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#151 |
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#152 | |
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I think my point is that such text doesn't need anything adding to it. That's if you could even replicate it in an ebook in the first place. |
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#153 |
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#154 | |
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Btw, this is an experiment of digital creation I'm working on over futurista Marinetti 'bombs over Adrianopoli': http://www.quintadicopertina.com/fab.../marinetti.mov |
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#155 |
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This is the type of book you'd really have to do as fixed layout as an ebook. By its very nature it's not reflowable, because the visual layout is just as important as the content.
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#156 | |
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#157 |
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In a way though that text is defined by a different sort of flow, such that you could animate text flowing into such a pattern. But it wouldn't be an ebook. Or would it? Perhaps an animation could be an ebook.
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#158 |
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#159 |
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I was surprised to see that there is a Kindle book of Alasdair Gray's wonderful '1982, Janine':
http://www.amazon.com/1982-Janine-Ca...dp/B004UFH81K/ I took a look at the preview. On the opening pages they place the side-notes in the main flow of the text. I don't know what on earth they do with the more adventurous typography. Why bother doing a Kindle book of this novel? Money. But they ought to explain that this ebook will be a pale reflection of the original. A fantastic book, by the way, but get it in print. |
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#160 |
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#161 | |
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b) this is a problem for two reason: 1) the tools we have to build digitized books are far far far away from traditional typographic tool: actually are *web* tools. The typographic rules for books are poor and unstable. 2) when you try to build native digital content, as ebooks, you discover a lot of *digital* tools are castrated. As digital publisher we could do 100 and we do 10. c) so: what is the best way to make an ebook of "1982, Janine"? 1) don't do it: it is an *analogic* creation. You can make a fixed layout, but where is the glory? It is only a digitized photocopy. The original is better. 2) re-create "1982, Janine". Understand the philosophy of the novel and build *another* digital work, a new "1982, Janine" that uses the digital tools as native. As if you want to make a movie of Sofocle's Antigone, you don't put a static camera in front of some actor talking in ancient greek. You take the screenplay, translate it, adapt it to a new location, write a script, take shots, edit it, et ceterae. If you want to make a movie, you *make* a movie. So electronic "books". |
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#162 | |
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At present the ebook format doesn't appear to be good enough to do that, so you'd have to consider doing it in some form that supported this adventurous typography. Otherwise, as you say, just better not to even pretend that it's just a book that can be slung out there in a standard Kindle product. Unfortunately, many books are indeed just digitised books and not digital books. For the bog-standard text on a page, it doesn't matter much. Even though the experience of reading on a Kindle is not the same as reading in a print book, they are analogous experiences for many books. That said, I appreciate typography, and the fact that many Kindle books are for instance set justified instead of ragged right even though there is no hyphenation results in bad-looking books. The lack of ligatures also. The average reader may not care about the 'f' colliding with the dot of the 'i', and the huge rivers of ugly space running through the page due to unhyphenated justification, but some do. And I am certainly not in favour of automatic hyphenation either, it can only be done attractively on a case-by-case basis, meaning only a fixed layout can support proper typography if you're going to insist on justification of text. So an ebook really is quite limited. At present, the limitations seem to outweigh the advantages, and I wouldn't rush to produce an ebook of a book of mine that was still available cheaply enough in print. But if you just want to be entertained by words then an ebook will suffice. Even in badly produced print books the 'look' of the book tends to fade from sight if it is something one really wants to read. Still, I'd like to have both, aesthetic quality in presentation and ideas. So for me ebooks serve if I have nothing else, and I don't expect them to be much more than words that hopefully have at least been proofread a few times, and even that is expecting too much sometimes. Last edited by bookman156; 04-07-2016 at 12:53 PM. |
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#163 | |
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I believe the ePub 3 is designed to provide exactly what you asked for and Amazon has gone even further with their version of the fixed page format by allowing zoom of individual elements of the page. All forms of ePub 3 fixed formats can exactly replicate the paper page if you wish and can be even more creative also, if you wish. I do not think that the current format limits creativity. Also an eBook is much more likely to have errors corrected than a paper book and you can even get updates to the book you already purchased. Try that with a paper book. Dale |
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#164 |
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A lot of publishers, particularly academic publishers, are now digitising their back catalogue for Kindle. Unfortunately they are doing this by scanning the original book and using OCR, often not even bothering to contact the original author to see whether they have an electronic copy that they could use or to proofread the ebook. So there are an awful lot of back-catalogue books being slung onto Kindle at high prices that have excellent hyperlinked footnotes but poorly proofread text, and perhaps not proofread at all, just littered with OCR errors. If the author finds out, they may complain and then have the work of correcting the publisher's efforts. I find it a scandal.
As for PDF, at least the original proofreading work done on the print book is not thrown away. PDF, for what it is, is an ideal format for representing digitally a print book. We all know this. As to whether a PDF constitutes an ebook is open to some discussion. Last edited by bookman156; 04-07-2016 at 02:20 PM. |
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#165 | |
mostly an observer
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Oddly, I find that my Fire tablet is the better tool when it comes to 2). Perhaps because what I'm seeing is more like an actual book? I am tempted to add a third reason: 3) there's much more personal investment in the paper edition. I never fail to enlist my other half in proofing the paper edition. I make two copies of the PDF and read aloud to her. If I don't catch the error, she will. I believe that my books are as error-free as anything from Oxford University Press -- the print editions, I mean. I would never say that about the e-books. |
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