At Tuppenny-hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-hapenny Cottage. Disaster and chaos, it seems, are just around the corner ...

Told with Amis's piercing wit and humanity, Ending Up (1974) is a wickedly funny black comedy of the indignities of old age.

Graham Greene’s masterful novel of love and betrayal in World War II London is “undeniably a major work of art” (The New Yorker).

Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful wife of a dull civil servant named Henry. Maurice claims it’s to divine a character for his novel-in-progress. That’s the first deception. What he really wants is Sarah, and what Sarah needs is a man with passion. So begins a series of reckless trysts doomed by Maurice’s increasing romantic demands and Sarah’s tortured sense of guilt. Then, after Maurice miraculously survives a bombing, Sarah ends the affair—quickly, absolutely, and without explanation. It’s only when Maurice crosses paths with Sarah’s husband that he discovers the fallout of their duplicity—and it’s more unexpected than Maurice, Henry, or Sarah herself could have imagined.

Adapted for film in both 1956 and 1999, Greene’s novel of all that inspires love—and all that poisons it—is “singularly moving and beautiful” (Evelyn Waugh).

"On the day after humans disappear, nature takes over and immediately begins cleaning house - or houses, that is. Cleans them right off the face of the earth. They all go."

What if mankind disappeared right now, forever ... what would happen to the Earth in a week, a year, a millennium? Could the planet's climate ever recover from human activity? How would nature destroy our huge cities and our myriad plastics? And what would our final legacy be?

Speaking to experts in fields as diverse as oil production and ecology, and visiting the places that have escaped recent human activity to discover how they have adapted to life without us, Alan Weisman paints an intriguing picture of the future of Earth. Exploring key concerns of our time, this absorbing thought experiment reveals a powerful - and surprising - picture of our planet's future.

Based on a true story, this never-before-translated masterpiece was overlooked for years after its author—a bestselling writer before World War II who found himself in a Nazi insane asylum at war’s end—died just before it was published.

In a richly detailed portrait of life in Berlin under the Nazis, it tells the sweeping saga of one working-class couple who decides to take a stand when their only son is killed at the front. With nothing but their grief and each other against the awesome power of the Third Reich, Otto and Anna Quangel launch a simple, clandestine resistance campaign that soon has an enraged Gestapo on their trail, and a world of terrified neighbors and cynical snitches ready to turn them in.

In the end, Every Man Dies Alone is more than an edge-of-your-seat thriller, more than a moving romance, even more than literature of the highest order—it’s a deeply stirring story of two people standing up for what’s right, and for each other.

This edition includes an afterword detailing the gripping history of the book and its author, including excerpts from the Gestapo file on the real-life couple that inspired it.

A wheelchair-bound Poirot returns to Styles, the venue of his first investigation, where he knows another murder is going to take place… The house guests at Styles seemed perfectly pleasant to Captain Hastings; there was his own daughter Judith, an inoffensive ornithologist called Norton, dashing Mr Allerton, brittle Miss Cole, Doctor Franklin and his fragile wife Barbara , Nurse Craven, Colonel Luttrell and his charming wife, Daisy, and the charismatic Boyd-Carrington. So Hastings was shocked to learn from Hercule Poirot’s declaration that one of them was a five-times murderer. True, the ageing detective was crippled with arthritis, but had his deductive instincts finally deserted him?…

Above the town, on the hill brow, the stone angel used to stand. I wonder if she stands there yet...
Hagar Shipley – an irascible, independent nonagenarian – has lived a quiet life full of rage.....

The Stone Angel is a compelling journey seen through the eyes of a woman nearing the end of her life. At ninety, Hagar Shipley speaks movingly of the perils of growing old and reflects with bitterness, humor, and a painful awareness of her own frailties on the life she has led. From her childhood as the daughter of a respected merchant, to her rebellious marriage, Hagar has fought a long and sometimes misguided battle for independence and respect. In the course of examining and trying to understand the shape her life has taken, her divided feelings about her husband, her passionate attachment to one son and her neglect of another, she is sometimes regretful, but rarely penitent. Asking forgiveness from neither God nor those around her, she must still wrestle with her own nature: "Pride was my wilderness, and the demon that led me there was fear." She has been afraid of being unrespectable, afraid of needing too much, afraid of giving too much, and her pride is both disturbing and inspiring. The Stone Angel is an excellent example of the realism and compassion present in all of Margaret Laurence's writing. -

