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#61 | |
Apeist
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If you sell paper books to end-users, you are probably aware, that in the real world, there are some readers who will go to their local library, and borrow books, instead of purchasing their own copies. Others will share their printed copy with a number of friends/relatives, thus also costing you potential sales. If you raise your price for a book, more end-users will chose to forego purchasing it, and will use alternative means to obtain it. At a certain price-pint, you'll fail to make a sail with the majority of your readers. Thus, in the real world, businesses adjust their prices, so that they maximize their profit, while taking into account the alternatives available to potential customers. But just like the music companies, many of the publishing houses see the digital world either as scary niche, or as a way to increase profits by reducing the costs, or as a way to strip some of the consumer right established for physical medium, and often as all of these. And they have figured out, that it is easy to influence law-makers to pass laws distorting the market, and stripping consumer rights conferred by the courts (DMCA,) particularly if most of the current constituency is not totally clear on the long-term ramifications of such legislation, and doesn't pay attention. Piracy correlates with price: the higher the price, the more likely a user is to "pirate." If the price is low enough, the majority of users will rather pay, than engage i piracy. There is a price point, where e-titles can be sold at a profit, and most users will pay, rather than pirate. And it is NOT at a point higher than the price of a printed paperback. The arguments by some publishing executives, that the cost of e-books is not substantially lowered by the elimination of printing, storage and distribution, are an insult to the consumers' intelligence. It's about as valid, as arguing that EVERY "pirated" copy downloaded, is a lost sale. I don't condone piracy, but in some instances, I believe "piracy" can act to level the market. Last edited by Sonist; 05-18-2009 at 03:07 PM. |
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#62 | |||||
"Assume a can opener..."
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So no, if the only way I can "talk to"/influence the thinking of businessmen is by speaking only in the most veiled terms about the fact that an alternative to them exists, and otherwise portraying myself to be some perfectly innocent, misunderstood/wronged-feeling person, then my point was mostly that I'm not interested in talking to them; if they really aren't able to look past the face the consumer presents they a. shouldn't be in business, and b. most likely are applying double standards, which is boring. I can't take people that have to be treated as children seriously, nor can I respect them. Last edited by zerospinboson; 05-18-2009 at 04:30 PM. |
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#63 |
Provocateur
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Actually, price if only half of the equation. The other half is ease of piracy. Before the advent of ebooks, pbooks were not widely pirated. This suggests that their price was "correct". But if you ask the average consumer if they're rather pay $25 for a hardback or $1 for a pirated hardback that was just as good, they'd chose the $1 one. The problem is, you can't make pirated hardbacks for $1.
Ebooks allow you to make ebook copies for $1. $0, really, if it's already in ebook form. So that's why publishers use DRM and try to shut down torrents. If you insist on ebooks being easily copyable, then publishers will have to compete on price with the $0 pirated ebook... and no one knows whether that's possible or not. There's some evidence that enough people will pay $1 or even $5 for an official ebook over a $0 pirated one, but we have no way of knowing if the industry can profit at that price point. Convenience also plays a role... even though pirated ebooks are free, the average consumer is not computer savvy enough to know how to get them. Legal action from publishers forces distributors of pirated ebooks not to advertise themselves openly on most websites with simple one-click downloads. |
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#64 | |
Member Retired
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Last edited by Jaime_Astorga; 05-19-2009 at 11:50 PM. |
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#65 | |
intelligent posterior
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#66 | |||||||
Member Retired
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I support an author's right to be the only one to profit from a work; pirates who make copies in order to resell them for profit are the scum of the earth, providing neither freeness nor compensation for the author (the benefits of piracy and legal sales, respectively) and instead merely doing a job. And I support an author's right to be recognized as such; it is with good reason that plagiarism is considered the ultimate sin of academia. But when the author tries to prevent others from sharing the words that they wrote, I feel they have crossed the line. The work should now belong to the entire world, able to be read at leisure by people everywhere regardless of whether they have the disposable income to pay for it or not. And it is a foolish endeavor, at any rate, since the technological, social, and political realities are such that preventing filesharing from being possible is doomed to failure. Quote:
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#67 | ||||
curmudgeon
