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#16 | |
New York Editor
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But meanwhile, it's a sensible deal for the folks involved. Amazon is the world's largest catalog retailer, and largest book retailer. A lot of folks look there first for the selection and convenience. you have to start something like this somewhere, and Amazon is a reasonable place to start. There's an exclusivity period. The question is what sort of expansion we'll see after the exclusive period ends. ______ Dennis |
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#17 |
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So if RandomHouse is disputing the rights...should we back them up/strip DRM?
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#18 |
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I would bet it is simply economics. The Kindle format has, say 70% of the market, so if exclusivity gives them a 50% larger royalty, they do better accepting exclusivity.
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#19 | |
New York Editor
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RH had the rights to the paper editions, and claimed they had the ebook rights as well. The contracts on which the rights were based had been signed back before ebooks were even a gleam in anyone's eyes, and a judge decided they did not cover electronic editions. If RH is disputing this, I don't see them getting far. ______ Dennis |
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#20 | |
New York Editor
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______ Dennis |
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#21 |
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This is a natural step to take once you've decided that you want to go the exclusive format route. Again...and I'm sorry to keep trotting this old analogy out...we've seen exactly this behavior before in the Beta vs. VHS war. Each format tried to sign up exclusive deals with studios to force fans of those films to buy their format. Some studios bit and made deals.
The tactic doesn't work. Buyers are soon faced with a no-win situation in which they need A's machine for movies from Studios 1, 3, and 5, and they need B's machine for movies from Studios 2, 4, and 6. Some people choose one way and some choose the other, and lots of people just sit back and say, "When you get your s--t together, let me know, and until then, I'm not buying from either of you!" So the market is still split, and it's also made smaller because of the people who sit it out, waiting for the dust to settle. Look for B&N to announce their own exclusives soon. " Those who cannot learn from history are doomed to repeat it. Those who do not remember their past are condemned to repeat their mistakes." |
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#22 | |
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When Covey made the same move last December the print publisher made similar comment. Six months later, still no legal action. The judge in the Rosetta case was pretty clear that an author could hardly have given away ebook rights in a contract signed before tthere were commercial ebooks. The only straw they have to grasp onto is a vague non-compete clause originally intended to limit taking print rights to another publisher. And non-compete clause are generally interpreted very tightly when upheld which isn't often. http://www.publishersweekly.com/pw/p...-e-books-.html http://www.nytimes.com/2009/12/13/bu.../13ebooks.html |
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#23 |
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They already have.
Remember PubIt? http://www.barnesandnoble.com/pubit/index.asp Anybody really expect B&N PubIt editions to show up on amazon? Or Amazon Encore ebooks to show up at B&N or Sony? B&N is going into the publishing business, just as Amazon, and just as a whole bunch of other Agents. It is an unavoidable side effect of the BPHs fight over royalties on ebooks and the Price-Fixing scheme. |
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#24 | |
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And by head hunting, I mean they're watching the book circles for authors who are self published, POD, and PTP, as well as some authors who are published with small houses like myself. So what are they looking for? Successful authors. Simply put, if you can succeed at self publishing, POD, or PTP, and even SPH to some degree, they're interested in you. And here's the general breakdown of success based on my own research. The actual numbers will vary by publisher, but this does act as a reasonable guide to show you how they do their research. And these numbers are based on the minimum total sales within a single 12 month period required to elicit the listed response. 20,000+ books sold. Publishers will put you on a "watch" list. If your sales remain steady or increase, you may get bumped up to the next level. If they taper off, you'll get dropped. 100,000+ books sold. Publishers will put you on an "interested" list. It's a type of "short list" for unsigned authors they may be interested in contacting in the future based on your sales record. In some special cases, depending on your genre, and their needs, some publishing houses may come to you and query you about publishing with them as you're a proven success. If they do, read the fine print, make sure the contract is good (if not, negotiate one that is good), and then sign. 250,000+ books sold. This is best seller status. If you can sell that many books in one single 12 month period, you'll have publishers beating down your door in order to try and sign you. I say that because, if you're self published, POD, or PTP and you sell this many, then you're a proven seller and they see no risk in signing you. 500,000+ books sold. Same as previous, but this only applies to you if you're published through a small house, as they've got some extra marketing muscle to help your book succeed, so the BPH's take that into account when considering you. Anywho, those numbers are based off my observations and are dependent on the BPH in question. But either way, it's a good goal to shoot for. ![]() I honestly think that in 10 years or so, the only way to get into a big house, sign with an agent, or even get into a small house in some cases, will be to first self publish, and then prove yourself as an author. Now I may be wrong, but I'm willing to bet that's where they'll both go in the near future. |
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#25 | |
Grand Sorcerer
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Wheee! Sounds like fun! ![]() |
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#26 | |
Bookaholic
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#27 | |
Grand Sorcerer
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Of course they feel strongly about it. Their corporate life is flashing before their eyes. Don't think it will do any good in the long haul... |
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#28 | |
Grand Sorcerer
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This is what an engineer would call "a self defeating critera". Stop and look at this from an author's situation. If I'm self publishing and are getting 20,000+ sales a year, I ought to be getting at least a couple bucks a book. That's $40,000 a year. At 50,000+ a year, that's $100,000 a year. At that point, why do I need a BPH? And any more sales just make it worse. Why would an author making that many sales even think about the low rates of a BPH? Advances? You already have the cash flow... Last edited by Greg Anos; 07-22-2010 at 11:54 PM. |
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#29 | |||
Sci-Fi Author
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With SP, POD, and PTP, you not only risk your own capital, but you also have to do all the legal stuff (unless you get a book lawyer), and PR stuff (unless you hire a PR firm familiar with book marketing) yourself. And if you choose to outsource it to a book lawyer, or literary PR firm, then that's more money out of your pocket. But as stated before, the potential returns more than make up for that. ![]() |
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#30 |
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and Pirate Bay.
You forgot the “Can you just copy that onto beta for me” group. I think that any kind of restriction will only serve in teaching those not inside the exclusive group on how to get an illegal copy. And once learned you can't unlearn. Martin Last edited by krischik; 07-23-2010 at 05:50 AM. Reason: manual multi quote |
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