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#151 | |
Resident Curmudgeon
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Take J. A. Konrath for example He's a right arrogant a$$. He went exclusive with Amazon. But before he did that, he had his Jack Daniels series available in ePub. Then he pulls them right out from readers who won't buy from Amazon, do not use Calibre and/or do not convert. So for the people who read in ePub, he's screwed them over big time. Does he care? No. Does Amazon care? No. So what you can do is buy most of the series in ePub and that's it, you'd hit a brick wall and you are done. no more. The new books are Amazon only. So when authors move to Amazon and take away things from readers, this is just malicious. It's just human nature to want them to fail at Amazon. SO really, going exclusive at Amazon can and does piss people off. You want to go exclusive and be thought of as an a$$ and having people want you to fail? Go for it. |
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#152 |
Maria Schneider
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So where do Sony readers shop for books? Library mostly? Or kobo? I have a handful of sales on the Sony site each month, but nothing to write home about. The posts I've seen about the Sony bookstore says books cost more there so it seems Sony owners soon find other venues. Just in case anyone here knows.
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#153 |
Resident Curmudgeon
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Maria, I have a question about the version Under Witch Moon sold at B&N. Is it from Smashwords or is it a hand-crafted ePub uploaded to B&N?
I'm hoping you say hand-crafted as what the meatgrinder & Word can do to the underlying code can be something not nice. |
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#154 | |
Maria Schneider
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For the right deal, an author HAS to consider an exclusive (although a time-limit is very important.) I'm not saying I like exclusive deals at all. I actually think they hurt retailers and authors, but I understand the business mindset behind it and I also understand as an author it can mean the difference between "I get to write for a living" and "I can't afford to write for a living." There's some very simple economics involved when most authors need a stash of cash to make it through the 3 months to 3 YEARS it takes to get the next product out. Amazon and other publishers know that. Publishers try to lock down exclusivity too--just not where readers necessarily see it (some books are only published for Wal-mart, such as some Harlequin names). Publishers lock in deals for all kinds of things such as audio and film and so on. This prevents authors from possibly finding cheaper ways to bring certain things to market--which would be a boon for readers. So, in short: It isn't just Amazon. Lots of businesses do it in various ways. And as authors, the right exclusive deal, regardless of how one might feel about the predatory practice can mean doing what we love or giving it up. |
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#155 | |
Literacy = Understanding
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I view ebooks as read-once-then-throwaway items. Books that I think are worth keeping I buy in hardcover, although I have come across a few ebooks that are not available in hardcover that are so well-written they are worth keeping. |
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#156 | |
Grand Master of Flowers
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But if you write for a living, it is a business and you have to treat it as such. |
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#157 | |
Resident Curmudgeon
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But if you are selling a series in whatever formats and it's selling, don't go and screw the series up by dropping any of the formats you sell in. That's just making you be an a$$ and makes you look bad. I wanted to try his Jack Daniels series, but because of the Amazon deal, I won't because I don't buy eBooks from Amazon. |
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#158 | |
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#159 | |
Da'i
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It's not human nature, John. It's just you. Do the authors owe you something such that they must cater to your preferences? |
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#160 |
Da'i
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#161 |
Da'i
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#162 |
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#163 | |
Maria Schneider
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I do work pretty hard at the Smashwords versions, however. My husband and I are both fairly technical so we have beaten a few of the files into submission, fwiw. I agree that some of the conversions can be rough. Some of my initial loads had the epub versions with a space between all paragraphs. It took us a couple of days to figure that out. |
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#164 | |
Maria Schneider
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For an excellent female protag series look up Carol O'Connell (her stand alone Judas Child is one of the most engrossing thrillers I've ever read.) Linda Fairstein is another writer with a good female protag. I don't think you'll be disappointed in either of those writers and the writing and series is much more consistent than the aforementioned series. Konrath's true love appears to be hellacious horror, bizarre horror and bizarre, and the horror installed itself in a series that did not start out to be horror. I have not read past the one book that was filled with horror elements. FWIW. |
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#165 | |
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