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#271 | |
Wizard
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When someone downloads anything that shows they want the thing. If they want the thing then they "should" pay for it and by illicitly downloading it they are not doing so. Ergo, every download is a lost sale. For the point being made, all those people who download simply because they can and have no intention of reading it, or as a test or for any other reason don't matter. How is that really any different? I would say the structure of the argument(black and white, ignore the grey) is the same. If that structure is not suitable for one side to be engaging in then it should not be suitable for the other. IMHO the only reason the argument is used is because it makes it nice and easy to denigrate and demonise any who may wish to make a living from their creativity rather than simply doing it for the pure joy of it. In this way we can lump those ignoble and sullied artists in with the evil publishers and wont have to deal with any issues about whether we should be paying a fair and equitable price for their creative works. Not to mention dealing with the idea that it is ok to leech off the creative efforts of others simply because they enjoy creating and would continue to create even if no one paid them. Cheers, PKFFW |
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#272 | |
Grand Sorcerer
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The argument, "if you wanted to read it, the author should be paid" says that libraries are unethical, that you should never borrow a friend's book, that dollar-a-bag book sales shouldn't be allowed. That universities shouldn't allow last year's books to be read for class credit; grammar schools shouldn't re-use books from year to year. Doctor's offices shouldn't have magazines in their lobbies. If it's "leeching" to read without paying, then every book, every magazine, should have exactly *one* reader, and then be destroyed. AFAIK, nobody's arguing for that. So... why are they claiming that's how ebooks should work? Why try to force people to follow a set of ethics that don't apply anywhere else? I'm not saying it's a fine idea to send ebooks out on the torrentwebs to be copied into hundreds of machines. I'm saying that the reason that's a bad idea, is not "because people should pay for what they read." People have never paid for everything they read. It's never been considered reasonable to destroy every book after a single person has read it. |
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#273 |
Wizard
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#274 |
Wizard
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#275 |
Grand Sorcerer
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I suppose, technically, to be pedantic (because these discussions do get bogged down in terminology debates) the stated argument should be "people should pay for what the author releases as pay-for-reading material," because nobody is saying that anyone is obligated to pay for reading Cory Doctorow's ebooks. (And I think that "pay for what the author wants to sell" is an interesting idea, even a useful one, but has never been a mandatory part of being an avid reader.)
I do wonder if anyone promotes the idea that "if the author disapproves of ebooks, you shouldn't buy them, even if the publisher sells them." The author signed a contract allowing this--but if people really cared about supporting the author and creative rights, wouldn't they avoid uses of the content that the author doesn't want? That's probably a fairly convoluted thought. Odd, how it's about morality and ethics, until there's a contract involved, at which point it's about what's legally permitted. |
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#276 | |
Wizard
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When I mention leeching it was directed more at those who "can't understand why anyone would pay for anything" and those that argue creative people will continue to create even if no money is forthcoming(and good riddance to any that don't or simply can't continue) so that makes it ok to not pay. As if by dint of the creator enjoying what they do and wanting to do it they shouldn't be paid for their efforts. I did not mean to imply that every single "read" should be paid for, that libraries are unethical or anything like that. Apologies for not being clearer. Cheers, PKFFW |
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#277 |
Wizard
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#278 | |
"Assume a can opener..."
