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Old 07-19-2015, 02:34 AM   #1
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Is a word ever just plain wrong?

Sometimes I see a word that seems just so out of place that it screams "wrong word choice, just plain wrong".

Recent example: She roared in terror.

Now the way I think of it you can scream in terror, you can cry in terror, you can squeal in terror......you can do lots of things in terror but I can't get my head around roaring in terror.

Why: Because, to me, roaring has an expansive, aggressive, forthright, open, confident etc etc feel to it. Terror on the other hand has a shrinking, withdrawing, cringing, closed, etc etc feel to it.

So I just can't fathom someone roaring in terror. It seemed so out of place to me that I was jolted out of the story, snorted in disgust, griped about authors who don't put any thought into word choice and felt compelled to to turn to my wife and read her the entire paragraph containing that sentence to see if she would pick it.

She didn't.

So that got me to thinking......is it totally subjective or can there really be words that are just plain wrong for the chosen purpose or context?

Last edited by PKFFW; 07-20-2015 at 06:30 PM. Reason: Changed He to She
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Old 07-19-2015, 03:01 AM   #2
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Sometimes, yes, a word is just plain wrong. ... But your example, I think, would have to be judged in context. I can imagine some contexts in which a character might roar in terror (depending on the character and the circumstances), but it does seem unusual.

I remember being similarly knocked out of the story several times by the word choices and similes used in a YA series I read a while ago. For example the writer described an exceptionally clear window as being "perfectly translucent". I immediately stopped and thought "What?" Now it is true, one definition of translucent is clear or transparent, so technically/literally it works, but in my head translucence is associated with things that are specifically not perfectly transparent. Is that my problem or the writer's? I am left supposing it must be mine, since this was a professionally edited book ... but I am not entirely convinced that it is good word choice, even if it is not actually wrong.

This brings to mind what Stephen King talks about in "On Writing": ESP between the reader and the writer. I interpret that as being able to use words and phrases that work with the associations the readers are going to apply to them. Get it right, and the reader does a lot of the work for you, get it wrong and you isolate your reader from the story. It's naturally going to be a bit hit and miss, because different upbringing, environment, experience and education is going to leave people with different associations.

Last edited by gmw; 07-19-2015 at 03:04 AM.
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Old 07-19-2015, 07:33 AM   #3
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Is this from a C.S. Lewis book? If it were a lion, I could understand it better.

In your example, the two do seem at odds.

Seriously: The definition for such oddities of choice and arrangement is called syntax. And yes, when authors mess around with sentences, some strange things can happen, like this (regarding misplaced modifiers):

"I once shot an elephant in my pajamas. How it got in my pajamas is a mystery to me" [Marx Brothers].

In the above example, the author is aware of the error and plays with it for comedic effect.

Last edited by Dr. Drib; 07-19-2015 at 07:38 AM.
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Old 07-19-2015, 09:39 AM   #4
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I perceive a scream as a high-pitched sound, like would come from a woman, so roar seems okay to me for a man. It's the "in terror" bit that bothers me. There's better ways of getting across that he's frightened, without spelling it out like that.
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Old 07-19-2015, 10:41 AM   #5
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Originally Posted by Dr. Drib View Post
Is this from a C.S. Lewis book? If it were a lion, I could understand it better.[...]
Nope. Given the religious overtone* to the stories, and Aslan's role in them, I can't really see him doing anything in terror.

* I considered using the word undertone here, but given the subject of this thread I double-checked in the dictionary and think overtone is the better word.
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Old 07-19-2015, 11:13 AM   #6
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A roar can cause terror


Howled/screamed/screeched in terror?

Are we talking about a Human?

Context is everything
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Old 07-19-2015, 11:14 AM   #7
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Originally Posted by mr ploppy View Post
I perceive a scream as a high-pitched sound, like would come from a woman, so roar seems okay to me for a man. It's the "in terror" bit that bothers me. There's better ways of getting across that he's frightened, without spelling it out like that.

Men can scream, too. I've heard them.

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Old 07-19-2015, 11:23 AM   #8
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Many such combinations can strike me as odd if I dwell on them. But in this case it felt nearly cliche. A quick web search for "roared in terror" brings up a host of examples.

Besides, this sort of construction is essentially lazy. Writers are taught, good ones anyway, to use very few internal-state descriptions like this. Show us terror, not tell us terror.
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Old 07-19-2015, 01:25 PM   #9
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Men can scream, too. I've heard them.

Yes, but it's more of a roar of terror.
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Old 07-19-2015, 11:33 PM   #10
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Is this from a C.S. Lewis book? If it were a lion, I could understand it better.
No it was a Zombie book. That alone might explain a lot.
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Originally Posted by mr ploppy
I perceive a scream as a high-pitched sound, like would come from a woman, so roar seems okay to me for a man.
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Are we talking about a Human?

Context is everything
We are talking human but funnily enough it was a female character that did the roaring.
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Old 07-20-2015, 04:21 PM   #11
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We are talking human but funnily enough it was a female character that did the roaring.
Maybe she had a sore throat or something?
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Old 07-20-2015, 06:59 PM   #12
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A "roar' strikes me as lower pitched; a "scream" strikes me as higher pitched, and more ragged. Without a set-up to prepare me for why this character would roar in terror it would take me out of the story -- which makes a big argument for it being the wrong word.

Now, I do know that in many self-defense classes students are taught to use a lower pitched voice when "screaming" for help -- high pitched screams can get get "caught in your throat," leaving you trying to scream but unable to make a sound (really, an even more terrifying prospect).

Or, if the author was trying to show a mix of frustration and terror -- trying to escape a velociraptor, but the hallway doors are locked shut -- that might work.


But, I'd need more of a set-up to accept the logic of the "roar in terror."

Last edited by cromag; 07-20-2015 at 07:02 PM.
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Old 07-23-2015, 09:08 AM   #13
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I dont think its necessarily wrong, just a personal preference towards a certain word.
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Old 07-24-2015, 12:51 AM   #14
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In moments of shock, fright, terror, voice pitch tends to rise. Even a bass would find some tenor in those circumstances. I can see "roar" as possible, but it might jolt some readers out of the story. A bad choice, although I think the writer had a definite image in mind, but perhaps has not put it across well.

(One word that always gets me is "ring" specifically as in "a shot rang out". The phrase is hackneyed as well, but to my mind gunshots to not "ring". I have heard a few gunshots, from back powder muzzle loaders through .22 long rifle to military rifle. Never a ring, not even in an enclosed environment. Whenever I read that phrase I wonder if the author had ever heard a gun fired. I can't imagine Dirty Harry's .44 Magnum "ringing out". Your ears may ring afterwards, but it hasn't happened to me.)
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