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#16 |
Guru
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There's no such thing. That said, the most perfect DRM one would assume was not publishing an electronic version in the first place. This hasn't made much of a difference in the past.
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#17 |
Guru
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I doubt piracy is a serious problem. Most people are too lazy to bother searching for a pirated book. If it's not on Amazon they don't bother. Why go to a lot of trouble for something the cost of a couple lattes.
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#18 | |
Feral Underclass
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And with print books, of course, there is the cost of shoplifting and people who buy them second hand to take into consideration. Say 5% for shoplifting, 20% for second hand sales (the second hand market is actually a lot larger than 20%, but not everyone will resell them). So with ebooks they get a 10% saving on not having to print it, plus 20% saving in lower distributor cut, plus 5% because there are no shoplifters, plus 20% because there is no second hand market. I'm sure all those savings would equal ebook prices that everyone would be happy with. |
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#19 | |
Padawan Learner
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I know from my experience in publishing in the 90s is that printing alone is close to the 10% figure...there is no way that the 10% figure includes returns unless paperbacks are a lot cheaper to print than the 8 x 11 RPG books we used to sell. Plus the retailer is getting 70% of retail, not 50%. So, on a $15 mass market paperback (if I recall correctly, most books go straight to trade paperback or mass market paperback). Publisher gets $7.50. Physical production (print, warehouse, shipping, returns), 20%, is $3. That leaves publisher gross at $4.50, out of which comes author advance/royalties (would be $1.50 at most for a $15 p-book; more likely it's less than $1). So you have $3.50 to cover editing, cover, marketing and of course profit. Now, an ebook at $6. Publisher gets 70%, which makes it $4.20...so the publisher is losing .30 cents...if he only sells the same exact number of ebooks as pbooks. But with ebooks, especially if you go DRM free, are available instantly to anyone with an internet connection. The reach of ebook stores is much vaster than physical book stores. And again, the main point: only 9% of people *admit* to using torrents. So 91% either lie (possible) or actually get the whole "artists gotta eat, too" angle. |
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#20 |
Padawan Learner
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I forget, all my figures above assume that the status quo is maintained.
They do not take into account the fact that ereaders are going to continue to fall in price -- just saw a video today about a new generation of android powered e-ink readers which will be much cheaper to produce. The executive in the interview said that a survey showed 60% of Americans would buy an ereader once they got below $100. I think that figure is too high, but still. We're looking at <$100 readers in what, a year? Sub-$50 no-name knock-off readers in two years. Cheapo android tablets. Cheaper and cheaper smart phones. We're looking at a future not too far from now where everyone is going to have a cheap device that serves as a reader...but if people find that it is too much hassle to deal with DRM, prices far exceeding the customers' perceived value, etc., they will flock to unauthorized copies. Like it or not, that is what they will do. Customers have proven that they feel 99 cents is a fair price for a music single, which means about $10 for an album...although few people buy albums anymore because we all long ago learned that the music labels use one or two good songs to push a mediocre album...when given a choice, people mostly buy singles now. What is the perceived value of a book? I think the $2.99-6 range for a novel is more than fair, would not hesitate to buy non-DRMd books for that. That is not the price for an "I have to have this book" price, but the "hey, that looks interesting, I'll give it a shot" book price. Indy authors have quickly learned that 99 cents is a great "sampler" price, and while they only make 35% royalties from Amazon, the volume increase generally works for them. I think many customers would be very enthusiastic about this price range. I really hope the publishing industry learns from the music industry before they get Napstered to death. |
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#21 |
Grand Sorcerer
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I have very strong doubts about that "10%" figure. I could believe that printing is roughly 10% of the cover price (for big publishers; smaller houses pay more than that), but not that printing, inventory, storage, and shipping are 10%. And that's before the returns.
I also have doubts about some of the formatting/editing costs--the numbers they give may be accurate for first-release new books; they're very wrong for backlist or even second printings. I'd really like to see a publisher give out a complete price breakdown with unit numbers as well as "percentage of list price" numbers. |
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#22 |
Grand Sorcerer
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In the print world, books 'die' or become effectively unavailable when a new print run cannot be justified. Bookstores have physical limits on the number of books they can offer, so older titles naturally get pushed off the shelf in favor of new ones. Thus even assuming a level demand for books of all kinds, new books did not have to compete so strongly against the ones that had gone out of print.
However in the digital world, books effectively never go out of print. Worse (from the creative and production side of things), anything out of copyright is effectively, conveniently, and legally free to anyone that wants it. So each new title has to compete against a larger and larger pool of pre-existing books. Moreover, demand for books is going down, not up. Everyone has a fixed budget of time, and with the web, social networking, etc., more time is taken up with a variety of non-reading activities. None of this has to do with piracy of course - it is just the expected result of widely observable trends. DRM is rather consumer unfriendly, as are prices that rival that of hard cover books. Publishers may as well try getting rid of the former, and lowering the latter, and stop deluding themselves about the effects of piracy. Like the music industry, they are in for some big changes, but there is no avoiding that. |
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#23 | |
The Dank Side of the Moon
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New publishers will arise or some of the existing ones will change and they will rule the new landscape. |
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#24 |
Geographically Restricted
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Kenny has hit the nail on the head.
As per the entertainment (music/movies/TV) the publishing industry is blaming EVERTHING and EVERYONE for their failure to adopt a more modern business system suited to the digital age. |
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#25 | |
Banned
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#26 |
Grand Sorcerer
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It's not piracy that'll kill publishing. It's rigidity. Not wanting to move with the world. Not wanting to innovate. Not listening to your buyers.
Just like rigid buildings, they'll topple with the first real shaking of their ground. |
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#27 |
Feral Underclass
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That figure will be for everything — films, music, games, whatever. Most of that 10% probably won't even read books, never mind pirate them. The second hand market is a much bigger threat to publishers than piracy will ever be. And the move to ebooks eliminates the second hand market. Then all they will need to do is sort out the libraries, charge them retail price every time an ebook is borrowed (maybe with a volume discount for the bigger libraries).
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#28 | |
Wizard
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Quote:
Mind you my impression is this group is getting smaller and smaller. There is a plethora of ebooks out there, and (I for one) wont bother with an ebook if it wont be sold to me. You try and do the right thing and buy it, but plenty of other books and authors to support instead. |
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#29 | |
Feral Underclass
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#30 |
Geographically Restricted
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I believe that is where the majority of "casual" piracy is coming from. It is exceedingly frustrating trying to buy an ebook that is denied to you because you reside in the wrong country.
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