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The point being mostly that copyright is a very special exception to the rule of free speech, which is tolerated to a point, but deemed unworkable in pretty much any other situation. And that will never be determined solely by an author who chooses whether to release a statement of some sort or other as "pay for reading" or not, but just on the simple fact that the whole notion of it's ridiculous to think that everything an author says is worth paying for. The point being mostly that there is no obvious "sweat/toil" argument to make that explains why copyright applies to some cases of speech production but not others. The right to profit from your "creation" is very much circumscribed, and only recognized in fairly few cases. It is, in any case, by no means inalienable, nor "natural". It is granted by society, although it has been legally buttressed to ensure these given rights were not ignored. The problem, however, is that this allowed the authors to accrue money their readers do not have, at least in those amounts, which allows them to mount attacks (both legislative and legal) on those parts of those limited-time protected monopolies that they dislike, forcing people to "pirate" stuff that they previously could have gotten or done things with legally. Intellectual Property Rights limited-time monopolies existed first and foremost to stimulate innovation and literary output, and now that it's there it's very hard to get rid of, because every author and his grandmother will claim that there will be "insufficient incentives" for new authors to do their thing. This claim is attacked left and right, however, but because their suggestions are so counter to earlier wisdom, they're deemed too unlikely to want to risk trying them. I'm pretty tired of this conservatism, though, as well as of the lack of empirical data generally in this debate about "right and wrong". |
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#279 |
Mesmerist
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The logical conclusion of some of these "rules" would be advertisement-based publication, ala Google. Run a site with ebooks, all free, with ads. Split up the proceeds by the popularity of the author. Or, to be even more obnoxious, put ads on every page, with a tracker. So people who just read the first few pages don't generate revenue for the author as much as those who read all (or reread - Pynchon would make a killing) of the book.
(FYI - This is not a serious proposal) As a thought experiment, though, what would be the ideal way to remunerate an author? We assume they need to eat, and we want the good ones to be able to write more books, not spend all their time mopping floors or something in order to live. How do we ensure that *good* writing is rewarded in such a way that more good writing comes of it? |
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#280 |
Booklegger
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Back to ACTA - please - "A Question of Balance"
All this discussion of authors rights has been interesting, but I haven't seen much mention of ACTA in the last couple hundred posts. What about ACTA? Do it's goals enhance creativity? How do you know? Is a secret trade agreement the way to rewrite copyright law all over the world, or should each country or common market use the traditional open legislative fora?
Oh darn, I think I just gave away my bias! So those of you who want to see a 'war on drugs' style 'war on copying' need do nothing. You'll probably get your wish. What about the rest of us? What can we do to make more people aware of the importance of balanced copyright law? The "new Canadian government" (almost as partisan as American politics, for those unfamiliar) has promised to bring in new copyright legislation this year, so the question is kind of urgent here in Canada. We could sleepwalk our way to a made-in-Hollywood-DMCA - and I think that would be a tragedy. Of course, that could spark 'the revolution' - and that would be another tragedy. So what can we do to prevent all that? ![]() |
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#281 |
Guru
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I believe that in this time copyright law blocks more creativity by disallowing people to reuse content they find all over the Net than it enhances it by making sure the creators have a means of existence. I understand that ACTA goes toward making copyright laws the same everywhere, which might simplify some administrative tasks - however, if it means lengthening average copyright protection duration, it goes against creativity.
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#282 |
Grand Sorcerer
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The underlying purpose of ACTA is to provide a way to all corporate copyright holders a single way to control all I.P. access, under rules that they can easily control. Corporation are immortal, because even when they fail, other corporations take over their assets. They want their I.P. to be immortal as well. Since law and custom don't permit that, They are "boiling the frog slowly" to get their long term goal.
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#283 | ||
"Assume a can opener..."
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It's really very hard. In a way we might need ACTA to get people to actually care about these issues, as the more draconian the law, the more likely it will be repealed 10-15 years down the road, but OTOH, nobody's even touched the DMCA yet, so it might take a bit longer too. Something that has me wondering, though, is why there is no way to test the constitutionality of a law in the US. For instance, HADOPI-1 was rejected because it was deemed unconstitutional before it was made into law, but in the US there seems to be no such check/appeal possible (apart from a test case that takes years to wind its way through the courts before it gets to SCOTUS). Anyway, sorry I can't be of more help. |
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#284 |
Wizard
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As I said before, in one case the grey is directly relevant to the point of the argument, in the other case it is irrelevant to the point of the argument.
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#285 | |
Wizard
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