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#136 |
Connoisseur
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Join Date: Dec 2007
Device: iRex Iliad
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Exactly. It is a painful realization I got from a previous thread on this subject: First, decide whether you're in the business of trying to improve other peoples' morals or of trying to maximize profits. In case of the latter, forget about the pirates. The only thing I'm worried about is the amount of effort I need to do to "keep the honest people honest". I haven't quite figured that out yet, because it's easy to bother the honest people with your DRM scheme, which I want to avoid.
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#137 | |
Reticulator of Tharn
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Join Date: Jan 2007
Location: EST
Device: Sony PRS-505
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#138 | |
zeldinha zippy zeldissima
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Karma: 921169
Join Date: Dec 2007
Location: Paris, France
Device: eb1150 & is that a nook in her pocket, or she just happy to see you?
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#139 | |||||||
Reticulator of Tharn
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Karma: 400000
Join Date: Jan 2007
Location: EST
Device: Sony PRS-505
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I don’t think that morality exists by state imposition or is identical with the law. This seems to me the basic disagreement underlying our competing claims. If my Prohibition analogy doesn’t budge you here then I guess we should stop tilting at each other’s windmills ![]() Quote:
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I believe most of us share the notion that an author should receive compensation for their work in line with the number of people who read that work. Copyright was a remarkably effective system for achieving this during the reign of the printing press. In the era of the Internet there are many opportunities for copyright violations which do not interfere with the principle of popularity-linked compensation. My point is that we should account for these case by modifying or replacing the copyright system, not by forcing consumers to treat digital media like physical media. And that until we do so there will be certain classes of “piracy” (not all – I am not saying that) which are not immoral, do not violate the popularity-linked compensation principle. Quote:
My point is that we have very solid intuitions concerning the value, sale, trade, and theft of physical things. Copyright worked so well for so long because it makes informational products into physical things. Copyright is presently failing because the average consumer increasingly has the ability to deal with informational products as information and our intuitions about physical things no longer apply. The hardback-and-paperback analogy is flawed because it applies our intuitions about two physical products to an informational product. Quote:
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I agree it’s illegal – I was more curious about your take on the morality of this transaction. |
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#140 | |
Grand Sorcerer
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Join Date: Aug 2007
Location: Grass Valley, CA
Device: EB 1150, EZ Reader, Literati, iPad 2 & Air 2, iPhone 7
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#141 | |
Connoisseur
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Join Date: Jan 2008
Location: Va. Beach, VA
Device: Kindle
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It seems to me that you are operating under the same premise that most 'pirates' operate under. If item x is a) hard to find, b) too expensive, c) in a format I don't like, d) I can't afford it, etc. etc. etc., that is justifcation for me taking what I want. The question should seriously ask yourself is this; why do I think I have a right to take something that I have not earned nor sought proper permission from the owner to take? And if you recognize that you don't have a right to take it to begin with, then you have already answered your own question; it's wrong. Typically the answer is, insufficiently, because I want it. We could probably argue over the meaning, usefulness and purpose of copyright law all day, but in the end the moral right or wrong comes from the earned or unearned, the permission or lack thereof. My experience has been that virtually all 'pirates' are happy rationalizing why they should be able to take that which does not belong to them. For the most part I've given up trying to convince them that taking what they haven't earned and haven't sought permission to take is morally wrong, that it impacts their life negatively, and in the end not in their long term best interest. Rational people do not need to steal or take things that do not belong to them. Rational people understand the value that earning things offers their life. Rational people understand that the end does not justify the means and that morality is not determined by what is done, but by what should be done. Man's peaceful existence among other men depends on the recognition of rights. Men survive by use of reason and by voluntary trade; animals survive by use of force, by taking what they need to survive without regard for the other animals. Taking something from someone without their permission and without duly compensating them is just another form of force, making that 'man' no better than an animal. |
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#142 | |
eBook Enthusiast
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Karma: 93383099
Join Date: Nov 2006
Location: UK
Device: Kindle Oasis 2, iPad Pro 10.5", iPhone 6
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#143 |
Addict
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Join Date: Feb 2008
Location: Melbun
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One reason for taking: the owner is dead. I mean that in all seriousness. It does not matter how much we reward Arthur Clarke for his books, he will never, ever write another. No amount of money will change his mind. So, what possible justification is there in terms of "encouraging creative output"? Sure, there's the "my ideas are my property and I take them to my grave" response, but I don't think even the mammon-worshippers are demanding that extreme. Even in the USA, dead people cannot own property, so if you argue that copyright is property, why should it persist after death? No other ideas are given legal force after death...
