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#16 |
Zealot
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Join Date: Jun 2009
Location: Spokane, WA
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All the eBook market needs to take off would be a few best sellers released as eBooks first. Capitalize on the demand for the latest peace of Laurel Hamilton trash and the demand for kindles / ipads / readtastic 5000s or whatever will increase overnight. Make this the normal thing, and many will try it. They can even charge $20 for the special prerelease version.
And as we all know, eBooks are like Meth. Try it once and your hooked for life. |
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#17 | |
Addict
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Join Date: Mar 2010
Location: Essonne, France
Device: Kobo Forma; Sony PRS600B; Sony 350; Sony T-2
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Quote:
The music industry blew it, but perhaps they actually got blind-sided by the move away from physical CD's. The DVD industry tried to institutionalize their regional rights by locking in the zone codes. Little matter they forgot about was that zone-free players were readily available (usually far cheaper than the DVD players with zone code locked in). So it's now possible for me to buy tv series and films in the US that haven't finished their runs in Europe yet. Neither Amazon nor any shop selling DVDs bothers to ask me to show where I live or where I'm going to play the DVD. Publishers are going to have to change their business model to recognize the globalization of the industry. I've always been able to buy books (in person or by mail order) from just about anywhere in the world I like - the UK, US, Australia, Canada - as long as I'm willing to pay for the shipping charges and willing to wait for the physical books to arrive, or willing to schlep a suitcase full of books back home with me. I live in a non-English speaking country, but I still can download software purchased online with no great difficulty - and it usually comes complete with the appropriate VAT rate charged. They do check the address I give them against the billing address on the credit card I use to buy the software. There's no reason the publishers can't do something similar. But it means a re-think of how they do business and a re-arrangement of how and where they make their money on publishing - as well as recognition of the fact that their customers have been buying books from around the world for years now. Cheers, Bev |
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#18 | |
Wizard
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Location: Taiwan
Device: HP Touchpad, Sony Duo 13, Lumia 920, Kobo Aura HD
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#19 | |
Wizard
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The concept of magazines on ebook readers might have been relevant in 2000, but it isn't now - all you need is a browser. The repackaging initiatives that Time et al. have been throwing around are just a way to try to get people to pay for the stuff. For magazines that include a lot of visual material print still offers significantly higher quality, and that's not going to change any time soon. |
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#20 |
Grand Sorcerer
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The article makes one point that I think is key: The developing e-book industry is showing a distinct lack of imagination in developing their brand. (And I like the car illustration.) Maybe that's why so many are looking to Apple's iPad to "transform" the e-book world: Apple is known as a company with imagination, good at thinking outside of the box; if anyone can bring fresh and compelling ideas to e-books, it might be Apple.
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#21 | |
Grand Sorcerer
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Join Date: Nov 2008
Location: SF Bay Area, California, USA
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Publishers will need to figure out the ways ebooks are different from pbooks, just like they figured out how magazines are different from bound books, and then decide what features would make ebooks sell better. (And they need to get over the idea that that means "better than pbooks." Different media; different markets.) Among other details, they need to figure out how to market short stories individually, the way iTunes sells individual songs. Record companies at least understood the marketability of single songs; publishers have never been able to do so because the per-unit costs of individual story printing was too high. With ebooks, it's economically feasible to sell 10,000 words instead of 70,000 or 250,000, if they can figure out how to market chapter-length works. |
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#22 |
Reading is sexy
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Oh my gods YES, I hate this too. I wish there was an easy way to filter out all the self-published stuff. I'm sure there's some good stuff out there, but I've had too many bad experiences with self-published work that's available on Amazon.
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#23 |
Member
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Join Date: Feb 2010
Device: Kindle, iPod and iRiver Story
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Elfwreck makes an interesting point about selling short works. Actually in the UK there is a new company called Etherbooks who are starting to do precisely that. They intend to sell short stories or pieces of journalism by well known authors for 99p a download. Their site should go live in about two weeks I am told.
See: http://www.etherbooks.co.uk |
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#24 | |
The Grand Mouse 高貴的老鼠
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Location: Norfolk, England
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But short stories are a different matter. I HATE buying individual short stories. I MUCH prefer to buy them bundled into a magazine or anthology. It take far too much time to identify interesting fiction to spend it selecting twelve short stories rather than one book of short stories. Fictionwise has been selling individual short stories for ages. I hate them. |
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#25 |
Guru
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Location: UK
Device: Kindle 3, iPad 2 (but not for e-books)
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What I find annoying is when they don't make it clear that something is a short story, so you think that you've got a bargain on a novel, when in fact you've overpaid for half a dozen pages.
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#26 |
Grand Sorcerer
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I think it's clear that the "tools" that consumers make such a big deal about on Amazon and other sites are really more about marketing tools, not so much consumer tools. It's hard to find what you want because the tools are just comparing your purchases to other purchases... not content to content. We need better tools to define and sort the content itself, and aspects relevant to that content.
P2P tools help, but they could also use more work--for whatever reason, I get very little good use or advice from them. I still feel like I'm alone, searching blindly for content I will enjoy. This is a reason why I think books need portals that are operated independently of sales channels (like Amazon), to create a more well-balanced atmosphere of information and guidance when searching for books. Amazon is an extension of the book publisher who extols the virtue of their other books on back jackets, written by authors who are contractually obligated to write x number of book comments per year. Money dictates what Amazon pushes at the visitor first, not P2P recommendations. We need to divorce money from that equation, because it only leaves it unbalanced. |
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#27 | |
Grand Sorcerer
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Location: SF Bay Area, California, USA
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I do think they should be *clearly marked* as stories, not novels. And a good bookstore would get together with some skilled editor-people and make collections of short stories. They could create digital anthologies that can hit a much broader market than physical ones: buy them bundled to get a discount or selectively at full price. Potentially even, buy them bundled into a single ebook, to avoid the problem of cluttering one's ebook reader listings with a dozen "ebooks" that are 15kb each. |
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#28 |
Groupie
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Join Date: Jun 2009
Device: kindle dx
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Elfwreck, that makes sense.
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#29 | |
The Grand Mouse 高貴的老鼠
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Location: Norfolk, England
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I did buy and sort into publication order the 80 odd Agatha Christie novels. But that was a comparatively simple task compared to sorting all the Darkover shorts into some kind of logical order or groupings based on story-line chronology. (And, incidentally, cost me about the same as buying all the Darkover shorts would have done, thanks to some rather splendid discounts available at the time.) |
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#30 | |
Grand Sorcerer
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Location: SF Bay Area, California, USA
Device: Pocketbook Touch HD3 (Past: Kobo Mini, PEZ, PRS-505, Clié)
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I could put them together in timeline/theme sets, but I don't know that it's worth the effort. |
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