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#316 | |
Addict
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Actually, that's not completely correct. Amazon sets the price at 9.99, yes. But they do so based on the publisher's suggested retail price - Macmillan's price - of 14.99. And the 14.99 is the price that Macmillan receives their revenue percent. And THAT is why we don't trust or believe in them...because they're not acting in good faith NOW with either Amazon or with consumers, so why should we believe they will when they have contracts that are even more favorable to them? |
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#317 | |
Evangelist
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As I mentioned before, that's the problem with ebooks. With physical media, no one would forgot to put the correct price on because it has be to be stocked. For ebooks, I can see a price change easily forgotten because it doesn't have to be stocked with something physical. Price it and forget it. I would hate it if it was up to the customer to remind the retailer that a lower paper version is available. |
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#318 |
Blue Captain
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#319 | |
eBook Enthusiast
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#320 |
Blue Captain
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Harry,
It is not an actual free market, as they have a lot of protectionism working for them. |
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#321 |
Grand Sorcerer
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#322 |
Blue Captain
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Copyright regions are glaringly obvious protectionism.
A real free market? An international one? |
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#323 | ||
"Assume a can opener..."
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Anyway, one way in which they benefit extraordinarily (that is, compared to just about any other industry) from their copyrights is that, because they have eternal copyright on the products they sell, they can keep collecting money forever from the few books which keep selling, and they have a guaranteed minimum income. This ensures that, after collecting 'hits' for more than 80 years now, they will have amassed an enormous 'default' income that other publishers will never be able to compete with. And with this money they can buy up the more successful authors, creating even more concentration. Eternal copyright is bad in more ways than one. |
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#324 | |
The Dank Side of the Moon
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What floors me is that in the current model it is only Amazon that is losing money, not the publishers, not the authors. ![]() |
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#325 | |
Grand Sorcerer
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And why is not a mrket in one county a free market if an international would be one? And why restrict to an international one? Why not the whole universe? |
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#326 |
Blue Captain
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Not sure why you don't get this. US rights. UK rights. Australian rights.
Copyright itself is protectionism, too, of course. Why does it matter, the term? That's is 20 extra years of monopoly rents people pay in some cases, that is why. A lot of money, over several billion people that is. |
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#327 | |
eBook Enthusiast
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I know that copyright might seem to be "eternal" from the point of view of the individual, but it honestly isn't ![]() |
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#328 | |
"Assume a can opener..."
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From the point of corporations/the market/modern innovation cycles, 100+ years of guaranteed income is an immensely (You've frightened me out of using the word eternal, congratulations?) long time. No other industry has this sort of right to a guaranteed income, and it's all because they play, on the one hand, into the fear of "decreased" (though nobody really knows how to define it) creativity/innovation, and on the other into feeling sympathy for authors and musicians who either want their kids to have the right to not have to do an honest day's work for the first 70 years after they've died, or haven't done an honest day's work themselves in the past 50 years during which the performance copyright did apply, or else they'd have another source of income to which copyright still applied. And then there is the fact that the more successful corporations can stifle the competition with that guaranteed income, making sure no new entrants start offering comparable goods & services at a reduced price. |
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#329 |
eBook Enthusiast
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So, from a practical perspective, what do you think should be done about it? You've said that you're unhappy that a small number of publishers monopolise the publishing industry. Do you think that it's feasible, in the existing legal framework, to tear up all the publishing contracts and give anyone a right to publish any book that they choose?
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#330 |
Grand Sorcerer
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