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		#196 | 
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			 The Dank Side of the Moon 
			
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			all literature is is words. Hmmmm... 
		
	
		
		
		
		
		
		
		
		
		
		
	
	adapted words.....hmmm...  | 
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		#197 | 
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			 monkey on the fringe 
			
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		#198 | 
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			 The Dank Side of the Moon 
			
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			Good point!
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#199 | |
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			 Connoisseur 
			
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		 Quote: 
	
 "For the documentary film of the same name, see Brother, Can You Spare a Dime? (film). Brother, Can You Spare a Dime?, also sung as Buddy, Can You Spare a Dime?, is one of the best-known American songs of the Great Depression. Written in 1930 by lyricist E. Y. "Yip" Harburg and composer Jay Gorney, "Brother, Can You Spare a Dime?" was part of the 1932 musical Americana;the melody is based on a Russian-Jewish lullaby Gorney's mother had sung to him as a child. It was considered by Republicans to be anti-capitalist propaganda, and almost dropped from the show; attempts were made to ban it from the radio. The song became best known, however, through recordings by Bing Crosby and Rudy Vallee. They were released right before Franklin Delano Roosevelt's election to the presidency. The Brunswick Crosby recording became the best-selling record of its period, and came to be viewed as an anthem to the shattered dreams of the era" If Harburg wrote the lyrics, aren't the lyrics the words of the song? Both Rudy Vallee and Bing Crosby were very popular singers of the day. The Vallee version is the one I am most familiar with although apparently Crosby's version sold more records. I too doubt if very many young people ever heard of either Rudy Vallee or Bing Crosby. One of my favorite depression era songs was "Happy Days Are Here Again" as sung by Annette Hanshaw; the song was written in 1929 and became the campaign song for FDR in 1932. Bit of a contradiction because the depression lasted several years more. ""Turn! Turn! Turn! (To Everything There Is a Season)" — often abbreviated to "Turn! Turn! Turn!" — is a song written by Pete Seeger in the late 1950s. The lyrics, except for the title which is repeated throughout the song and the final two lines, are adapted word-for-word from the English version of the first eight verses of the third chapter of the biblical Book of Ecclesiastes." So maybe the words are actually literature and not exactly song lyrics? I was not familiar with the song "Ohio" but looked it up and listened to it on YouTube. It is by Crosby Stills Nash & Young. The lyrics were written by Young. But I still do not think that Bob Dylan deserved the Nobel Prize for literature.  | 
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		#200 | 
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			 Just a Yellow Smiley. 
			
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			You have made that final point very clear. 
		
	
		
		
		
		
		
		
		
		
		
		
	
	And by quick search I meant specifically I put brother can you spare a dime in a Google search. What I posted was the top two things.  | 
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		#201 | |
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			 .... 
			
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		 Quote: 
	
 But perhaps you disagree and think that artistic writings of merit are not literature, or perhaps that lyrics cannot ever achieve artistic merit, or that lyrics are not artistic at all, or that lyrics are not writings,...?  | 
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		#202 | |
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			 occasional author 
			
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		 Quote: 
	
 Likewise President Obama can give a great speech, but doesn't deserve a Novel Peace Prize. Still there is long history of Nobel Prizes being rewarded for what were later determined to be wrong reasons. My favorite is -- "Danish scientist Johannes Fibiger won the 1926 medicine award for discovering that a roundworm caused cancer in rats. There was only one problem: The roundworm didn't cause cancer in rats. Fibiger insisted his research showed that rats ingesting worm larvae by eating cockroaches developed cancer. At the time he won the prize, the Nobel judges thought that made perfect sense. It later turned out the rats developed cancer from a lack of vitamin A. Oops." http://www.latimes.com/world/la-fg-n...nap-story.html  | 
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		#203 | 
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			 eBook Enthusiast 
			
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		#204 | 
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			 Wizard 
			
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		#205 | 
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			 Readaholic 
			
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			I still maintain that music is poetry set to music. Some are very good and a lot are not. And what one person considers good and bad are going to be different than other people think is good or bad. 
		
	
		
		
		
		
		
		
		
		
		
		
	
	Apache  | 
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		#206 | 
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			 o saeclum infacetum 
			
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			There's an interesting Op-Ed piece In today's NY Times about Dylan's lack of response. Overall I find it persuasive, even if there's a tinge of sour grapes in regard to the Academy's response to American lit as a whole.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#207 | 
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			 The Dank Side of the Moon 
			
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		#208 | |
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			 The Dank Side of the Moon 
			
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		 Quote: 
	
 ![]() Dylan gonna Dylan! "....There is a good deal of poetic justice in this turn of events. For almost a quarter of a century, ever since Toni Morrison won the Nobel in 1993, the Nobel committee acted as if American literature did not exist — and now an American is acting as if the Nobel committee doesn’t exist. Giving the award to Mr. Dylan was an insult to all the great American novelists and poets who are frequently proposed as candidates for the prize. The all-but-explicit message was that American literature, as traditionally defined, was simply not good enough. This is an absurd notion, but one that the Swedes have embraced: In 2008, the Academy’s permanent secretary, Horace Engdahl, declared that American writers “don’t really participate in the big dialogue of literature” and are limited by that “ignorance.”...." Last edited by kennyc; 10-26-2016 at 09:35 AM.  | 
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		#209 | 
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			 Unicycle Daredevil 
			
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		  How many times must American writers win a Nobelso that American journos will not feel slighted?  
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		#210 | |
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			 Connoisseur 
			
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		 Quote: 
	
 Or are you saying that music is literature?  | 
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