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#31 |
Grand Sorcerer
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It would be worth mentioning here that the thread on Penguin 2.0 presents a fine example of a good reason to price e-books higher, i.e., providing extras and premium content that are not available in a MMPB, the same strategy used to sell many DVDs. This also has the added advantage of encouraging the consumer to buy legitimate material, as opposed to pirated e-books without the extras.
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#32 | |
Literacy = Understanding
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In the long-term the costs will decline. Some things are one-time investments. But until ebooks and their devices become commonplace among his readers, the per unit cost will remain high. The question becomes how much of that initial high cost can he absorb in order to reduce the price of the ebook? In the end, his margins have to remain at least the same, if not be greater, for ebooks as for pbooks in order for him to remain in business. I'll grant that I dislike paying $14+ for a crippled ebook, even though I do occasionally pay it. But it isn't the $14+ that bothers me -- it is the crippling. I think this is where the publishers are going offcourse -- not the pricing but the crippling plus the pricing. |
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#33 | |
Literacy = Understanding
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Unlike the DVD that gets stored in my movie cabinet on a reusable disk that can be shared with friends, the enhanced ebook is still DRM laden and doesn't come on a disk for storage. BTW, at least in my area of the country, as DVDs get "older" (i.e., further from their release date), they tend to get cheaper. There are a lot of older DVDs available for less than $7 with all the added features plus a nice case included. Of course, if I don't mind buying used DVDs, i can get the same thing for even less -- often as little as $3-$4. Can't do that with the enhanced ebook. |
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#34 |
Evangelist
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Good discussion.
I think publishers want the ebook market to stay as an insignificant niche market. That is the main reason for what we see. BTW, iTunes is not a good a good example, they still sell crippled products at a high price, but at least there is availability. Electronic format for music is mainstream already, while ebooks are quite new. At some point customers may realize that all the songs they bought from iTunes are cripples. Ebooks have several issues: - availability problem: incomplete series, new (and many old) releases not available - high pricing - the overhead for a website cannot be compared with physical distribution, it is CHEAP - format problems: this is their own doing, they could standardize it if really wanted - DRM - product is faulty by design Publishers on all fronts are obsolete dinosaurs and they know it. They use their lobbying power and the state to stay in business. Without it, they would be bankrupt already. Electronic formats do not need publishing. In the music world several artists have recognized it and now they self-publish. They may make less money, but it at leasts stays with them and not spent on the corporate jets and secretaries. What we can do is to refuse to buy ebooks that are higher priced than the paper. Also refuse to buy anything with DRM. If you do not stick to the above, then you have no right to complain. You offered your ass... |
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#35 | |
eBook Enthusiast
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#36 |
Grand Sorcerer
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Not today, no.
It does suggest an answer to some of e-publishing's woes, which would be connecting the e-book to physical media, such as an SD card, making it possible to use the same retail models as CDs, DVDs, etc. I'd personally consider this a step backward, but in terms of securing content to one user (not to mention making a used market possible), it is worth considering. |
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#37 | |
Tech Junkie
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Also the time and effort that goes into designing a work flow now, will not only benefit the books already published, but will significantly help in the future. The question I have is why should the publisher expect to need to recover the costs immediately? Trying to do say may as well shoot themselves in the foot as it works to restricts the number of sales. The benefits of selling eBooks really materialise when you can increase the volume, as once made the MARGINAL cost of selling each additional book is minuscule. Its kind of like the publisher saying that the cost of the printing press has to be recovered in a the first 200 books. This investment in software and equipment is a capital investment, similar to them putting in another printing press which will pay off over time not an expense. |
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#38 | |
Wizard
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#39 | |
Grand Sorcerer
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Yes, we're talking about a DRM system, but if it is tied to the physical media, it is not going to be lost if your PC dies... you can trade them, resell them... and the producer is confident that most of their material is not being pirated. So it does have its advantages. |
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#40 |
Wizard
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I think the problem is that as customers have seized more control over (and input into) the commercial process in other areas, they expect to do so in this one too, and what the publishers want and expect is fundamentally different from what the customers want and expect. To give you an example, I remember when over the summer, the Canadian dollar hit parity with the US dollar, and Canadian readers started complaining about the much higher Canadian sticker price for books in general. The publishers responded not by lowering prices, but by printing editorials in the paper explaining why the costs were higher, and what the reasons were which we did not understand, and why we should pay the higher prices when we could go on-line and get them much cheaper or get our American relatives to send them to us. And did customers respond by saying 'okay, that makes sense' and patriotically Supporting Canada by paying the higher price? Of course not. And why should they?
So we have every blogegr saying 'it is unreasonable to charge hardback prices' and every publisher saying 'no it's not' and it's a big mess because side A has the actual power to buy or not buy no matter what side B says, but they can't buy if side B doesn't choose to sell... |
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#41 |
Enthusiast
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This is a great discussion. I side with those who believe that e-books will gradually build momentum, yielding a bigger catalog and lower prices. The publishers don't want to spend millions to build capacity for ebooks that right now are a tiny market, compared to physical books.
I disagree that publishers are or will become redundant. All the functions they perform will still be needed even when books become digital. Self-publishing has always been available to authors, as to composers, but it is not viable because of the lack of quality control and marketing capital. Publishing is, contra Steve Jordan, a very risky business. Look at what is happening right now at Houghton Mifflin. It is understandable that the publishers do not want to launch themselves into outer space by committing a lot of assets to electronic publishing, when the country is full of giant stores selling paper books. Keeping the prices high is a way of assuring themselves that, while they may not make a ton of money on e-books, at least they won't be losing money, nor will they be sabotaging paper sales. |
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#42 |
Gadget Geek
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I'm hoping they'll learn from what Amazon's doing with the $9.99 new releases and best sellers. The margin may be low but the volume is high. I would imagine you have a lot more people buying when stuff first comes out rather than waiting for the paperback release, library or used book store.
Still, I wonder if publishers' ebook resistance might also have a lot to do with the executives whose role in the publishing companies are heavily tied to the print operations. I don't know much about publishing but I know in my industry a lot of bad business decisions stem from individual execs protecting their little fiefdoms even when it makes no sense for the larger corporate body. |
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#43 | |||
Jeffrey A. Carver
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#44 | |
Jeffrey A. Carver
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The publishers hold sales conferences with these buyers, and they pitch books to them, soliciting orders. They don't dictate. If they did, my Battlestar Galactica novel would have been in all the Borders stores. (It wasn't.) ![]() In the case of a new Rowling or King book, obviously, they may exert more control. But not for the main list. |
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#45 |
Grand Sorcerer
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Well, I didn't mean to imply that publishing has no risk. Just that, between publishers and booksellers, I see publishers as being the ones on top, not the bookstores. I suppose, between Jeffrey's opinion and mine, you can decide which one works for you.
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