he could break it. I must cushion the pull of the line with my body and at all times be ready to give line with both hands.
‘But you have not slept yet, old man,’ he said aloud. ‘It is half a day and a night and now another day and you have not slept. You must devise a way so that you sleep a little if he is quiet and steady. If you do not sleep you might become unclear in the head.’
I’m clear enough in the head, he thought. Too clear. I am as clear as the stars that are my brothers. Still I must sleep. They sleep and the moon and the sun sleep and even the ocean sleeps sometimes on certain days when there is no current and a flat calm.

9. Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.

10. Sir Tristam, violer d'amores, fr'over the short sea had passencore rearrived from North Armorica on this side the scraggy isthmus of Europe Minor to wielderfight his penisolate war: nor had topsawyer's rocks by the stream Oconee exaggerated themselves to Laurens County's gorgios while they went doublin their mumper all the time: nor avoice from afire bellowsed mishe mishe to tauftauf thuartpeatrick ...

1.Charles Dickens?
2.Edgar Allen Poe?
4.Norman Mailer
6.John Steinbeck?
7.F, Scott Fitzgerald?
8.Ernest Hemingway

10 James Joyce?

1. Tale of two Cities?

7. Tender is the Night?

8. The Old Man and the Sea?

[Daithi]

1. Charles Dickens, Tale of two Cities -- Hamlet 4 points
___A master of verbose narration and description with a love of punctuation.

2. Edgar Allen Poe, Title? -- Hamlet 3 points
___The master of using words to invoke a mood of horror.

3.

4.

5.

6. John Steinbeck, Title? -- Hamlet 3 points
___The hands down master of using dialog to tell a story.

7. F. Scott Fitzgerald, Tender is the Night -- Hamlet 4 points
___A master of using words to invoke a mood.

8. Ernest Hemingway, The Old Man and the Sea -- Hamlet 4 points
___Simple words that tell stories of great depth.

9.

10 James Joyce, Finnegan's Wake -- Hamlet 3 points; Poohbear 1 point
___The Jackson Pollock of literature.

Nice job Hamlet, taking a commanding lead with 21 points.

[poohbear_nc]

10. Finnegan's Wake?

[poohbear_nc]

4. Ernest Hemingway?

[Daithi]

Originally Posted by poohbear_nc

10. Finnegan's Wake?

That's correct!

[Daithi]

Originally Posted by poohbear_nc

4. Ernest Hemingway?

That one isn't correct.