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#91 |
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Onyx-maniac
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I watch Arte very rarely (but more than any other video source).
It's multi-lingual, but it's still mostly a disaster. You can select "multilingual" and you get the original speech, which is in documentaries often French/German/English. You can't turn off the subtitles, you only get a choice of a few languages and size. There is no way to say, "Give me the original sound, but only subtitle the French" You can't say, "Give me the original, unless it's French, give me German." There are always chunks of English experts who end up overdubbed. |
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#92 | |
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Still reading
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What the BBC or anyone else does now is unrelated to when I did training. Modern movies also often are worse for dialogue then 1930s to 1950s. Live audience pop / rock concerts and especially outdoors are mostly dreadful for sound, no matter how you record it. The only live music I've liked were orchestral or folk or Tom Paxton. All the rest had poor sound quality and too loud. Dreadful compared to the same artists/groups on CD studio recordings. All of the CDs I have of actual live pop concerts are also much poorer production values than the studio versions. |
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#93 | |
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Also the original Dolby was for tape and later marketed for noisy FM multiplex links. The consumer Dolby FM never caught on. There was Dolby A, B & C. Look them up. On tape they swapped noise for distortion. Not everything benefited from Dolby Noise reduction on tape. The original patents have expired. All the Dolby systems for digital are gimmicks. Totally not needed. Even the Cinema 5.1 is a gimmick and 7.1 more so. It was proven in 1970s that only four channels are needed and that can easily even in Analogue be expanded to 5.1. With four digital channels (or even specially processed analogue) you can use DSP to drive 10 or 12 speakers. The x.1 channel was simply convenience for the cinema using loads of simple column speakers with 80Hz approx cut off and a few big bass reflex drivers. Then later home systems with garbage "satellite" speakers or sound bars (with cut off between 80 Hz and 100 Hz) the separate subwoofer was convenient. With decent speakers you don't need a subwoofer. Neither analogue nor digital needs the x.1 subwoofer channel. |
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#94 | ||
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Somewhat clueless
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The BBC sound engineers, at least in the past with the Radiophonic Workshop, were legendary. Any training from that era will have been world-leading. Quote:
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#95 | |
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Wizard
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.Analog studio recordings are quite rare nowadays iirc. |
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#96 | |
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Resident Curmudgeon
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#97 |
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Resident Curmudgeon
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#98 |
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Onyx-maniac
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#99 |
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Resident Curmudgeon
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I've heard lots of concerts at the Hatch Shell in in Boston and they sounded good.
BBC has gotten worse instead of better for sound. iPlayer is a joke because they take 5.1 mixes with a higher bitrate and do one heck of a bad job of downgrading the sound to 128K stereo. |
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#100 | |
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Guru
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Though I am told that the acoustics at Glasto have been getting better with the newer stages and tech. |
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#101 |
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Still reading
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#102 |
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Still reading
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Because it's run by bean counters and most has been outsourced for years now.
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#103 | |
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Not much listened to folk for many years. I used to listen to Travelling Folk on Radio Scotland. Used to have reasonable AM reception in Limerick. The RS on Satellite tended to have a different program. I was once at a Tom Paxton concert and I think he played "When Princes Meet" on my request. Long ago I listened to Horslips and Fairport Convention as well as Abba, Blondie and Beatles. No idea what Cropredy is. |
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#104 |
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Onyx-maniac
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OMG, Horslips! That brings back memories. "Trouble (with a Capital T)", "Guests of the Nation", "Ghosts"...
https://en.wikipedia.org/wiki/Fairpo...edy_Convention I was big into Fairport, Richard w/wo Linda Thompson, Pentangle. |
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#105 |
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Resident Curmudgeon
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A lot of music these days is actually a wall of noise. The dynamic range has been so squashed, that it's very difficult to hear the individual instruments. And because of the squashed dynamic range, the music is more of a wall of sound then music.
I think we need to talk to the performers to get them to realize how bad their music sounds and to get them to demand that music go back to the way it was recorded in the 70s/80 with proper dynamic range where you could hear the music properly. |
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