For a year, the murder of Mrs. Yvonne Harrison at her home in Oxfordshire had baffled the Thames Valley CID. The manner of her death--her naked handcuffed body left lying in bed--matched her reputation as a women of adventuresome sexual tastes. The case seemed perfect for Inspector Morse. So why has he refused to become involved--even after anonymous hints of new evidence, even after a fresh murder? Sgt. Lewis's loyalty to his infuriating boss slowly turns to deep distress as his own investigations suggest that Mrs. Harrison was no stranger to Morse. Far from it. Never has Morse performed more brilliantly than in this final adventure, whose masterly twists and turns through the shadowy byways of passion grip us to the death. . . .

Every family has secrets, but now they are turning deadly...

On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence and Amberley believes her—at least until he gets drawn into the mystery and the evidence incriminating Shirley Brown begins to add up.

Why Shoot a Butler? is an English country-house murder with a twist. In this beloved classic by Georgette Heyer, the butler is the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled. Fortunately, amateur sleuth Amberley is as brilliant as he is arrogant as he ferrets out the desperate killer—even though this time he's not sure he wants to know the truth...

Moving back through the 1940s, through air raids, blacked out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941, The Night Watch is the work of a truly brilliant and compelling storyteller.

This is the story of four Londoners – three women and a young man with a past, drawn with absolute truth and intimacy. Kay, who drove an ambulance during the war and lived life at full throttle, now dresses in mannish clothes and wanders the streets with a restless hunger, searching. Helen, clever, sweet, much-loved, harbours a painful secret. Viv, glamour girl, is stubbornly, even foolishly loyal, to her soldier lover. Duncan, an apparent innocent, has had his own demons to fight during the war. Their lives, and their secrets connect in sometimes startling ways. War leads to strange alliances…

Tender, tragic and beautifully poignant, set against the backdrop of feats of heroism both epic and ordinary, here is a novel of relationships that offers up subtle surprises and twists. The Night Watch is thrilling. A towering achievement.

From the roots to the crown and back to the seeds, Richard Powers' twelfth book unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century timber wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive and almost invisible to us. This is the story of a handful of people who learn to see that world and are drawn up into its unfolding catastrophe.

On a dark midwinter’s night in an ancient inn on the Thames, the regulars are entertaining themselves by telling stories when the door bursts open and in steps an injured stranger. In his arms is the drowned corpse of a child.

Hours later, the dead girl stirs, takes a breath and returns to life.

Is it a miracle?

Is it magic?

And who does the little girl belong to?

An exquisitely crafted multi-layered mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s bestseller The Thirteenth Tale.

Goodread's blurb is a bit long-winded, but here's the link

Dazzling in its structure and shattering in its emotional force, Graham Swift's Ever After spans two centuries and settings from the adulterous bedrooms of postwar Paris to the contemporary entanglements in the groves of academe.

It is the story of Bill Unwin, a man haunted by the death of his beautiful wife and a survivor himself of a recent brush with mortality. And although it touches on Darwin and dinosaurs, bees and bridge builders, the true subject of Ever After is nothing less than the eternal question, "Why should things matter?"

A mysterious young widow arrives at Wildfell Hall, an Elizabethan mansion which has been empty for many years, with her young son and servant. She lives there in strict seclusion under the assumed name Helen Graham and very soon finds herself the victim of local slander. Refusing to believe anything scandalous about her, Gilbert Markham, a young farmer, discovers her dark secrets. In her diary, Helen writes about her husband's physical and moral decline through alcohol, and the world of debauchery and cruelty from which she has fled.

