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#496 | |
Interested Bystander
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There is a lot of military science fiction on KU. (At least in the UK, can't imagine it would be any different in the US.) |
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#497 | |
Grand Sorcerer
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Join Date: Dec 2006
Location: Atlanta, GA
Device: iPad Pro, iPad mini, Kobo Aura, Amazon paperwhite, Sony PRS-T2
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Top 5 NY Times best seller list title - hard cover price - ebook price Where the Crawdads sing - $15.60 - $12.99 The 18th Abduction - $13.26 - $14.99 Cari Mora - $17.40 - $14.99 Fire and Blood - $18.31 - $ 15.99 Redemption (Baldacci) - $14.72 - $14.99 So 3 out of 5 where the ebook price was several dollars below the hardback price, 1 out of 5 where the ebook price was higher than the hardback price and 1 out of 5 when they were roughly the same. |
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#498 |
Author
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Join Date: Jul 2010
Location: Jackson, MS
Device: Motorola Xoom
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I've always been of the mind that eBooks should never cost more than their hardback or paperback equivalents. How much less is going to be variable and is something the publisher or author has to determine. The thing about eBooks that I think most publishers have problems getting their heads around is the complete removal of the supply part of the economic equation. Your supply is limitless - it mostly doesn't matter how big the book is, you don't suddenly have to reprint if you sell out (because how are you going to sell out) and so long as the store site doesn't go down, you can sell the book until the heat death of the sun. Clearly there are storage costs and bandwidth costs for the seller and there's going to be costs for the publisher/author in preparing the file (and maybe even some maintenance costs if you have to go back and fix mistakes) but there's never a reason for the eBook to go "out of print" other than those involving the store. If bandwidth and storage costs are borne by the store (and should be a part of the store's cut), eBook's should in theory cost the publisher/author less to produce than a physical book.
Having just recently released 2 books as eBooks only, but then bundling those eBooks into the rest of the series as both eBooks and paperbacks, I was amazed at the necessity for difference in cost. This is based on Amazon's self-publishing platform: eBook containing 6 novellas (about 180k words) - List price is $4.99 and I make about $3.40 per book on that (except in some markets where I only make $1.75) Paperback containing those same 6 novellas (about 561 pages) - List price is $20.99 and I make about $5.13 on that which seems high - however, in order to use their Expanded Distribution (which puts the book into places like Ingram so that brick and mortar stores can order the book), I have to price it that high and I only make $.93 cents per book on those sales. Barnes and Noble and Smashwords are similar numbers though B&N's paperback pricing is a little different, though not enough for the retail price to change. Now I don't have the overhead that a publisher does, so I can afford to price things cheaper, and I can't credibly say what the difference in costs are them. However, if their volume of sales allows them to sell a hardback $20, selling an eBook for $20 is, in my opinion, completely out of whack unless they just don't expect the eBooks to sell at all. These days, I can't fathom that being a possibility unless you are talking about a market where Internet penetration is back in the Stone Ages. |
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#499 |
Grand Sorcerer
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Device: Nexus 7, Kindle Fire HD
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I value ebooks more than physical books. So as I've said so many times before, it would be silly of me to compare the price of an ebook to the physical version of it that I'm simply not going to buy. Dollar for dollar, I find the current prices of new-release ebooks (by major publishers) to be more than a fair price for the enjoyment I derive from them--a bargain even. None of the rest of the noise matters to me. Cost to produce/distribute/store isn't anything I ever thought about when physical books were the only thing going, and I'm not going to start thinking about them now RE ebooks. It's not relevant to my valuation of the product.
The value, for me, has always been 100% in the content of a book (and my enjoyment of that content). I don't consider Ebooks to be an "addon" product. They're meat and potatoes. As such I don't expect to get the entree at cup-o-soup prices (even if most of the ingredients for the entree had already been purchased to make the soup). Last edited by DiapDealer; 05-31-2019 at 12:50 PM. |
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#500 | |
Karma Kameleon
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#501 |
Gentleman and scholar
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#502 |
Bookmaker & Cat Slave
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Actually, linear writing, no subplots mirroring the major themes--to me, this is the real "tell" of self-published writing, more than almost anything else. (Well, that and gruesomely awful covers, of course...). It's frustrating. I don't mind potato-chip books, but I'd like a bit of depth. Even YA has subplots, for crying out loud! Hitch |
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#503 | |
Grand Sorcerer
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I've gotten to the point where I just ignore books with manga like covers. I would say that it's not so much self-publishing as self publishing where the writer hasn't learned the craft yet. |
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#504 |
Bookmaker & Cat Slave
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#505 |
Grand Sorcerer
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#506 |
Wizard
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It surprises me that it's popular because it's an unimaginative stuck-in-the-rut style, the big eyes and all. Way back when I was a kid watching TV in the 1960s we had English dubbed Astro Boy from Japan, with the same style and those same big eyes. Then it died out here for several years, but not in Japan, then it came back here.
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#507 |
Resident Curmudgeon
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#508 | |
Bookmaker & Cat Slave
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Hitch |
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#509 | |
Wizard
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#510 | |
Grand Sorcerer
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Location: Atlanta, GA
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Apparently they have software packages now that make it easy to generate. Plus, anime and Manga have become a pretty big genre at Amazon. I have friends who are really into anime. Some of it is fine, some really pushes the envelop. Of course, these days compared to what you can see on cable, it's tame. |
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