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#196 |
Guru
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#197 |
King of the Bongo Drums
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#198 | |||
Grand Sorcerer
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SLOW DOWN. |
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#199 |
Member Retired
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#200 |
Groupie
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Neither.
I think that copyright should be automatic for a short length of time (around 10-20 years), then be renewable in perpetuity (perhaps with something like 20$ per renewal, renewing every 5 years). This would require a searchable database, but it could all be handled easily online... So, orphan works would drop out of copyright quickly, allowing them to not be lost permanently, but Disney could keep Mickey Mouse copyrighted forever (since Mickey Mouse is the reason why copyright terms keep getting longer and longer and longer). Honestly, 20$/5 years is way less than Disney spends currently to keep Mickey under copyright, so I can't imagine who wouldn't like this idea... |
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#201 | ||
King of the Bongo Drums
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Copyright will work when we figure out how the digital environment works, but currently, copyright impedes getting there. Quote:
But be that as it may, what I see is that the digital environment is like acid that dissolves the analog environment, and some but not all creators are trying to stop it. Others see what is happening & are acting without trying to save copyright. Check out Zoe Keating's website http://music.zoekeating.com/ for an example in the music world of someone who is adapting to the real world rather than trying to save the old one. And she isn't relying on making a new law. Act rationally in the emerging digital environment & if we are lucky the law might follow. |
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#203 | |
Grand Sorcerer
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Copyright isn't "impeding" anything; it's being impeded by scofflaws. Copyright doesn't "work" because individuals don't respect it, and governments don't have the power to enforce it in the digital realm; and knowing individuals can flagrantly violate it without the expectation of punishment, violate it they do. In that light, only improving the ability to identify scofflaws and punish them for violations will make copyright work. |
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#204 | ||
King of the Bongo Drums
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Most fair use is obvious. The stuff that makes it into court, and comes to the attention of a judge, is a very small subset consisting of what is not obvious. That's why it's in court. What you are quoting assumes the existence of a dispute - that is, it is only concerned with the non-obvious situations. |
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#205 | |
King of the Bongo Drums
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Laws meant to govern the traffic in a horse & buggy era do not work on interstate highways. At one time, when a car came to an intersection, traffic laws required the drive to stop, get out with a light, walk into the intersection, and determine that the horses were out of the way before proceeding. That is, in my view, where we are with copyright. As for enforcing those laws, all I can say is that the current copyright laws, particularly the DMCA, are fairly analogous in their structure to the laws attempting to enforce Prohibition. Good luck with that. My personal reaction to that sort of law is to support repeal, and make my own beer. On the whole, I think that copyright is going to disappear as a creator/consumer concern, because I think that the economics of a digital environment will move us to some kind of provider environment in which consumer ownership becomes irrelevant. Like streaming. My kids no longer care about owning their music or movies. What they care about is convenient access. It seems to me that people in general believe that they are entitled to have the media they want, when they want it & how they want it. They'll pay for that, so long as they don't think they are being gouged. Try to take this away from them on the pretext of enforcing copyright or fighting piracy is a losing proposition. |
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#206 | |
Feral Underclass
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What would have helped, if they hadn't already allowed a whole generation to grow up used to downloading whatever they want would have been education. But it's pretty much too late for that now. There's been a paradigm shift in the way people consume entertainment over the last 15 years or so, and the entertainment industry are only just starting to adapt to that shift. Once they have fully adapted I doubt casual piracy will be much of a problem. |
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#207 |
eBook Enthusiast
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#208 |
Great Old One
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This is a stupid poll, but if I were forced to choose at gunpoint, I'd vote for keeping copyright forever. Stories don't write themselves, you know
![]() I do admit that a fairly strong case can be made against IP in general, but I remain unconvinced. Last edited by miguel1626; 01-22-2012 at 06:40 AM. |
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#209 | ||||
Grand Sorcerer
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In this case, though, it hardly matters, because the details of copyright laws aren't the real problem here... Quote:
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Lesson: It's never too late to change the habits of a population. Everyone seems to be allowing the particulars of copyright laws distract them from the real elephant in the room: Enforcement. Without enforcement, it doesn't matter whether your laws are good, bad or non-existent; you'll have chaos either way. It's not surprising, of course, that no one is immediately in favor of better enforcement of laws; it is a natural inclination to oppose something that seems, on its face, to remove your ability to do something (even if that thing is wrong, like disobeying traffic laws and endangering other citizens). On the other hand, when citizens have been clearly faced with losing something, like rights, property, health or opportunities, they usually support such laws and enforcement, or accept them once they are in-place. It wasn't speeders that urged enforcement of speeding laws; it was those who were endangered by the speeders. In this case, we as a people are faced with losing literature... not completely, of course, but we are faced with the shutting-out of independent authors, the higher costs of mainstream published books, continued format and platform disconnections, and a continuing narrowing of choices. A media run by a couple of publishers, Amazon and Disney. When people fully understand the implications of that, they will be more inclined to appreciate better security and enforcement for copyright laws (as they are, or amended for the digital realm) in order to preserve their access to quality literature. Until then, copyright might as well be an all-or-nothing proposition... for all the difference it will make. |
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#210 | ||||
King of the Bongo Drums
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