What do a dead cat, a computer whiz-kid, an Electric Monk who believes the world is pink, quantum mechanics, a Chronologist over 200 years old, Samuel Taylor Coleridge (poet), and pizza have in common? Apparently not much; until Dirk Gently, self-styled private investigator, sets out to prove the fundamental interconnectedness of all things by solving a mysterious murder, assisting a mysterious professor, unravelling a mysterious mystery, and eating a lot of pizza – not to mention saving the entire human race from extinction along the way (at no extra charge). To find out more, read this book (better still, buy it, then read it) – or contact Dirk Gently’s Holistic Detective Agency. ‘A thumping good detective-ghost-horror-whodunnit-time travel-romantic-musical-comedy epic.’ The author

Here's a lively, hilarious, not-so-reverent crash course through the great philosophical traditions, schools, concepts, and thinkers. Its Philosophy 101 for everyone who knows not to take all this heavy stuff too seriously. Some of the Big Ideas are Existentialism (what do Hegel and Bette Midler have in common?), Philosophy of Language (how to express what its like being stranded on a desert island with Halle Berry), Feminist Philosophy (why, in the end, a man is always a man), and much more. Finally it all makes sense!

A Welsh Benedictine monk living at Shrewsbury Abbey in western England, Brother Cadfael spends much of his time tending the herbs and vegetables in the garden—but now there’s a more pressing matter. Cadfael is to serve as translator for a group of monks heading to the town of Gwytherin in Wales. The team’s goal is to collect the holy remains of Saint Winifred, which Prior Robert hopes will boost the abbey’s reputation, as well as his own. But when the monks arrive in Gwytherin, the town is divided over the request.

When the leading opponent to disturbing the grave is found shot dead with a mysterious arrow, some believe Saint Winifred herself delivered the deadly blow. Brother Cadfael knows an earthly hand did the deed, but his plan to root out a murderer may dig up more than he can handle.

Before CSI and Law & Order, there was Brother Cadfael, “wily veteran of the Crusades” (Los Angeles Times). His knowledge of herbalism, picked up in the Holy Land, and his skillful observance of human nature are blessings in dire situations, and earned Ellis Peters a Crime Writers’ Association Silver Dagger Award. A Morbid Taste for Bones kicks off a long-running and much-loved series that went on to be adapted for stage, radio, and television.

For centuries Tibet has been known as the last home of mystery, the hidden, sealed land, where ancient mysteries still survive that have perished in the rest of the Orient. Many men have written about Tibet and its secret lore, but few have actually penetrated it to learn its ancient wisdom. Among those few was Madame Alexandra David-Neel, a French orientalist. A practicing Buddhist, a profound historian of religion, and linguist, she actually lived in Tibet for more than 14 years. She had the great honor of being received by the Dalai Lama; she studied philosophical Buddhism and Tibetan Tantra at the great centers; she meditated in lonely caves and on wind-swept winter mountains with yogi hermits; and she even witnessed forbidden corpse-magic in the forests. Her experiences have been unique.

As Howard Carter prepares to open the tomb of Tutankhamen, he broods on a variety of mysterious warnings. The most specific of these warnings takes the form of tales within tales within tales--tales of the mediaeval caliph Omar and his private physician, and tales of the Times of Ignorance, of the heretic pharaoh and the reasons why he rejected the gods of his fathers. . . the particular spins [Holland] puts on his own standard mythologies are ingenious, as is the way that he juggles known facts and standard theories to fit those spins. He creates a telling atmosphere of suspense in which we find ourselves caring in different ways about a social- climbing scholar, a warrior sick of killing and a princess desperate to survive on her own terms in a hostile court. Above all, this is ingenious in its use of the story-telling formulae of the Thousand Nights and One Night to tell a story that unfolds like a poisonous flower and sweeps us backwards and forwards through abysses of time and human anguish.--Roz Kaveney

Five nuns confront nature—physical and human—in a remote Himalayan convent in this bestselling novel that “bears comparison with A Passage to India” (Arthur Koestler).

Under the guidance of Sister Clodagh, the youngest Mother Superior in the history of their order, five European Sisters of the Servants of Mary leave their monastery in Darjeeling, India, and make their way to remote Mopu in the foothills of the Himalayan Mountains. There, in the opulent, abandoned palace where an Indian general housed his harem, the holy sisters hope to establish a school and a health clinic. Their aim is to help combat superstition, ignorance, and disease among the mistrusting natives in the village below, and to silence the doubts of their royal benefactor’s agent, the hard-drinking and somewhat disreputable Mr. Dean.

