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#16 |
Grand Sorcerer
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Dennis, I agree about proofreading. Here are two answers. There may be others.
Answer #1 - Request the person scanning do the proofreading. After all, if <your> name is going to be associated with the e-book (scan and proof credit), you have a real incentive to do a good job. Who would want a credit line (scanned and proofed by X) and then another line (reproofed by Y)? Or even worse, somebody cursing your name for a lousy job done. Answer #2 - Have the author (or heirs or assigns) proof the initial scan and proof. After all, they are the ones who will be making money off the e-book, so they have an economic interest in a good quality product. In addition, validating galley proofs (which is what these are, in essence) has traditionally been the task of the author for p-books anyways. I agree that Project Gutenberg has gotten better, but speaking as a scan contributor, it comes at a price. I have 3 books in process, and the oldest one has been in process for 11 months (to date) and it still hasn't made it out to the public. Frustrating. Assuming the idea has merit, how would you get the ball rolling? I'm just a reader, and have no clue who to contact. |
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#17 | ||||
New York Editor
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Quote:
Once a volunteer had established a track record of submitting clean, error-free copy, I might modify my process for work from that volunteer, but they would have to establish that track record. And in many cases, the original hard copy source has errors, which should really be corrected in the electronic edition, so simply insuring your electronic copy is a duplicate of the hard copy text isn't enough. Proofreading is a technical skill requiring a large vocabulary and knowledge of the grammar of the language which most folks lack. There are reasons why publishers pay professionals to do it. There will be things the most dedicated amateur proofreader won't catch because they won't know it's an error when they see it. Quote:
The late John Brunner told an amusing story about that. He did an SF novel where he put in a number of deliberate usages that he knew a proofreader would want to "correct". So when he submitted the manuscript, he carefully marked it up, circling all such usages, and putting "STET!" in the margin to indicate the usage was deliberate. Sure enough, when he got the galleys, every instance had been "corrected". Apparently, the publisher had a proofreader who didn't know what STET! meant... ![]() Quote:
Part of the problem is the nature of the process. PG and DP are volunteer operations. The stuff that gets attention is the stuff the volunteers want to work on. Contribute something obscure, and it may be a while before anyone with the enthusiasm for that topic comes along to work on it. Quote:
______ Dennis |
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#18 | |
Grand Arbiter
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Join Date: Oct 2007
Location: Arizona
Device: iPod Touch, Amazon Kindle, Motorola Droid
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#19 |
Technologist
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Join Date: Oct 2006
Location: I'm between Cities
Device: SONY Reader PRS-500
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Matt:
I can sympathise. I've worked on boats since I left college. Thankfully, most sailors/boaters are readers, and most boats have a decent library. For years, I dreamt of a nice big room given over to the storage of books. These days, considering my career and foreseeable living conditions, a really nice chair and my PRS-500 is fine for me. My wife might be doing her residency in Boston. That means prestigious job, *really* small condo. I like the promise of our new digital overlords. @ Dennis: Proofreading is important, and I can see it being very important to the company that distributes the work. Last night, finished reading The Call of Cthulhu on my Reader that I either got hear or was a Gutenberg text that I converted with LIBPRS. There were typos and bizarre spacings, but I know what ol' Phil was on about, so they did not matter. However, I fear the mangling of original texts due to neglectful copy/scanning, the same way I lament the death of homonyms and correct use of grammar & cliches thanks to the internet and poor education. "To be or not too br" We all get the notion, but it really lacks some of Shakespeare's original punch. ;- |
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#20 | ||
New York Editor
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______ Dennis |
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#21 | |
eBook Enthusiast
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That's why, for the books which were typed rather than scanned, to get a decent copy I think it's important to proof it against the printed book, rather than simply correct the obvious errors in the eBook. Unfortunately it was the most "famous" classics which (naturally) tended to get added to PG first, so they are often the books which are in the worst shape. The current stuff, being added by DP, is pretty good. |
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#22 | |
Grand Sorcerer
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Dale |
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#23 |
eBook Enthusiast
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I think, to be honest, the best thing to do would be to re-submit them via DP. That would catch far more errors than I've done, I'm sure. I'm afraid I don't know the process for doing that. Anyone else know?
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#24 |
Resident Curmudgeon
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Fictionwise is giving a 100% micropay rebate on Dune Messiah. I kjow the price is $24.95, but you can then turn around and use that money for other eBooks from Fictionwise.
http://www.fictionwise.com/eBooks/eBook63936.htm?cache |
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#25 | |
New York Editor
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http://upload.pglaf.org/ ______ Dennis |
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#26 | |
Banned
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Join Date: Jun 2007
Device: mine
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Thanks! I have stopped buying DRM content since switching to my N800 but I still have the nx73v (gotta have it as it's my first plus it does NYT xword puzzles!!) so I might make an exception...oh, wait this is the internet so I will make a acception. ![]() |
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#27 |
Addict
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Darn, Fictionwise seemed like a useful place to buy content from, but if the content isn't portable they can forget it. Bah! I've been burned too many times by loss of support for accessing DRM'd content.
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#28 | |
New York Editor
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#29 |
Resident Curmudgeon
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If you search the forum, you'll see how to strip away the DRM and be able to either use it in the format you've purchased without DRM or convert it to some other format you can use. So don't whine about the DRm when you can do something about it. But remember, if it's illegal where you live to strip DRM, then please don't do so.
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