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#211 |
affordable chipmunk
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#212 | |
Banned
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My point is, that we are incapable of determining how a particular work will affect anyone. I agree that reselling another's creation while not giving the creator any dues, is a bit odd. But it's an anomaly, and we should not be basing the laws of our society on the actions of a few anomalous individuals and what they might do. ![]() |
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#213 | |
The Dank Side of the Moon
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Easily. That individual created it, they can choose what to do with it. The ability to copy something means nothing. I can copy you given a sample of your dna. Does that mean you belong to me to do with as I please? |
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#214 |
Guru
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#215 | |
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So no, I do not believe that you or I can create anything, I still pay for art and knowledge occasionally though. |
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#216 | ||
affordable chipmunk
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But the analysis fails to acknowledge authorship, it only deals with the mechanical aspect: painters paint, musicians compose and perform, writers write. Where is authorship in this? I'm pretty sure Michelangelo had many assistants in helping him with his largest works: did he receive same as his helpers? Is the value of his works due to him or to his helpers? You're certainly not implying that copying is more important than content, are you? If you are, then feel free to copy this paragraph and send it to darknet so that I can become more popular than Stephen King and more erudite than Milton. It's not because the artist was liberated from the menial task of reproducing his work that his authorship is any less valueable. If you believe that, just drop that pirated popular ebook you're reading and go read some free twits to uncover the hidden meanings of life, the universe and everything... Quote:
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#217 |
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On the one hand, you can argue that we originate nothing in ourselves. Everything thing that we know and do comes from observation and imitation. The language we speak we learn from others; our mindset and worldview is imbibed from our surrounding culture. So we can say that since culture creates us, we are communal bodies.
On the other hand, it is undeniable that some people have a natural ability to refine and reimagine their culture better than others. It is in the vested interest of our culture to reward those those with exquisite abilities, because it enables them the time and incentive to to explore and reach the limits of their abilities, thereby enabling them to contribute their best, and the best of humanity, to us all. On the third hand, free stuff is awesome. |
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#218 | |
affordable chipmunk
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#219 | |
The Dank Side of the Moon
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#220 |
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It must be noted that and cultural creation only has value in its dissemination, in fact, its value multiplies exponentially in its dissemination. If I create a masterpiece of something (you can tell I'm quite the artistic soul) but keep it to myself it is worthless. The more people that get to experience my masterpiece, the more people that are enrich who can then go and further enrich their surrounding culture. Every writer, painter, and artist is inspired by those their peers and predecessors. Culture is synergistic. its not a coincidence that most of the great writers in history were a part of groups or in places that had other great writers. The richer the souls of those around us, the richer our own lives become.
It is all a matter of balance. Encouraging dissemination of artistic works good for us all, because it gives people easy access to works that can enrich their lives. That is why copyrights are for limited times only. However, artists need to eat. Food for the soul isn't quite as nourishing as a steak dinner. |
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#221 | |
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#222 |
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#223 |
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I am willing to support any position on copyright for a fee: 1000 dollars, 700 Euros, 650 British pounds, or a lap dance from Shakira.
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#224 | |
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Pay who you can when you can, if we really wanted Utopia we would have it. ![]() |
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#225 |
Wizard
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