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I can't tell from your user info what country you are posting from. Perhaps you may not be aware of the public policy justification for the basic concept of copyright here in the US. It may be different in other countries, I don't know details elsewhere. Copyright in the US is an explicit trade: Content creators get a temporary limited property right in the content they create, thus "ensuring" that they have the opportunity to profit from their work. In exchange, all content enters the public domain on expiration of copyright. The key idea -- which is explicitly stated in the Constitution, by the way -- is that the opportunity for profit is intended to provide an incentive for content creators (writers, artists, programmers, etc.) to create more content. For the creators, it's a chance to make more money. For the public, it's a chance both to have paid access to the content early on, and free access to the content later. Thus, here in the US, if you are "pirating" content you are reneging on the Public's side of the deal by failing to compensate the creator according to the terms he has set. That's the "[...] property right" part above. Libraries, access for the blind and disabled, and fair-use access fall under the "limited" part of "limited property right." So, in the US at least, "idea of needing an author's permission or approval to distribute their work" is far from being ridiculous -- it's a key aspect of our legal approach to encouraging production of interesting and useful (and even enjoyable!) content. With the exception of traditional fair use (see below) we very deliberately treat copyright in its literal meaning of "the right to make copies" as an ordinary property right with all the obvious legal implications. Libraries aren't a counterexample, because they fall under traditional fair use. Using content for parody or satire may be done without permission from the copyright owner -- but the copyright owner must nevertheless be paid for the use of the work at the same rate as if the use had been made with permission -- fair use rights again. Similarly, lending a book to a friend, format and time shifting music or video (for personal use only!), making mix tapes for (personal use only!), quoting reasonable-size portions (up to 1000 words or 50% of a work whichever is less is guaranteed OK; larger portions may or may not fall under fair use) of a work for critical or educational use -- all due to traditional fair-use rights as articulated in various court rulings. Those same court rulings tell us that there are other fair-use rights not yet articulated. But wide-scale distribution without permission of the copyright owner is certainly not one of those fair-use rights -- we have existing case-law that clearly shows that. Quote:
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<deep breath...> On top of all that, you lose the moral weight of saying that the principal of refusing to deal with stupid idiots and broken business models is more important than being able to consume the content they are trying to sell to you. And that moral impact is the best chance you have for getting the attention of legislators and the press. The press loves a boycott. It means there's a controversy, and controversy sells papers (and news shows, and web sites, and...). It gets the attention of legislators too. After all, people who care enough to forgo the latest Steven King novel (or pop tune, or whatever) might also care enough to vote against a legislator who doesn't support their position -- and potential loss of (a significant number of) votes carries even more weight than large corporate donations. Really. We've seen it happen before in plenty of places. So if you actually want to change the system, hit the big-content idiots in the pocketbook AND the press AND the legislatures. And that requires a boycott. Piracy hits them a little bit harder in the pocketbook, but loses the other two factors. And you really need all three to achieve a sensible change. For just one example, piracy might lead to modestly saner business models... but it certainly won't do anything to help with the excessive term of copyright! Quote:
Xenophon |
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#68 |
Zealot
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Some math and statistics professors already offer their own books they wrote from years of teaching, so its readily available for free and legal as well. This would be the only aspect of kindle I would endorse here. The other route would have to be Dover publications for their years of making past text books accessible for less than 20 U.S. dollars in paperback form. Now if they can get on board the kindle might be worth it, but so far I don't like the kindle, it has no functionality with the text, I can't highlight or write on the pages like I can with a real book.
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#69 |
Al
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In the early days of educational software, the author of the work got to sell one copy per high school, who then made copies for all the students. Their justification was that "schools cannot afford separate copies" and so they just stole them. Next authors stopped writing educational software at which point the teachers complained that they didn't have any. I said at the time to the teachers who were stealing the material that they should learn how to program and write the courses themselves, giving them to the school system since they knew in advance they were not going to be paid for their effort. I was not surprised when they refused to do that. Everybody lost in that scenario, and it was not until programmers added copy protection AND made site licenses at a reasonable price that any way developed again.
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#70 |
Al
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My brother was a geology professor. He lived under the "publish or perish" environment of the university system. He spent years writing a text book in joint authorship with the head prof and then could sell all of 50 copies at a time. His readership was sharply limited. Even if he had been able to capture the entire US geology market, he would still have sold a limited number of copies, which he didn't get much of a royalty on anyway, considering all the glossy paper and graphics it included. Would any of the pirates out there write a book with a guarantee of making less than $100 a year off of it? Not only no, but hell no. We're not talking about a romance novel that gets cranked out in 3 months, but years of research, learning, drafting and writing. Piracy cannot be justified under any heading. Piracy=Theft. You're a pirate, you're a thief.
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#71 | |||
"Assume a can opener..."
