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#46 |
Banned
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You're entitled to your view, of course. I view it as pretentious snobbery, especially the casual dismissal of a genre. At least I dislike most fantasy for a reason - as overly focused on the Hero's Journey.
Starship Troopers is, as far as I am concerned, a work which will in a few hundred years be studied in schools, after the Shakespeare. (Most military services don't...like scifi, institutionally. But, there's a reason Starship Troopers is on military reading lists). But you dismiss it as an equal to Battlefield Earth. Last edited by DawnFalcon; 06-22-2010 at 03:26 PM. |
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#47 | |
Banned
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Quote:
And lets be clear, I never once mentioned Battlefield Earth (a book I have read, for all my sins) or would ever compare it to Starship Troopers. Oh and your over-familiarity with the Hero's Journey in fantasy is the same patterning that occurs in a lot (if not all) of beginning-middle-end genre fiction. Especially the reinstatement of the status-quo by the end of the story (And I blame Lucas and Vogler in equal parts for their hyping up of the mythic structures in storytelling until we're at a point where everybody thinks that it's a magical panacea for all fiction). Last edited by Moejoe; 06-22-2010 at 03:37 PM. |
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#48 |
Banned
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Except you did directly dismiss it in the same breath, as "sci-fi". So all we've established there is that you're prepared to lie in defence of your literary snobbery. Again, I am utterly unsurprised. I'm convinced they slip you some sort of magic pill when you take Masters Lit, honestly...
And yes, the Hero's Journey is *common* in fiction, but the super majority of high fantasy uses it, and the vast majority of low fantasy too. With Elves. |
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#49 | |
Grand Sorcerer
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I don't consider this particularly *likely*, but I'd put it ahead of some of his own novels' possibilities. |
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#50 |
Wizard
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Frankly I tend to agree with Moejoe in that most genre fiction(SF, fantasy, crime, etc) is formulaic crap that is not terribly well written or worth reading.
Of course so is most all other fiction, be it genre or "literary". So if one is to dismiss an entire genre based on the idea that most of it is crap then one must logically dismiss most fiction of any variety/genre for the same reason. In any field of writing you will have exceptional writers and stories and you will have crap writers and stories. From my reading experience I can't say that I notice much difference between genre and literary fiction with regards to the ratio of crap to quality. My advice.......read whatever floats your boat and don't waste too much time worrying about what other people read or about what other people think of what you read. Cheers, PKFFW |
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#51 | |
Grand Sorcerer
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Sturgeon's (a genre writer) Law - 90 percent of everything is crap. |
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#52 |
Omnivorous
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Ok, my turn....
We read what we like. We like what we read. The world is full of interesting people, but there are some I wouldn't want to go out to lunch with. Enough already... |
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#53 |
Grand Sorcerer
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It boils down to purpose and values. And I'm not speaking in a political sense. To use Moejoe's example about the Ford Fiesta, yes it's not a Mercedes in durability or a Ferrari in performance, and person who is serious about car qualities and the subtleties of performance would sneer at the Ford Fiesta.
However, somebody looking for cheap transportation to and from the stores and work may not care. With a long warranty, it may be the best answer for that person. A person who hauls plywood sheets are more concern about things like cargo capacity over other concerns. So why do you read? I personally read for entertainment, and I could care less about the subtleties of say, Joyce's Ulysses. But your typical Mas. Lit. spent long years learning about these sort of subtleties, and having spent the time (and with the interest in them) learning about them, have little concern about "entertainment". Rather like a race car driver sneering at a Ford Fiesta. But not everybody wants to be a race car driver. There interests and concerns lie elsewhere. They just want transportation (entertainment). That doesn't make them a lesser person. |
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#54 |
Maratus speciosus butt
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#55 |
Curmudgeon
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Flying carp. Now I've seen everything.
But flying over the water or not, I would so love a poster of that. |
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#56 |
Big Ears
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Joyce's 'Ulysses' is vastly entertaining. Don't leave it to the MAs.
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#57 | |
Big Ears
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#58 |
Paladin of Eris
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#59 | ||
Lord of the Pies
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Ursula K LeGuin sums it up nicely: Quote:
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#60 | |
Addict
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"Restrictions of genre"? That's (frankly) a stupid concept. No genre has restrictions, any single literary work can and does belong to more than one genre. Sience-fiction isn't defined by exclusion (it's sci-fi what is NOT <insert something>) but is defined by inclusion (it's sci-fi if it includes at least one of <insert list>), and so do any other genre, and by any I mean ANY. The Iliad, for example, and the Odyssey, are both poetry and fiction, but also religious texts, political texts, propaganda and adventure. 1984 is science fiction. Hell yes, it is! Because it dabbles with so many typical sci-fi topos, like possible futuristic technological advances (futuristic when compared to Orwell's times, of course), or like the control, by a higher political/social body, of the collective historical memory (it's the same ground that Asimov explored in his Foundations series, even if he followed a different approach). I'd like to point out also that Animal's Farm, while not a children book, is a fable. Not a children book, I agree, but it remains a fable, because it uses many typical topos of the fable genre, and the plot development is typical of a fable. |
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