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#136 | |
Grand Sorcerer
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![]() Failing that, much of that info can be found through Google, Bing, or Wikipedia. Finding good reads is not hard at all. One trick I figured out way back when I was educating myself about SF is to take the author names out of a popular/well reviewed anthology and track down their works. For the teenager I used to be that meant the campus library card file and writing the publishers for copies of their consumer newsletter/catalog. Today that means going online--a lot easier. Brain surgery it ain't... |
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#137 |
eBook Enthusiast
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Why do you think it is that so many indie authors have lousy grammar and spelling? Unless you do have a problem like dyslexia, it's pure laziness not to learn to spell and use grammar correctly. Why are there so many indie authors who can't be bothered to get it right? That's what I can't understand. Surely if you want to be a writer, it's in your own interests to learn how to use the "tools of the trade", and those for an author are the use of language.
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#138 |
Addict
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For me there's grammar and then there's grammar.
The precision and strictness many people are taught to utilize in/for school/academia is not always the best way to communicate in a narrative form. Strunk & White's Elements of Style is useful, but it's not a great manual on how to write narrative fiction. Certain mistakes of grammar/spelling/style/usage are absolutes for me (I won't belabor them here): #1 - know the spelling and meaning of the word you want to use. Its/it's, there/their/they're, to/two/too are pretty easy to master and understand. But I'm not a stickler about split infinitives, beginning a sentence with a conjunction, or ending one with a preposition. Sometimes style and effective communication trumps strict grammar. You should have a strong grounding in the "rules" before you can decide when it is proper and effective to bend or break them. |
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#139 | ||
eBook Enthusiast
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#140 |
Grand Sorcerer
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#141 | |
Grand Sorcerer
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Academic writing is a specialized form of writing with more stringent rules. |
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#142 | |
Tea Enthusiast
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I am not nearly as prolific a reader as many of the people on this board. Before having a child, I was reading between 50-60 books a year. OK, only on a board like this would I consider that not prolific but that is beside the point.... There are plenty of main stream published books to hold me over. Sci FI and Fantasy recommendations from friends and family have led me to some cool finds. But none of them read independent authors and I doubt mainy of them would have a clue where to start. Let's pretend that I am someone who is just developing an interest in reading. I walk into a bookstore or the library. There are shelves of books that are recommended by employees, librarians, or book lists. That is probably were I start. From there, I probably get a better feel for what I like and don't like and start searching on Amazon or at Barnes and Nobles or I go to my local Indie store and say "I really liked book X, what would you recommend" More likely than not the recommendation is going to be published by a main stream author. How would you guide that person to the world of independent authors in a manner that would help them find a good book that would make them want to do the work to find more books like that as oppose to browse the aisle at BN? Because I am that person who is interested but I really don't want to spend a ton of time reading sample after sample and not finding anything interesting. I tried that. It didn't work. heheheh I have said that I hired proof readers to look over my professional work, right? |
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#143 |
Wizard
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Thanks, Crich. I guess my biggest problem is getting the word out that the book exists. I have a wonderful cover from a professional writer, and a dynamite blurg - I think people just don't know abut it. I'm trying a Goodreads giveaway, so we'll see how that works.
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#144 | ||
Grand Sorcerer
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![]() Find a book whose genre/description/premise interests you (forget whether it's indie or trad) ... download the sample ... if they didn't butcher the language in that chapter and you still find yourself interested in the story, consider purchasing the book. When you then find an indie author whose work you enjoy, chances are they'll have an online presence/forum of some sort where fans will be discussing other similar works they enjoy. Boom ... you're on your way. In short, if you often rely on recommendations from friends and you'd like to find some quality indie authors, then you might need to make friends with other readers who read indie authors. Online or otherwise. There's some here, and there's usually some to be found on every "Other Authors" section of every traditionally published author's online forum (official or un-). |
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#145 | |
Maria Schneider
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The way I help them is to ask what genre they like and then suggest some good indie titles (assuming they are open to indie titles). That isn't hard for me to do usually because I read a pretty wide spectrum. I'm weak in thrillers, these days because I don't read them much anymore. Probably a bit weak in romance, but I have read some decent ones. I can't always help, but that's the way I go about it. |
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#146 |
Maria Schneider
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I used to use the sample method, but gads. It's a time suck. For whatever reason, I've switched to lendleme. I don't bother to sample, but I'll borrow the whole book. Yeah, I'm using up borrows, but that way if the "sample" beginning grabs me, I keep reading. If it doesn't, I ditch it. I didn't like sampling and then having to still figure out whether to buy or borrow. In some instances the sample wasn't long enough (meaning I was kind of undecided.) When I borrow a book, I'm good to go if it works. If not, I'm really not out much.
So I get that sampling doesn't work for everyone. I wasted a few afternoons just sampling and that can be nuts. |
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#147 | |
Grand Sorcerer
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The reason? Because *most* people's grammar and spelling are not good enough to detect these small mistakes. I'm sure I'm making small mistakes in Dutch, English and (somewhat bigger ones) in German all the time, but most people won't even notice. However: your vs. you're there vs. their vs they're then vs. than it's vs. its where vs. were vs. we're ... You have to get those things right; I don't perceive them as being small mistakes, but as blunders. In Dutch, we have words that sometimes end on a T, a D, or DT. Many people don't know the simple rules for this, and they just start guessing. They even go as far as "guessing" in case there is no question what should be written. Dog -> Hond. There *is* no word "Hont" or "Hondt". You just look like an idiot if you write that. Wood -> Hout. "Houd" and "Houdt" do exist, but these are different inflections of "to keep". They mean something completely different. If people make such mistakes, then (IMHO) they shouldn't be writing. Oh. One of my English teachers always livid if you used "with" as a word to end a sentence with. Is that really something one shouldn't do? Last edited by Katsunami; 06-13-2013 at 04:29 PM. |
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#148 |
Grand Sorcerer
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I'm perfectly content to take several days researching online to find the next book I want to invest my time/money into. I'm not on that tight of a schedule. I doubt I break the 20 books per year mark very often these days. I view free samples as an absolute godsend in that research process. I can usually dispatch the grammar/spelling butchers (or the utterly ungifted) in a page or less.
Perhaps I'm just contrary. I do tend to prefer 'sleepers' (regardless of how they were published). ![]() |
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#149 | |
Autism Spectrum Disorder
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Katsunami- Using "its" exclusively is still a bit of a typing quirk of mine. It comes from me preferring to be wrong less than half the time (since "it's" doesn't show up much outside of dialog), than 100% of the time. Like I said, some of that big hoopla the school made over grammar might've been to induce nervous breakdowns. |
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#150 |
Grand Sorcerer
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MLA Handbook is a style manual for research papers; it is not a book of grammar. If that is what your school used to teach you English composition, your school was nuts.
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