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#241 |
cacoethes scribendi
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I am quite sympathetic to the view offered by JSWolf, I enjoy the Discworld books so much that I don't want to miss a word of it, even if some of the words are less perfectly chosen than others. And JSWolf is right to the extent that there is a richness in even the walk-on parts like CMOT Dibbler (the ubiquitous nature, the default fallback after trying and failing at bigger ventures are not progressive, but knowing the number of times he has tried and failed all add depth to a part that might otherwise seem entirely superficial).
But I'm not so hard-core that I can't see that there are potential problems with new readers starting at the first books. The early books are weaker books, and the fact is that most of the books can be read in isolation and still enjoyed. There maybe some small cost to the total experience, but it is a cost that can be regained by further reading - so where's the downside? tompe, the Dresden books seem like they may be a good additional example of this problem. I too read the first, and while I found it okay, it was just okay, it didn't inspire me to rush out and buy more. I do intend to read a later book in the series that the thread here on MR recommended to me, and see how I go with that - eventually. Time will tell whether that experience will make me a big enough fan to go back and read the earlier ones. |
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#242 | |
Gnu
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#243 | |
Ex-Helpdesk Junkie
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I (and I assume everyone else who doesn't demand an order ![]() And CMOT Dibbler has the same depth in every book, depending on whether you have read the entire series before. ![]() I fail to see why it matters which particular books have that depth, during the first comprehensive read-through of the series. In a purely numerical sense. ![]() You won't regain the cost by further reading -- there is no cost. |
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#244 | |
cacoethes scribendi
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Pratchett is very good at this sort of subtle allusion, not just to things like Shakespeare and so on, as already noted, but also back to his own books. He is so good at it that most readers won't even notice what they've missed by not being familiar with the reference - they won't see the cost, but the cost still exists. Just as you don't have to have read Shakespeare to enjoy "Wyrd Sisters", having even a passing familiarity with Hamlet, Macbeth and King Lear etc. adds some extra spice to your reading. Last edited by gmw; 09-24-2015 at 10:40 AM. |
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#245 |
Philosopher
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Does anyone really read L. Ron Hubbard anymore? If it wasn't for a certain organization he created which shall remain nameless, would we even remember his name?
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#246 |
Philosopher
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#247 | |
Philosopher
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I don't know if Pratchett will be remembered and studied in the distant future. But he will be remembered far longer than this person. He wouldn't know depth it it bit him. But he sure knows how to see the Emperor's New Clothes. |
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#248 | |
eBook Enthusiast
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#249 |
Resident Curmudgeon
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I found Battlefield Earth to be rubbish. It was way too wordy, could have stopped in a number of different places and the story felt like it was written by a hack (well, it was).
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#250 | |
eBook Enthusiast
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![]() Hubbard may have had strange views about many things, but he was also a competent (not great, but competent) writer of SF. |
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#251 | |
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#252 |
Grand Sorcerer
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#253 |
Resident Curmudgeon
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#254 |
cacoethes scribendi
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#255 |
Ancient Sage
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I finished Battlefield Earth and enjoyed it FOR
WHAT IT WAS, which (IMO) was a simple little 'pulp' style chunk of good ol' fashioned Sci-Fi! In fact I think I have read it three times, over the years since it was published! Terry Pratchett's Discworld series, I tried several times and just could NOT get into them. But I think it's very shallow to suggest that one author is more 'worthy' than another? I never got on with the Agatha Christie novels either, but hey, millions like them (Nay, Love them) so what do I know? The value of any book you read is to YOU alone,never mind what anyone else thinks/says/does! |
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