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#136 | |
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Perhaps next we'll see expurgated versions of Rupert Bear, that don't contain racial stereotypes. Last edited by boxcorner; 01-08-2011 at 07:57 AM. |
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#137 |
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Golliwogs were clearly based on "black-faced minstrels", which were a popular form of entertainment in Britain going back at least as far as the mid 19th century. When I was a teenager, one of the most popular forms of entertainment of Saturday night TV was a programme called "The Black and White Minstrel Show". Today it would be considered monstrously racist, but Britain wasn't a multi-cultural society back then as it is today, and attitudes towards such things were completely different.
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#138 | |
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The minstrel show "... was an American entertainment consisting of comic skits, variety acts, dancing, and music, performed by white people in blackface or, especially after the Civil War, black people in blackface." Fortunately, some of us now live in a somewhat more enlightened age - I hesitantly venture to suggest. I wonder how many people here have ever watched Planet of the Apes (1968 film), in which apes were the dominant species and humans were subjected to slavery. Last edited by boxcorner; 01-08-2011 at 08:29 AM. |
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#139 |
Coffee Nut
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l think this thread has lost it's focus. The real question is: What would Twain want us to do with it? I suspect he'd like everyone to leave his words as he wrote them. Obviously there are many interpretations being given here, and many of them contain personal historical baggage or bias. Perhaps censure is the correct approach in schools. IMHO, censure is not the correct approach for discriminating adults who can put words into chronological context. Those on the forum who are non-blacks will never fully appreciate their understanding of the word -- perhaps Twain, as a white writer, did not, either? But that's how it is written and I doubt he'd want to see it changed. Peace!
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#140 | |
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Last edited by boxcorner; 01-08-2011 at 09:48 AM. |
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#141 | |
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#142 | ||
Grand Master of Flowers
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#143 | ||
New Leaf Turner
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http://boingboing.net/2007/10/01/dif...s-between.html Quote:
http://en.wikisource.org/wiki/The_Mi..._it_may_happen I don't recall where I read it, but there are several more interesting things about that song. For instance, the "lady from the provinces who dresses like a guy" isn't quite what it sounds like. |
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#144 | |
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#145 |
New Leaf Turner
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Where I had mentioned above that there was more to the song, I recall it being said that the serenaders of time were white buskers who'd often use burnt cork for the blackface. The change in lyrics was duly for lessening offense and for clarity.
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#146 |
Bah, humbug!
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Mark Twain was not a racist; certainly not considering the day and age in which he lived. His world was one where those with black skin were considered less than human, and in that world he chose to write a story that might do a bit to change those attitudes. In so doing, he sought to engage his target audience with a story that would teach but not preach, and so he invented as his hero a young boy so thoroughly grounded in prejudice that it even came as a surprise to him to learn that blacks had families for which they could actually care. Remove Huckelberry's racial epithets and you run the risk of missing the remarkable transition in Huckelberry's thinking of Jim from simply being "Miss Watson's big nigger" to "My friend, Jim," which is pretty much the whole point of the book.
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#147 | |
Loves Ellipsis...
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#148 | ||
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From my edition's of Twain (Dorset Press, published 1988)(all emphases are mine):
Preface to The Adventures of Tom Sawyer "Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in. The Author Hartford, 1876 Explanatory note at the beginning of The Adventures of Hucleberry Finn "In this book a number of dialects are used, to wit: the Missouri Negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary "Pike County" dialect; the four modified varieties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech. I make this explanation for the reason that without it many readers would suppose that all these characters were trying to talk alike and not succeeding. The Author Twain obviously took great care choosing the words he used and he used these words for a clear purpose. In his own words he is telling us that he was capturing a period in history; a slice of American life as it was; a reminder to ourselves of what we had been and how we had acted and how we talked. Don't like the picture? Tough, most of us don't. I don't think Twain himself cared for some of it. But that won't change it and neither will altering the recorded history of it. Altering our history will only ensure that we don't understand who we are, where we came from, or how we got here. Quote:
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#149 | |
Grand Master of Flowers
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2. It won't help anyone understand their culture and society better if they are never exposed to the book because it isn't taught. I agree with a lot of your points above, but the reality is that the book is not being taught in schools because of the one word. Would you rather the book not be taught at all, or taught with "slave" instead of "n*****?" Either are valid choices, but you must understand that *those* are the two choices. There is no option for "teaching the unedited version" - that is not happening. |
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#150 | |
TuxSlash
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4) Other parents stop being weak-willed wusses (did I get that right?) and start demanding an adequate education for their children; not some watered-down version of the war with Eurasia. |
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