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#406 | |
Wizard
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1.)In Texas it is quite common to sell a piece of land but the original owner retains mineral rights (in the case of natural gas that can be tapped from below without disturbing the new owner's use of the property). 2.)Last I have heard, when you buy a Ferrari you are not allowed to resell it for 1-2 years. I am not sure if they still have this clause now, but they definitely had such restrictions a few years ago. It was basically because they had long delivery times and didn't want people to order one for 400K and resell it for 1 million immediately. 3.)Works of art quite often are given a way or being sold under the condition that they are to be displayed in a museum. Why shouldn't a buyer and a seller be able to make up their own rules? That is fine as long as it is fair and holds up in court. Last edited by HansTWN; 11-30-2011 at 02:05 AM. |
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#407 | |
Grand Sorcerer
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The case that decided this was a movie studio which sold its old films to be shredded into stuffing of some sort; one of the buyers was using them as movies--reselling them to people who wanted to watch them. They sued, on the grounds that their sales contract said the sale was for destruction only, and they lost: once it's sold, the former owner has no right to describe how it's used. The Ferrari might be a special case--but if it's *sold* rather than "contracted to be sold via payments taking place over several years," it can be resold instantly. For that to work, the initial payment might have to be all at once instead of spread out; otherwise, the seller might claim that some rights don't transfer until the final payment is made. elcreative seems to think that the right to sue over unathorized copies & distribution thereof, includes the right to demand that the work be experienced the way the creator intended. Even if there's a contract between buyer and seller, it may not be valid. At worst, the buyer's guilty of breach of contract--but the penalties for that have to be spelled out in the contract itself. |
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#408 | |
Interested Bystander
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Interestingly, in some European countries, the artist does retains some control how their work is used. They have the concept of 'moral rights', which an author cannot trade away.
Article 6bis of the Berne Convention protects attribution and integrity, stating: Quote:
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#409 | |
Grand Sorcerer
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#410 | |
Wizard
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Once again, sorry to OP but I do get irritated by people misinterpreting at best or just putting their own words in my statements... also once again, I'll try and finish here depending on others... ![]() |
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#411 |
Interested Bystander
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There are some interesting links here: http://www.law.harvard.edu/faculty/m...age_rights.htm
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#412 | |
Grand Sorcerer
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#413 | |
Wizard
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#414 |
Resident Curmudgeon
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Most people who steal something like that do it just to be able to say they have it and not really to use it.
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#415 | |
Grand Sorcerer
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While it's rather silly to buy pop-up books, given the relatively high cost, and then scan them to flat PDFs, it may be that someone wants to read them that way, or do research on the art style rather than enjoy the sliding levers and opening doors. And this *is* on-topic... the difference between creator's and seller's intended use, and buyers' preferred use, is a big part of the problems in finding metaphors for various types of digital file activities, authorized or not. A lot of the buyers had a concept of "book" that included "can loan to a friend." Often, they believed that "purchase" included "can loan to friend" and "can resell if a buyer is found." The core issues of "what exactly is being sold" and "what are legitimate uses of an ebook" (or mp3, or avi) are crucial to finding metaphors to describe what people do with digital content. Publisher insistence on "rights" that no reasonable person would ever consider applying to books is part of what spurs piracy... Fictionwise's claim that I cannot "share" my purchases with anyone at all or I would be in violation of copyright law is obviously garbage. Their refusal to acknowledge a difference between "show another person the book loaded on my hardware device" and "make a digital copy & send it through email," likewise discourage customers from thinking these are different actions with different penalties. We can't find mutually useful metaphors if we don't agree on what laws are relevant, what acts are reasonable, and what rights are actually granted with a purchase. And we won't agree on those things as long as publishers and digital stores making sweeping false statements about copyright law. |
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#416 |
Wizard
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You're still missing my point... if the BUYER wants to turn a creative object into s**t to use it then that's fine but it is not fine to repurpose it into another format and pass that on... giving the physical object away is fine, it was purchased and you can give it away, set fire to it or use it for compost but putting it into another format it wasn't designed for and passing that onto someone else is not fine... and metaphors have nothing to do with it... if you buy the object that doesn't give you the right to photocopy it and sell the photocopies or give them away so it is with converting it to a digital format...
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#417 |
Wizard
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Which brings up the interesting question of 3D printing (something I have looked at with great interest recently). The current state of affairs seems to be that it is legal to copy an object that has a useful purpose, but it is illegal to copy something that is just a piece of art.
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#418 | ||
Wizard
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I realize that you weren't around for when the thread started but my argument with HarryT regarding his avatar was about this. His position after being shown what the law states: Quote:
![]() I'm curious as to why you are using [...] instead of [.]. |
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#419 | |
Feral Underclass
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The days when you could control what format your work goes in are long gone and they are never coming back. The Harry Potter woman tried it, Ray Bradbury tried it, DC and Marvel comics tried it, even the music and film industries tried it, but they all had to cave in and provide what people want in the end. All they achieved by refusing from the start was let an entire generation grow up getting used to downloading everything for free. |
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#420 |
Wizard
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OK, I'll put in to simple terms... take Rodin's The Kiss - it is a sculpture - if you digitise it then it is not a sculpture (and for the nitpickers, ignore the upcoming joys of 3D printing for the sake of this discussion), it is a picture and is no longer the item intended, a picture doesn't give the same experience as a sculpture... and after reading through so much irritating misinterpretation of my original hypothetical item, I will leave you to discuss your own interpretations until the cows come home...
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