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		#106 | |
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			 Grand Sorcerer 
			
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		 Quote: 
	
 If you're not really ready, you'll find out pretty soon afterwards. The technical term for this is "Reality Check". Grafton just got one in the more unpleasant way. They're not pleasant but they do help you grow up. BTW, thanks for the tip: I'll look into *both* Adam Nikolai's.  
		Last edited by fjtorres; 08-16-2012 at 01:48 PM.  | 
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		#107 | 
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			 Omnivorous 
			
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			The problem I have the the naysayers is that there are too many examples of how wrong they are. *Good* writers are successfully using self-publishing to get their stuff out there and make money without the need of traditional publishing doorkeepers.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#108 | |
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			 Is that a sandwich? 
			
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		#109 | 
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			 Maria Schneider 
			
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			Harlequin has a branch (it's ominously close to vanity publishing, including verbage that implies that if the book is exceptional it might get pushed on to a trad editor at Harlequin.)  There's another one...avon?  No...dang it.  I can't remember.  There's another large publisher that has opened a publishing services company.  Originally Harlequin was even going to lend it's name to it, but Romance Writer's of America had an absolute fit over it because readers would have no clear way to tell what was self-published for very high fees versus traditional.  They took their name off and left the imprint.   
		
	
		
		
		
		
		
		
		
		
		
		
		
			There are still sharks out there. Last edited by BearMountainBooks; 08-16-2012 at 04:13 PM.  | 
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		#110 | 
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			 Grand Sorcerer 
			
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			Really, how many? And how do you show that these good authors could not have used a traditional publisher?
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#111 | |
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			 Addict 
			
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 ![]() Self-publishing is a choice, not some kind of last ditch effort. Even if there is a lot of rubbish out there, but that is true for everything, especially on the Internet.  | 
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		#112 | |
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			 Award-Winning Participant 
			
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 How would he know if a trad publisher would have accepted (or ever seen) any particular book? He only knows they didn't have to. They didn't need an agent, they didn't need to get past a junior reader. ApK (Yeah, I'm presuming to speak for him. ) Last edited by ApK; 08-16-2012 at 03:52 PM.  | 
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		#113 | |
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			 Omnivorous 
			
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 Ask Hugh Howey what he thinks about traditional publishers. One of the more perfect examples of one-size doesn't fit all.  | 
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		#114 | |
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			 Grand Sorcerer 
			
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 So I am curious about what the numbers really are.  | 
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		#115 | 
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			 Grand Sorcerer 
			
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			Maybe I misread. I thought the argument was that people ignored by traditional publishers have succeeded publishing themselves. Also if they succeed publishing themselves and they could have published with a publisher then the question is what is best in the long run?
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#116 | |
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			 Bookaholic 
			
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 Just because an author gets picked up by a trad-pub be it because their book was a work of art or because they fit the market for what's hot at the time and were halfway decently written doesn't guarantee they'll be successful. A lot of books never earn out their advance let alone makes tons of money or sales for the author.  | 
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		#117 | |
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			 Maria Schneider 
			
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 Defining success is like trying to keep up with dusting... I've read a lot of self-published books in the last 4 years and I have been impressed by the large number of good ones. Sure there's lots of stinkers too, but there were way more good ones than I really expected. I don't know how those authors define success, but I hope they find it.  | 
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		#118 | 
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			 Omnivorous 
			
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			There you go. How many traditionally published, mid-list authors are making money. How many of those authors still have books on the shelves after six months. How many millions of slush books do publishers see each year. How many of those make even a small amount of money. 
		
	
		
		
		
		
		
		
		
		
		
		
	
	Once again, it's a tough road no matter which way you choose. It's a lottery either way.  | 
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		#119 | 
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			 Wizard 
			
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			Wasn't there an issue where some Big Name Indy writer got picked up by a trad publisher, and didn't sell enough to make back his/her advance? Seems to me I read something like that.  Fans liked him/her at indy pricing but not enough for trad publishing pricing.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#120 | 
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			 Omnivorous 
			
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			I curious why it matters. I'm sure if I did a little research on the internet, I could come up with a lot of successful self-published authors. What will that prove to you? There are successful trad-published authors and there are successful self-published authors. Neither list proves anything about the *correct* path.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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