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#16 |
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#17 | |
Series Addict
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You are very welcomed!
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#18 |
New York Editor
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#19 |
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#20 |
Wizzard
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Hee. The stuff that I voted 1st place in the short fiction categories all won! I love when that happens.
![]() Mind you, much as I like Connie Willis and love her Oxford time-travel series, I think this year's Hugo would have been much more deserved by one of the other novels nominated. I enjoyed reading Blackout/All Clear and own paper & e-copies which I re-read from time to time, but it was relatively rather weak for one of her works* and not nearly up to the standard set by her previous Hugo/Nebula-winners in the same series even though it's still an engaging read nonetheless. But then, these are the Hugos, not the Nebulas, and thus a popularity contest and the series is very popular. Though on that basis alone, I'd have expected Lois McMaster Bujold to scoop the award for the latest Vorkosigan novel. * Not to mention, seriously flawed with major plot holes/contrivances and apparently also a goodly number of historical/cultural inaccuracies according to people who have more knowledge of WWII-era UK stuff than I do. I think it really suffered from being one very long novel chopped up into two fairly long novels due to publishing industry requirements for printing cheaper volumes. |
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#21 |
Grand Sorcerer
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I thought the entire Best Novelette shortlist was particularly tasty this year.
I was also happy to see Mary Robinette Kowal (AKA Not Kij Johnson) win best short story, but I was secretly pulling for Peter Watts' "The Things". ![]() |
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#22 |
eBook Enthusiast
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I have to confess that I find the splitting of the short story category into finer and finer gradations to be rather bizarre. "Novelette"? Do we really need such a word?
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#23 |
Wizzard
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As I understand it, the categories are based on length, and I suppose there needs to be some way to distinguish the medium-shorts from the short-shorts to help even up the field of competition. Perhaps in the future they'll also do it with the novels, and distinguish epic cockroach-killer tomes* and multi-volume splits from self-contained mid-length tales.
Myself, I wasn't too impressed by most of the Novelette/Short stuff this year (though I really liked a couple of them), but the Novellas were all excellent and well worth reading (and Googling for the ones which are promotionally free to read online). I had a tough time deciding which order my votes for that category would go in. And given the subject matter of Ponies† and The Things, I do kind of wonder if there's going to be a trend of retro pop-culture shout-out ones in the future. * I, for one, welcome our Best Epic Cockroach-Killer Tome Award-winning overlords. † This story was just begging to be a faux-cutesy illustrated girly dayglo pastel picture book. |
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#24 | |
Interested Bystander
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#25 |
Guru
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In SF, I think it's necessary. Shorts, novelettes, and novellas all garner different expectations from readers, particularly in the area of world building.
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#26 |
Wizard
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I also love Girl Genius. Some graphic novels are truly interesting, and it's nice that you don't have to wait a whole year for a new book, but you get the story one page at a time throughout the year.
And of course buy stuff to support the author ![]() |
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#27 |
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But could we not also say that we have different expectations from a 200 page novel, and a 1200 page "block-buster"?
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#28 | |
Grand Sorcerer
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Quote:
![]() The distinction seems to be consistent (at least in length) in the Hugo nominations, but I always run into examples that blur the lines in the wild: Novelettes shorter than some short-stories, and vice-versa. Oh, well... it certainly doesn't alter my enjoyment of the short form. ![]() |
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#29 | |
Kate
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That's what I expected, too - LMB is popular, Miles is back!, and 'Cryoburn' was a terrific book. |
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#30 | |
New York Editor
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The odd man out actually tends to be the novella, and there has been squabbling about what it is. ______ Dennis |
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