Another reason: I have arguments that make sense to me for breaking whatever laws are involved. For example, I have no problem at all ignoring US copyright law. I have never been under its jurisdiction[1] and don't anticipate that changing. Alternatively: I believe the laws are unjust, and am breaking them as an act of civil disobedience. I do not deny breaking them and would even accept Ghandi's approach if that eventuated. [1] I realise that the USA regards its laws as universal and has repeatedly kidnapped foreign nationals and applied "USA justice" to them. I regard that as abhorrent. |
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#144 | |
eBook Enthusiast
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Karma: 93383099
Join Date: Nov 2006
Location: UK
Device: Kindle Oasis 2, iPad Pro 10.5", iPhone 6
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#145 | |
Grand Sorcerer
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Join Date: Oct 2007
Location: Linköpng, Sweden
Device: Kindle Voyage, Nexus 5, Kindle PW
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Personally I think passing property to heirs should not be allowed but it is probably impossible to implement such a system. With copyright or other granted rights it is easy to implement a system were you cannot pass it along when you die. |
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#146 | |
Grand Sorcerer
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Karma: 7185064
Join Date: Oct 2007
Location: Linköpng, Sweden
Device: Kindle Voyage, Nexus 5, Kindle PW
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#147 | |
eBook Enthusiast
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Karma: 93383099
Join Date: Nov 2006
Location: UK
Device: Kindle Oasis 2, iPad Pro 10.5", iPhone 6
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#148 | ||||
Grand Sorcerer
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Karma: 5171130
Join Date: Jan 2006
Device: none
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(Funny: I replied to this last night, but it didn't take. Let's give it another try.)
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The Prohibition argument has some parallels with e-books, but only some. Prohibition would have succeeded if not for so many people who did not believe they needed to be protected from alcohol, and they actively fought the law until it was repealed. But Prohibition was in essence a religion-inspired public health issue, not a commercial issue like e-books... and we are not trying to ban all e-books... so I'd say the analogy has some problems. Quote:
Regarding your friend, what you should do is gift him the book, and tell him to make a backup copy. If you make a backup and keep it, then the law will consider you in violation (2 people now hold 2 instances of an IP that was paid for by only 1). If he makes a copy of the book he's got, you're both in the clear. Quote:
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Basically, I stand with the law on this: Although format-shifting is technically illegal, as long as the new Instance is used by the person who bought the original Instance, and does not get passed on to another person, I have no problem with that. So sure, make a hundred copies of my e-book. Just don't give 'em to anybody without paying the creator (me), and we're cool. |
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#149 |
Grand Sorcerer
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Join Date: Jan 2006
Device: none
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What do you believe is unjust? The idea of paying a creator for the item they've created and that you've obtained? Or just the idea that that person's heirs (who may be minors, and otherwise bereft of income if their parent/the creator dies prematurely) may be deserving of some of the proceeds provided by copyright after the creator has died?
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#150 | |
Reticulator of Tharn
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Karma: 400000
Join Date: Jan 2007
Location: EST
Device: Sony PRS-505
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In a pure market economy the value of a product is a function of supply and demand and nothing else. The creativity and effort involved are irrelevant. The “supply” of a purely informational product like the content of a book is infinite. This makes the pure-market value of book-content approximately the same as that of my undemanded sculptures: nothing. Copyright works by granting creators a legislated monopoly on the content of their creative work, allowing them to artificially scale supply against demand and turn a profit. But informational content is not a physical product – treating it as such is an entirely artificial construct for the purpose of compensating creators in a market economy. Copyright was effective for so long because the means to distribute creative content was so expensive and time consuming, thus not widely prevalent, and thus easily controlled. The core contention of the “pro-freedom” side of this “debate” is simply that this is no longer the case. The technology for costless duplication and distribution makes the copyright system’s legal imperative to treat information like a physical product as sensible as a legal requirement to sell liquids by their color. Our laws and institutions can do better, and until they do there will be a lot of moral edge cases. So with the case of inheritance (wow, I got carried away), I’m not sure how I feel... (Questioning the very concept of property inheritance I do think goes a bit far.) An artist might inherit their parent’s brushes and paints, but that doesn’t give them a right sell new paintings if they don’t have the talent for it. I at least like the idea of a system of voluntary contributions intended to subsidize future (freely distributed) work, like the system primarily used by comic artists on the Web. Definitely no inheritance in that model. |
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