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#76 | |
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So, unless the owner of the copy or distribution rights dictates that $2 per copy cost, the argument falls flat. That's not to suggest that such dictates don't exist but even when they do, it doesn't make them optimum. Last edited by Rob Lister; 10-17-2011 at 08:47 AM. |
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#77 |
The Dank Side of the Moon
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Not exactly, there are production, storage, and maintenance costs.
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#78 |
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#79 | |
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I remember years ago reading an interview with the CEO of Osborn Computers. The reporter was asking him about corporate loses. The CEO explained that even though they were selling the Osborn machines at below cost, they intended to make up for it with volume. They filed bankruptcy soon thereafter. |
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#80 |
The Dank Side of the Moon
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If you have only one product and sell at a loss, you are going to lose. If you have a loss leader that results in additional sales of profitable products you can win.
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#81 | ||
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Quote:
Quote:
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#82 | |
Grand Sorcerer
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#83 |
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I think one thing people are missing is that books aren't widgets. The #1 thing that makes a good book is a good writer. The supply of GOOD writers is limited. ( The supply of crap writers seems to be near infinite, as any trawl of Smashwords makes clear).
Good writers don't HAVE to write novels. They can go into journalism, write theater plays, write screen plays, games-hell, they can write advertising copy. If we don't make it worth their while to write novels, i.e. pay them and protect their IP rights, you may find GOOD writers drifting on to other fields . I sure as hell don't want to end up with a world of cheap, crap novels and superbly written commercial jingles, but I fear that we may be headed there... |
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#84 | |
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Quote:
http://en.wikipedia.org/wiki/Osborne...e_Osborne_Myth |
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#85 | |
The Dank Side of the Moon
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#86 | |
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Say an author writes a book in a year (£20k for a year) and the book sells 5K copies then a fair wage alone puts the book at £4 per unit just to cover that... ![]() |
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#87 |
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But perhaps the book would have sold 3x more copies had it been priced at £2 a copy. That, unfortunately is one of the great "unknowables". Setting the "right" price for a book to maximise your revenue is a black art indeed.
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#88 | |
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#89 | |
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My point was that you can't know in advance how many copies you're going to sell, and if you do in fact sell 5000 copies at £4, you don't know (and can't know) how many copies you might have sold had you decided to price it at £2 instead. It may have still been 5000, but it might have been 15000. You'll never know. |
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#90 |
Grand Sorcerer
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It seems that people are arguing the same point from opposite vantage points. I'll guess that we want as readers is good books and an author to be paid a fair wage. The question is what price should the e-book be in order to maximize revenue and allow the publisher to pay the author handsomely for good work and still make a profit as well.
To be fair to Lister, as sales approach 100,000 copies, the 20,000 up front shrinks to a pretty small amount per book and the actual printing of the book costs more. But not many books even sell 10,000 copies so Lister's argument does little to convince me of anything on the values of scale in e-publishing. In the end we are paying someone to write a book. |
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