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#121 | |
Maria Schneider
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I can read these things analytically and completely understand why Dresden will never be a classic. Nor does it necessarily have a lot to teach when it comes to culture--yet, yet, Frankenstein, which was probably UF of the time and Dracula...those are classics. So...yanno. There's a rather blurry line. As for my personal reading, I've never cared if anyone even knew WHAT I was reading. I certainly don't care overmuch about what they THINK of the book and I don't need it to be recognized on any academic level. I love talking books. And that's why I come here. But it doesn't really matter whether anyone agrees with my reading choices. It's just a discussion and interesting to see the various viewpoints. |
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#122 | |
Grand Sorcerer
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However, "classic literature" often means "the literature of wealthy straight white men"... insisting that everyone have a good foundation in those books guarantees that the current status quo has strong hooks in every community. Part of changing the culture of the past--which, for all its value, had a lot of sexism, racism, and other problems--is finding the works of art and literature that *don't* reflect those values, and teaching them as equally worthy. Which usually means, "find more recent works," because a hundred years ago or more, getting published was much harder for anyone not at the top of the status-heap. Oscar Wilde can't have been the only brilliant gay man of his era... but he may have been the only one who got widely published. Often, minority authors' works are sidelined into "minority studies" because they "don't reflect the mainstream experience"--which is shaped by those works that are pushed at everyone. It's an elegant vicious circle, and the only way out of it is to decide that it's okay to drop the need for shared cultural tropes in favor of diversity. |
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#123 | |
Evangelist
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To me this is brilliant. Now take this, and think of what literature has really been so popular around the world that it has it's own culture? Several come to mind and it is telling about our society as a whole. A century into our future and they will comment on that our society was mostly reading books written for children or teens. Harry Potter, Twilight, and the Hunger Games were and still are defining a generation of young people. Auntykatkat |
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#124 | |
Philosopher
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#125 | |
Cynical Old Curmudgeon
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#126 |
eBook Enthusiast
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#127 | |
Connoisseur
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For Dickens etc. - unless you are explicitly interested in his WRITING I'm not sure there's much to be gained by reading Great Expectations or A Christmas Carol versus working through the films. The famous quotes and characters will all the there - because they are nowadays mostly famous from the films not the books. Hehehehe. At the weekend I popped into a an airport bookstore, and they had a big old display up of 50 Shades of Grey, whatever the sequel is called, and various other books which have been quickly repacked to appeal to that market - 'The Story of O' most prominent among them. Should make for an interesting semester of book studies, no? |
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#128 | ||
eBook Enthusiast
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#129 |
Cynical Old Curmudgeon
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Yes, but he's saying that since most of the cultural influence (ie, the reason some here say we should be studying them) is coming from the movie versions rather than the books, it is just as good, in many cases, to watch a good adaptation as it is to suffer through the novels.
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