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#121 |
Guru
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@Enlil S Enki - good post.
Another thing that most of us are forgetting, because we are children of our times, is that, like so many other things which we think are eternal because we have known them all our lives, like telephones, CDs, computers, people living from writing books is a relatively new phenomenon, and is a lot younger than the invention of the printing press which made it possible. I would go so far as to say that it is largely a 20th century phenomenon. And even today there are far more people who write even though they don't get paid for it than there are those who do it for a living. Almost every indie publisher is such a person. I am one myself. Sure, we might have a dream that our latest product will catch on, sell a jillion copies, get filmed for another jillion and we'll achieve economic independence, like a Britney Spears movie, but most people write because they enjoy it and want to share a story or a point of view. Copyright is primarily defended to protect a publisher's income, not a writer's, although if you ask any writer who has managed to make it big, they may well have a different point of view. |
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#122 |
Feral Underclass
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I don't see why. Even if the only people who turn to piracy are the people who are currently buying second hand paperbacks it would still make sense to look at ways of monetising those downloads. And if you doubt that anyone would write just because of a desire to create, you only need to look at all the free fiction on Smashwords or on blogs, or the fanfic sites. None of that stuff will ever make its creators any money, so by your logic it was obviously never written.
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#123 |
Feral Underclass
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#124 | |
Feral Underclass
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#125 |
The Dank Side of the Moon
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#126 |
Grand Sorcerer
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#127 | |
Wizard
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What logic... barely said a word, was laughing too much at idealistic, ludicrous unrealism... and as far as much of the free fiction around, it's worth what it costs, still doesn't make a scrap of difference to the right of anybody to be paid for their work whether an author, sculptor, painter, surgeon, street cleaner or a Mr Ploppy...
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#128 | |
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#129 |
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The problem with copyright is it tries to create artificial scarcity. That worked with paper books, (I know that copyright covers more than books) but with digital books its almost impossible and usually impractical. With some mediums, like music, television, and movies, creators can still create scarcities. Musicians can make money from live performance and merchandise. The primary profits for movies comes from theaters, where moviegoers pay for the experience more so than for the movie. And of course television makes its money from advertising.
As far as things like books, pictures, web designs, etc, I don't know how you can create scarcities. Cory Doctorow says that the most valuable asset a writer has is his relationship with his readers--that if an author connects with his readers they will buy his books even if they could get them for free. To put it another way, you are less likely to steal from someone you know and like then from a stranger. This strategy works for writers like Doctorow and Peter Watts, but I don't know how it would work if most writers were doing it. Its one thing for a few hip and transgressive individuals to do something, but its entirely different on a large scale. As far as the moral arguments, I don't see how you can logically argue that we should pay for works that we can get for free just because that is the right thing to do, and then say that a system based on freely giving and taking is impossible because people are immoral or are apt to take more than they give. Your trying to appeal to someone's morality because the alternative system they propose cannot be supported because of their inherent and immutable immorality. So this is the problem: a market system is based on the notion that everyone acts in their own self-interest. What's better than free? You can argue that in the long run not paying for stuff would have disastrous consequences for society, but in the long run we are all dead. I don't really have much of a point actually. I'm just wondering about how much government policing and control over the internet people will put up with to ensure there is no piracy. Sometimes copyright defenders can be overzealous, but I also think its clear that many sites that free-culture advocates defend (thepiratebay, megaupload) are dedicated to pirating and probably should be shut down. |
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#130 |
The Dank Side of the Moon
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#131 | |
Reader
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Quote:
With physical property scarcity is natural. The paper book isn't scarce because it's copyrighted. It's scarce because printing a book is fairly impractical for most people. The copyright covers the remainder of the people for whom it is practical. It permits the author to seek compensation through the law. The point there being that If I choose to labor, I have a right to the fruits of my labor. If it's in a field it might be the literal fruit of a tree, or money the owner of the field agreed to pay me. If my labor is writing a book, I am entitled to the fruit of that book so far as I can make it and the value of copyright is that another can't lawfully take that work and claim it as his own (whether he claims authorship or ownership). So I can write my book, and choose what to do with it. I can do the same with the fruit I pick off the tree (tree ownership, field, etc. notwithstanding), it's my labor and my choice what to do with the result. If no one is willing to exchange for my work, than a copyright is valueless anyway. On the other hand, there are many who will abuse copyright law for outside of it's intentions. (Also, I'm pretty sure we're on the same side of the argument here...) |
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#132 | |
Master of Disaster
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#133 |
Master of Disaster
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#134 |
Master of Disaster
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I thought the OP's first post was one of the most creative and best posts I've seen on this forum, if a little idealistic and unrealistic (allright, very idealistic, this captalist money-driven world is far from his lofty ideas but they're still worthy).
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#135 |
Master of Disaster
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