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#61 | |
Maria Schneider
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![]() The author gets one of the smallest pieces of the pie--7 to 15 percent of a book sale. The vast majority of midlist authors cannot make a living just on fiction sales. I base this on surveys and a number of midlist bloggers. It can depend on family size and circumstances, but in general, it's very difficult. I thought making 70 percent of 2.99 might help me make the grade. Well, turns out that I would have to sell a lot more books than I do. The social security taxes on the income is 15 percent--right off the top, with nearly no expenses that can be written off of it (you can write off expenses against federal income taxes). Then there's food to buy, rent or house payment... Just not that easy. For a trad author that 15 percent still has to be paid--AND if they have an agent, there goes another 15 percent off the top. They are now down 30 percent of the 7 to 15 percent of a book's price... |
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#62 | |
Grand Sorcerer
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#63 |
Wizard
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More authors would be able to make a living if publishers would be less greedy. As long as there are those that are willing to work for less publishers will have the upper hand.
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#64 | |
Wizard
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Coke and pepsi sell only their own manufactured products AFAIK. Publishers of fiction sell products produced by many authors. Harlequin is the only publisher that comes to mind with a really strong brand name recognition although some pulp magazines probably qualify as well. I am sure there are many others but.... I do not buy a fiction book based on the publisher. I do not say to myself, here is a book published by xxx so I know I will enjoy it even if I don't like the author/genre because I bought a book from them last month and it was good. In general I have been blissfully unaware of the actual publisher when buying a book or borrowing from the library. I don't see that changing. Of course I don't buy Coke or Pepsi simply because there are more of them on the shelf or they are on sale. Helen |
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#65 | |
Philosopher
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It might be the case that the publishing industry as a whole could be better off if they could limit the number of authors, I don't know. A monopoly could do this, but with multiple companies, if any one of them limited the number of authors, that would simply mean a smaller share of the pie. |
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#66 |
Award-Winning Participant
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<Never mind--I didn't read all five pages....>
Last edited by ApK; 03-08-2012 at 03:03 PM. |
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#67 | ||
Wizard
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I have lived in towns that no books are sold(2011), and towns with only one little small rack of books. The little small racks do carry several publishers in my experience but they probably come from one distributer. |
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#68 |
Grand Master of Flowers
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There are around 250,000 books published by publishers in the US every year. The best number I could find on the internet suggested that there were 50,000 novels published every year. If 5% of these authors made a living, that would be 2500 self-supporting fiction writers.
However, other sources suggest that 70% of authors don't earn back their advance. http://www.nytimes.com/2009/04/12/bo...w/Meyer-t.html This would mean that 30% of authors *would* earn back their advance. Average advances tend to be in the $30-40,000 range (with some obviously being much greater). This would mean that 15,000 authors would make at least that much money. (And the remainder would still get their advance). So on this scale, 5% looks too low. However, it's not enough to get a, say, $50,000 advance; to make a living, you need to get a $50,000 advance *every year.* Or a much larger advance less frequently. So 5% may be an accurate percentage of those authors who can make enough from their writing to live off of it for a, say, 10 year period. |
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#69 | |
Maria Schneider
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Taxes are so dang complicated. But thanks for the input. I hope I can figure out what I'm doing wrong, assuming I'm doing something wrong. But the biggest expenses (printing galley proofs and mailing them to editors--which is a very large part of expenses, doesn't seem to deduct at all. I may be entering it wrong, of course because it's nearly impossible to figure out where everything goes.) |
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#70 |
Maria Schneider
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But the publishers have to pay editors, editor pensions, healthcare, office space, and keep shareholders happy. They are doing their job in negotiating the best that they can for their own gain. Let's face it. There are more willing authors than there are publishers to publish them. That means things are skewed toward the publisher.
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#71 | |
Maria Schneider
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It's a difficult business, which is why so many authors have day jobs. It isn't just the actual income--it's the things like retirement, healthcare and the higher out of pocket expenses (things like websites, higher social security taxes, agents and any marketing the author decides to do.) |
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#72 | |
Grand Sorcerer
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#73 |
Chasing Butterflies
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It probably depends on the cost of living in your area, too.
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#74 | |
Wizard
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#75 | |
Grand Sorcerer
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Edited to add: Oops, I see I'm basically repeating information! |
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