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		#31 | |
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			 Feral Underclass 
			
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		#32 | 
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			 Wizard 
			
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			This article from 2006 estimates between 50-100 authors of SF&F earn enough from writing to support themselves. 
		
	
		
		
		
		
		
		
		
		
		
		
	
	I agree with those who say it's always been tough to support yourself purely off writing. Certainly off writing fiction and selling books. Writing, like acting and making music, is one of those things that there are more people wanting to do than there's an audience for. So from a crude economic point of view over-supply drives down prices, fragments the market and makes it very hard to make a lot of money. With ebooks and self-publishing this is exacerbated. There are those who simply jumped on the band-wagon and when they realised that they will only ever make a few sales here and there will leave. But equally there are those who are just happy to be being read and for whom the extra money is a bonus.  | 
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		#33 | 
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			 Stercus accidit 
			
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			To quote Samuel Johnston "No man but a blockhead ever wrote, except for money."
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#34 | |
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			 Literacy = Understanding 
			
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 My experience with indie authors is that 1 out of 10 can weave a good story but only 1 out of 15-20 can both weave a good story and write well. Yet, because nearly all of the indie titles I have "bought" I "bought" for free, I am willing to wade through a dozen or so pages of a book before deciding whether to continue to read or to delete. When I do find an indie author who can both weave a good story and write well, I am as well-rewarded as if I had bought the newest novel by a well-known, established trade author. It makes the search worthwhile. I have found that I am unwilling to spend $15 on an established author for an ebook for several reasons. First, is the fact that the ebook is licensed. Second, is the problem of DRM. Third, and perhaps most important, there are too many James Patterson-type bookmills. Is the book I am paying $15 for really written by Patterson or has he just lent his name to the narrative for a bigger cut of the pie? I think it is a mistake not to keep searching for high-aulity indie authors. It was through such searching that I found indie authors like Shayne Parkingson, LJ Seller, Michael Hicks, Richard Tuttle, Vicki Tyley, and Tracey Falbe, among others. And once I found them, I found the reading experience to equal that of the well-known trade authors but at a significantly more reasonable price. Consequently, I have been willing to pay for their new books (e.g., in Tuttle's case I bought 28 of his books).  | 
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		#35 | |
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			 Wizard 
			
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 By all means those who prefer to purchase by skimming the lists of books published by all methods, sampling, and choosing for themselves should have that right. But those who prefer to read blogs, rankings, and recommendations from 3rd party sources and buy based on those are also entitled. Many of those types also post on these forums. It seems to be a little like saying "I like to book my own vacation so I don't think there should be any Travel Agents."  | 
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		#36 | |
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			 Guru 
			
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		#37 | |
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			 Wizard 
			
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		#38 | 
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			 Cynical Old Curmudgeon 
			
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			Authors of *fiction* (and maybe biography - which is, frankly, close to fiction anyways, in most cases :P), because obviously there are and were many thousands supporting themselves by writing. Journalists, technical writers, and so on.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#39 | 
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			 Guru 
			
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		#40 | |
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			 Grand Sorcerer 
			
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			I have my plan in the works to get paid for my writing. 
		
	
		
		
		
		
		
		
		
		
		
		
		
			Attachment 84836 Quote: 
	
  
		Last edited by Steven Lyle Jordan; 04-04-2012 at 12:03 PM.  | 
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		#41 | 
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			 intelligent posterior 
			
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			That's curation, not gatekeeping. Everything that comes into their hands has already passed the gatekeepers and is 'in the yard,' to stretch the metaphor. Of course, these days a lot of work never encounters a gatekeeper at all, hence some writers' despair over the glut of work on the market. All it takes to enter the market now is to cobble together an ebook and hit "upload," whereas not so long ago self-publishing and even small-press publishing were a joke, and inherently limited your audience to the number of DTBs you could afford to print. Now, setting up a PayPal checkout and hosting your own work is trivial, and bribing booksellers and going on morning shows are arguably less effective than amassing followers on Twitter.
		 
		
	
		
		
		
		
		
		
		
		
		
		
	
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		#42 | |
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			 Youngsta 
			
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		#43 | 
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			 Addict 
			
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			I think fiction authors who make their living doing just*that are relatively rare. Vonnegut's estimate may not be far off. 
		
	
		
		
		
		
		
		
		
		
		
		
	
	*By that I mean: they don't blog and/or drive revenue through advertising on their website; they don't sidelight as a screenwriter, editor, journalist, etc; they don't teach; they don't do writer's workshops, conferences, lectures; basically, anything other than the primary stream of being paid to write their fiction. Most working writers have to be fairly diversified in their writing unless/until they can find a strong following in a niche that will let them pick & choose their projects. I think very few authors are at the "pick & choose" level.  | 
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		#44 | |
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			 Wizard 
			
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 They never have any realistic suggestion of how this is supposed to happen in absence of copyright, of course, just either a sort of "well, it'll work out somehow" attitude, or "writers can dig ditches can't they?" solution. As to your solutions, that's just going back to the old system where the wealthy controlled the flow of ideas and information to the masses. I prefer not to retreat to intellectual serfdom. Last edited by carld; 04-04-2012 at 01:57 PM.  | 
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		#45 | |
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			 Feral Underclass 
			
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