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#76 | |
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#77 | |
Wizard
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Having said this, instilling such a love is a worthy goal for many school subjects, even maths and science, which some people also love. It should be one goal, whilst also recognising that we are all different and that not every student is capable of loving all of them. Some students will not love any! But schools should at least make an attempt to foster a lifetime love of learning. |
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#78 | |
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#79 |
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Two friends of mine are Literature teachers in Spain, and their pupils go from 12 to 18 years. They teach classic literature, of course, but usually the readings are modern novels for that age or extracted reads of classic books. They think that, in other way, it's complicated to instill reading love in them.
Keep in mind, classic literature is taught but they aren't the forced readings. |
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#80 |
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Not at all. The purpose of teaching literature is to instil in children at least a portion of our cultural heritage. Modern novels have not been around long enough for time to decide whether or not they will become a part of that heritage.
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#81 |
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You miss the point entirely. The idea is not to wait until modern books become old books. The idea is to teach modern books while they are still modern. A modern book does not have to stand some test of time. The idea is to teach some modern books while they are still modern.
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#82 | |
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#83 | |
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Stories are magic. Just like magic loses a lot of it's appeal once you figure out the trick, once you deconstruct stories, they are no longer enjoyable--just words on a page. (at least in my opinion--I know that there are lots of people who enjoy the deconstructing more than the show/story...that's just not for me. I live for and look for the magic in everything.) Shari |
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#84 | |
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My literature classes were a lot like autopsies. Or the traditional killing and tear down of frogs in biology. Equally icky. It's not as if the frogs were doing us harm... In contrast, I had a physics teacher who started the year with a giant six foot slide rule, taught us the physical side of logarithms and trig tables and moved on to the mathematical and historical sides of physics. No calculators allowed. Nary a sleepy head in his classes. Context and accessibility matters in education. |
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#85 |
Is that a sandwich?
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Can anyone provide a few examples of "modern books teens can relate to" that should be taught in English lit?
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#86 |
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I don't disagree with you, but why do we choose authors like Dickens or Shakespeare for this exercise? Is it not because the characters and themes in the works of these authors have become a part of our culture?
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#87 |
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I think a lot of us let our own love of reading blind us to the fact that we're special-snowflaking how we believe educational institutions should be teaching literature to youth just a bit.
It's natural to do so, but it's not entirely rational, either. To say, "Literature is different" is not a sufficient reason to explain why its teaching should have the added onus of needing to inspire a love of reading. Not when math class is not put to the fire to inspire more people to love balancing a checking account. Nor P.E. to inspire more people to love sports. Teachers inspire young minds (regardless of the curriculum). And there's nothing stopping a literature teacher from suggesting outside reading to children. Which in my opinion, would do far greater good than trying to use more entertaining, modern books (that I enjoy the heck out of, mind you) to teach literature with. They'd still hate the tests they had to take on those newer books anyway. |
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#88 | |
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Shari |
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#89 | |
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Lots of things are done, uncritically, simply because that is the way they have been for decades. https://m.youtube.com/watch?v=gRdfX7ut8gw There are plenty of things that are part of *modern* culture that don't even get consideration. |
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#90 | |
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What they're studying right now is a huge hit: Marjane Satrapi's Persepolis. It's a graphic novel, about an adolescent girl during the Iraqi revolution. In a class full of kids whose parents fled exactly that revolution or later ones, or the Iran/Iraq war, or Kosovo, or.... well a lot of the kids in her class are second generation immigrants of refugees. And yes, I definitely consider this literature, right up there with Art Speigelmann's Maus - it's just in a different format. And like Maus, it's pretty tough reading. So far this year she's also studied and liked: - Animal Farm - they loved that, but were studying it at the same time as their history class was doing the Bolshevik revolution, so they really got a handle on the background, better than I ever did at high school. - Romeo & Juliet (they went to see the play performed, before reading it in class, and they watched several of the movies too, and while not a giant hit, it's not hated either.) Some other Shakespeare, mostly random sonnets. - Tristan & Iseult (this was fun, they were allowed to pick their own version of the story to study) - A lot of short stories, many of them not originally written in English. Things that were big winners were: Rómulo Gallegos (Peace in the Mountains), Chekhov (the story "Sleepy" was a big winner with the kids, who related to being that tired given the amount of homework the IB gives them), "Att döda ett barn" and "En hjältes död" (To kill a child and A heroes death by Stig Dagerman and Per Lagerkvist respectively, Swedish authors). I just noticed all four of these stories are about death, whatever that says about 17yo's these days. And she's studied and hated: - To Kill a Mockingbird (great disdain also from the friends she had around here for study group, but some of her class liked it well enough - noticeably the boys, go figure.) This is a book I've always considered, along with The Great Gatsby, to be quintessentially American, so no wonder it didn't work so well here. Really, only Persepolis out of those is something I wouldn't have studied at school or at least in college, but that's only because it wasn't written yet. Last edited by Krazykiwi; 05-17-2016 at 07:33 AM. Reason: typo/spelling |
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