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#376 | |
Wizard
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#377 | |
Grand Sorcerer
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You have the right to decide a certain kind of paper is all you're willing to print on. You don't have the right to decide that the paper is essential to the reader's experience, any more than a painter has the right to insist their work only be displayed under full-spectrum lights, or a movie producer has the right to insist the movie be shown on larger-than-65" screens. If someone buys your book and photocopies it at 150% original size in order to read the smaller text, they'll lose that special paper--and you don't get to control that. If they convert it themselves to an ebook in order to have text-to-speech program read it to them, again, you don't have the right to stop them. (In the US. I gather UK laws are different.) If you want to control how your work is experienced, don't publish it. Once it's released to the public, your control is very limited. |
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#378 | |
Wizard
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And as for reality, well how much of the full experience, of the Book of Kells, would a sight impaired person get... the words are fine but the experience of the Kells is not the words, it is the hand crafted illuminations... the words just give the content not the interpretation of the illustrators which is the major artistic appreciation of the book... just like the libretto of the Ring Cycle gives an impression of the work but it is the music and stage performance that make the entire work, anything less is just that, less... Wanting everyone to have access and appreciate everything doesn't make it possible... |
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#379 | |
Loves Ellipsis...
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There are also deaf people who dance - professionally. |
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#380 | |
Wizard
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Text-to-speech will work really great on a 200 page artistic concept item with ONE printed word per page... the item is designed to be treated as an entirety not a chop and match, now someone may convert it that way but they're not going to enjoy it and they DON'T have the right to sell that as the work to other people... oh and I never said the hypothetical work had small text, you're assuming again, and photocopying something, on artistically textured and designed paper, is probably going to end up being more difficult to read than the original... this also doesn't mean that someone who chooses to butcher the work can then sell it on... |
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#381 | |
Wizard
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And deaf people who dance rely on the underlying beat/bass to stay with the music... not all music has this so I guess we should start adding bass to chamber music and violin concertos... not everything is available to everyone, this is life, it's not ideal but it is reality and surely it would be equally unfair to limit all works to things that can only be consumed by everyone? |
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#382 | |
Loves Ellipsis...
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I'm sure my blind cousin with her painting collection - and the paintings she does herself - would be gratified to know that you think she doesn't deserve to see the Mona Lisa. And all the deaf people who like music need to stop and get over themselves, huh? |
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#383 | |
Wizard
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#384 | |
Feral Underclass
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#385 |
Chasing Butterflies
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This whole conversation makes me think of Wicked.
The musical Wicked is wonderful but in accordance with 'tradition', you can't buy a copy of the performance, because that would supposedly cannibalize live sales. The people who think this is a stupid, stupid position argue that (1) most fans will still go see the live performances when convenient/possible, so you're getting twice the money from the fans and (2) the fans would like to show their elderly, bed-ridden grandmas who cannot possibly drive 3 hours to attend a live show. And, of course, (3), the whole thing is probably available in bootleg form on the internet at this point anyway. Well, and (4), the amount of people you can reach with live sales is pitifully small compared to the people you can reach with, say, Amazon.com. Ableism is an issue in our country. Earlier this year I had to have a huge fight with DishNet over their lack of captions on "child units" in the house. (I switched to DirecTV, and they have captions for all units, yay.) There was NOTHING on the DishNet site about this issue, and in fact, there was contradictory information on their ad-copy that frankly conflicted with the reality. It took hours and hours and hours of work -- and social networking -- just to get them to waive the $300 "contract breaking fee" because their "service" didn't service adequately the members of my household. |
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#386 | |
Wizard
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#387 | |
Wizard
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#388 | |
Wizard
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#389 |
Loves Ellipsis...
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What you don't get that is is NOT cool to leave people out. You made up a fictional book with all sorts of fictional reasons as to why someone should not be allowed to format shift. As soon as people bring up very valid points as to the entire segment of the population that you are making a POINT to leave out - and now it's that "I didn't say that." The fact is that digital is making EVERYTHING assessable. My blind cousin has an iPhone and a Kindle. Just because your fictional book didn't take into account those people with disabilities is no reason to get all huffy.
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#390 | |
Grand Sorcerer
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