But all too soon, the isolation, the ghosts and lurid history, and the literally breathtaking beauty of this high, lonely place in the Asian mountains begin to take a serious toll on Sister Clodagh and her fellow nuns. And their burdens may prove too heavy to bear, exposing a vulnerable humanity that threatens to undermine the best intentions of the purest hearts.

The basis for the Golden Globe and Academy Award–winning motion picture starring Deborah Kerr, Black Narcissus has been universally praised for its poignancy, passion, and rich evocation of a time and place. An intensely human story of devotion, faith, and madness, this beloved novel by the New York Times–bestselling author of In This House of Brede stands among the finest fiction written in the twentieth century.

By the New York Times bestselling author of Room: A small Irish village is mystified by what appears to be a miracle but may actually be murder in this "fine, fact-based, old-school page-turner" (Stephen King).

In this masterpiece by Emma Donoghue, an English nurse brought to a small Irish village to observe what appears to be a miracle -- a girl said to have survived without food for months -- soon finds herself fighting to save the child's life.

Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl.

Written with all the propulsive tension that made Room a huge bestseller, THE WONDER works beautifully on many levels--a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil.

"Adam Nicolson writes popular books as popular books used to be, a breeze rather than a scholarly sweat, but humanely erudite, elegantly written, passionately felt…and his excitement is contagious."—James Wood, The New Yorker

Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek—and our—consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time.

Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the poems themselves and their metaphors of life and trouble. Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."

Written in Dickensian prose, This House Is Haunted is a striking homage to the classic nineteenth-century ghost story. Set in Norfolk in 1867, Eliza Caine responds to an ad for a governess position at Gaudlin Hall. When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong.

From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin’s walls. Eliza realizes that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past. Clever, captivating, and witty, This House Is Haunted is pure entertainment with a catch.

The Shepherd's Life: A Tale of the Lake District is an autobiographical book by James Rebanks, a sheep farmer from Matterdale, Cumbria, England, published by Allen Lane in 2015.

Rebanks writes that he was moved and inspired by another book with almost the same title, A Shepherd's Life by W.H. Hudson, who wrote about sheep-farming in Wiltshire in the early years of the 20th century.

Rebanks describes the traditional way of life of shepherds on the Cumbrian fells and vales, and his determination to continue to farm where generations of his forebears had done.

Following the tremendous popular success of Jane Eyre, which earned her lifelong notoriety as a moral revolutionary, Charlotte Brontë vowed to write a sweeping social chronicle that focused on "something real and unromantic as Monday morning." Set in the industrializing England of the Napoleonic wars and Luddite revolts of 1811-12, Shirley (1849) is the story of two contrasting heroines. One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.

In J. L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

The bestselling story of Julia’s years in France. ..... Julia Child was not always a master chef. Indeed, when she first arrived in France in 1948 with her husband, Paul, who was to work for the USIS, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever with her newfound passion for cooking and teaching. Julia’s unforgettable story—struggles with the head of the Cordon Bleu, rejections from publishers to whom she sent her now-famous cookbook, a wonderful, nearly fifty-year long marriage that took the Childs across the globe—unfolds with the spirit so key to Julia’s success as a chef and a writer

Forty Fathoms Deep is part of the story of the pearl seas of north-western Australia. In all but a few instances, I have used names well known in the pearl world of Broome, but have taken care not to hurt susceptibilities. I am conscious I have only gleaned in a field rich with romance. There is material for many books in the adventurous lives of the men who have built up the history and industry of Broome. It is to be hoped that someone more persuasive than I will induce them to sit down and write, or, failing that, sit and talk for the enlightenment and entertainment of fellow Australians.

I am greatly indebted to numerous friends in Broome who have helped me with material and who went to such pains to get for me authentic data.

Hail and farewell, with a warm heart, to Con and old Sebaro, and to all the divers and tenders and seamen who were so patient at explaining the many things I desired to see and know.

To all, a fair wind and a hungry market when the fleets put to sea!

ION L. IDRIESS.