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#76 |
Wizard
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#77 | |
Wizard
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What is this magical being society anyway, but a collection of individuals who joined together to better their individual lives? The main function of society is to protect its members' rights, and that includes creators. And how is it right that society choose to favor some rights and bestows them in perpetuity and others are just being "granted on a temporary basis" (how benevolent). Creators are being shortchanged --- their rights are only worth protecting because it is in the interest of society. |
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#78 |
GranPohbah-Fezzes r cool!
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If nothing else, one must admire the relative hubris level in our attempting to pin down concerns that have been struggled with for centuries, in a fleeting, yet possibly timeless, online forum.
There are always at least two sides to every story involving at least one other entity. The creator of IP obviously believes their brain sweat has worth and prefers protection, or at least the hope of having grounds to file suit.(which is very far from the concept of protection) The notion of allowing someone "protection" under the law allows them time to exact profit from their idea or actual invention -most would agree this is fair compensation for their effort. Why shouldn't it apply equally to specific fictional characters, situations or settings not found in our conventional reality? I think we have the right ideas, but perhaps we need to wise up and limit protection to the conceivable lifespan of the creator and let it go at that. I'd add a "put your money where your mouth is" clause and make the system of arbitration pay for itself concerning derivative works. If you really think your work is being infringed, put up or shut up, or settle without the courts intervening and be done with it -at a predetermined fixed percentage based on which media is being used to express the new work. On IP expressed as a process or invention find a way to keep it to yourself, or let anyone smart enough to figure out how you did it to license the concept at a predetermined percentage based on the percentage of the device based on the IP and it's relative importance to the success or function of the new device. This would still encourage competition to beat the reuse fees. The practical problem then becomes determining just how basic a concept is patentable. I'd not wish to design in a world where concepts like the lever, fulcrum, inclined plane, etc are patentable any more than I'd like to write in a world where Mickey Mouse blankets all fictional mice... Further, simply buying any piece of technology in a physical form should place the onus on the seller as applies to who must pay the fiddler, the reseller or integrator should be covered. Last edited by TechniSol; 01-01-2014 at 09:41 PM. |
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#79 | |
Wizard
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But authors don't trade to society directly (in most cases) they trade with publishers. Copyright doesn't benefit the authors, it benefits the publishers. By granting copyright to authors it means that publishers compete less, and by extending copyright the the number of titles that have copyright protection is increased, which lowers the trade value. |
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#80 | |
Wizard
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Do publishers have some innate right when they own the copyright that authors who own the copyright do not have? Helen |
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#81 |
Grand Sorcerer
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Mostly they do. It is the corporation concept. Corporations are based on the concept that they should exist forever, Therefore, they view ownership differently. They expect it to last forever...
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#82 | |
Zealot
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Additionally, just because something is a "right" doesn't mean there aren't exceptions or rules to be followed. Physical property ownership being a monopolization of a place or object still has its obligations and limitations. Because the ownership of an idea is such an abstract concept and can have further ramifications, introducing further limitations can make the result more palatable to all parties. It's a trade off between the self-interests of many people. What you take I lose; how can we make this fair? Is a time-based limitation the right way to go? Maybe not. But we can't really make a case when a very small but very powerful segment of the content creators effectively write the copyright laws themselves. This is not productive political parlay, that is a single self-interest wielding its power over a populace incapable of mounting any defense. Last edited by hardcastle; 01-02-2014 at 09:45 AM. Reason: rewording for clarity |
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#83 | |
Wizard
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An author can sell the rights to what is unique to his manuscript, that doesn't give him, or those he sold his book to, the right to any similar book that another author may produce. Not the right to copy it or the right to prevent its publication. Luck; Ken |
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#84 |
Grand Sorcerer
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And a corporation has the financial and/or political clout to back up their beliefs unlike the individual author. Of course I think the only way such rights could really go on forever would be if the author was to be able to live forever. Of course writer's (like everyone else) are still mortal. Moreover I don't think there can be a truly unique story idea. There are only so many plots and types of heroes & villains that can be used and re-used in new ways. For example "Wired Love" by Ella Cheever Thayer talks about using the telegraph to start a romance (between two operators). The modern equivalent would be something like cell phones or an online dating site. And of course now days it wouldn't be limited to a man/woman couple unlike when the Thayer book was written. Nothing is ever 'new' really, just recycled into a new package for a new generation of readers.
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#85 | ||||
Zealot
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1) The concept of "the many" as a single opposing and monolithic force is a non-existent entity. They are not "the many," they are many disparate and sometimes conflicting but still agreeing points of self-interest. This group wields no power beside pure numbers, which is the fuel behind majority rule. 2) The concept of "rights" is created and enforced under majority rule decisions, and as such are entirely flexible based on what the majority decides. Back in the 1800's, it was deemed a "right" for a white man to forcibly take the fruits of a black man's labor. Both legally and morally, your statement is transitory. Quote:
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Last edited by hardcastle; 01-02-2014 at 11:43 AM. |
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#86 | ||
Wizard
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Helen |
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#87 | |
Wizard
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Therefore it's entirely appropriate for the many to ask what, in exchange for the use of its collective might, they should get in return. |
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#88 | ||
Guru
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Again, all of this is just trying to equate copyright with property rights, which is incorrect in the law and overly simplistic. You and TubeMonkey or mistaking the analogies between intellectual property and tangible property as if it were the thing itself (essentially going from "IP is like property" to "IP is property"); it's like mistaking the map for the actual road. Last edited by Ninjalawyer; 01-02-2014 at 01:43 PM. |
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#89 |
Ex-Helpdesk Junkie
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#90 | |
Wizard
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Copyright law gives temporary monopoly to the author but the author doesn't make copies, so publishers end up enjoying the temporary monopoly which is why I say that copyright benefits the publishers. When copyright is extended it means that there are more works that publishers can have monopoly over, so the value of the work (i.e. how much a publisher is willing to pay the author) decreases so this hurts authors. This isn't immediately apparent if you think of it from the point of view of older works. Their authors had their works valued higher as copyright was shorter and there was less competition, and now simply get extra time to gather benefits. But the creation of new works will suffer. |
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