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If you want to become rich, write trash novels, or perhaps write something slightly more informed, like Jared Diamond (though I find this guy overhyped) or Neal Stephenson does; if you want to work in a field like academia, write journal articles (and sometimes books). If you write well, you might be rewarded, but the point of the exercise is and can never be the reward, it's the proliferation of knowledge/understanding. Quote:
Repeat after me: Infringement (1: the act of infringing; violation, 2: an encroachment or trespass on a right or privilege) is not theft (1a: the act of stealing; specifically: the felonious taking and removing of personal property with intent to deprive the rightful owner of it, 1b: an unlawful taking (as by embezzlement or burglary) of property). Last edited by zerospinboson; 05-22-2009 at 08:32 PM. |
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#72 | |||||||||||
Member Retired
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Xenophon,
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Besides, as you mention, all this takes place "here in th US." However, piracy is a global phenomenon. People in South America and Asia constitute a high number of the global pirate population, and I bet they have even less regard than I do for the copyright clause of the American constitution. A Brazilian friend of mine (who shall remain unnamed), in reference to pirating games from Nintendo (I assume the English Nintendo of America translations), once said "yeah, I'm a brazilian... we don't care about the money the big N is losing... they don't care about us having no money, so there... =P" Quote:
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~Jaime Last edited by Jaime_Astorga; 05-24-2009 at 06:50 PM. |
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#73 | |
Grand Sorcerer
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I'm aware that most music sampling doesn't count as "critical or educational use," but some is definitely critical--and the ability to use up to 1000 words of a movie or 50% of a song for educational uses would be a great boon to many college students & professors, some of whom are being told that they cannot use any direct quotes at all in their papers, to avoid lawsuits. |
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#74 |
curmudgeon
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@elfwreck: No, I do not have a specific ruling. There may be one (or several), but... I am not a lawyer so take what follows with the appropriate wheelbarrow-load of salt.
I've been given that rule of thumb in many venues, starting in grade-school (in Utah). Same r-o-t later on in high-school in California. Then as an undergrad at CMU. Then again, 15 years later as a grad-student at CMU (in that IP seminar I've mentioned many a time). Please note, by the way, that the rule-of-thumb applies to written works only so your movie or song example wouldn't fit. I seem to recall that song lyrics and poetry may have different rules (but I can't remember whether that's because of differences in their nature or because their rule of thumb came from a different court case). The issue of "college students & professors, some of whom are being told that they cannot use any direct quotes at all in their papers, to avoid lawsuits" is different, however. The rule-of-thumb I gave addresses the question "am I likely to prevail in court if someone were to sue me over this quotation?" If the question that concerns you is "Am I likely to be sued over using this quotation?", all I can do is to observe that any fool can bring suit for any d*mn thing they like. So if avoiding suits in the first place is the primary concern it may indeed be best to skip the direct quotes. On the other hand I would expect that any sane college or university has an explicit written policy on the subject, and will defend faculty, staff, or students who have obeyed that policy but are nevertheless sued for copyright violations. That seems like basic academic freedoms to me. And it's certainly what my University does. Xenophon |
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#75 | |
curmudgeon
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@Jaime_Astorga:
On the subject of a boycott: Of course you'll never get a general boycott in which all current "pirates" engage in a boycott instead. Fortunately, you don't have to! All it takes is a (good sized) bunch of former "pirates" joining together with outraged non-pirates in an identifiable organization. And that organization then needs to make a fuss. In the press, by polite notes to publishers telling them about lost sales. By... Nevermind. There're lots of writings on how to organize an effective boycott for anyone who wants to give it a go. I response to my observing that it's always easier to to try to have it both ways, you wrote (in part): Quote:
A second way to lose would be for continuing piracy to cause the big publishers to go even farther off the deep end with DRM and with legal sanctions and enforcement. The big lose there might not be for those who are willing to "pirate," by the way. It might instead be a big lose for those of us who believe that it's worth compensating authors for their work (by making reasonable use of content impossible or onerously difficult and expensive). And that could all too easily lead to my prior scenario, thus giving us two losses for the price of one! These next remarks are limited to areas I know something about: fiction publishing and Jazz and Classical music published by small labels. I make no claims about big record labels, big Hollywood, textbooks, etc. That said... If you grab a royalty-free (e.g. "pirate") copy of a book (or record/tune) (without the author/composer/performer's permission, of course), you're taking money directly out of the hands of an author/performer/composer who almost certainly needs it as badly as you do. You aren't "sticking it to the man" or "striking back against the system" or even "making a political statement about copyright." You're deliberately choosing not to pay for something that you valued enough to spend your time on. The vast majority of those artists aren't big stars. They aren't making big money off their art. They are ordinary folks who are trying to make ends meet. The ones who are wildly successful are making the equivalent of a good professional salary, that's all. Similarly, the vast majority of the publishers and small record labels who bring us those books and tunes are reasonable, decent folk who are trying to seek out good content and bring it to market (while making a decent-but-not-spectacular living along the way). This isn't the world of record-label contracts that screw the band, or of publishers with zillion-dollar advances for big stars, but no money for "quality stuff." These are the folks who are trying hard to provide "quality stuff" for their markets. If it's worth your time to read (or listen to!), it's worth your money to pay for it. If you don't have the money, get it via one of the free-and-legal venues (like a library)! That's why the limits on the copyright holder's "limited property right" leave library lending entirely legal. Xenophon |
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