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#136 |
Evangelist
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Simples piece of advice for all Authors...
Its your universe... If up is down and down is up that is your decision. Just stick by your own universe rules, the rest is up to you. |
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#137 | |
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#138 |
Grand Sorcerer
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As nyrath's article post suggests, communicating with aliens has also been one of those things that we take for granted in SF, but I always felt would be as highly unlikely as meeting humanoid aliens. Many alien forms could be so different as to not be aware we are there... and vice versa. (Something I planned to explore in my next book, until the project got shelved.)
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#139 | |
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Telempath by Spider Robinson Sinister Barrier by Eric Frank Russell The Great Slow Kings by Roger Zelazny The Foundling Stars by Hal Clement and a few others that I can't recall just now |
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#140 | |
New York Editor
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______ Dennis |
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#141 |
Grand Sorcerer
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#142 | |
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A lot of it depends on what you count as "life". Vernor Vinge had a take on it in his _A Fire Upon the Deep_ novel. In his book, AIs were capable of transcendence, morphing into something we couldn't understand which rapidly lost interest in communicating with organic life. (In email, he indicated the Puppies, who were a form of organic communal intelligence, might be able to Transcend, and implying that humanity couldn't.) David Brin did several explorations in his Uplift series, with organic life (based on long chain carbon molecules), hydrogen based life forms, and machine based AIs, and postulated a possible merged entity deriving from all three bases which would be fairly god-like. In a later Uplift book, Brin postulated a level of hyperspace populated by entities that were intelligent memes - thoughts that existed independent of minds to think them. ______ Dennis |
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#143 |
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In C. J. Cherryh's stories there are hydrogen beings who use a matrix of words in a pattern matrix. I think it was hydrogen, could have been methane. It has been a long while since i read them.
The Pride of Chanur stories are mostly told from the perspective of a cat-people. Humanity shows up later on, a few here and there, strugling to deal with the sudden locating of several star faring civilizations. I think she is one of the few authors who handle well truly alien to us species. |
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#144 | |
New York Editor
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I liked the late James White's Sector General stories, set in an interstellar hospital station, where the patients took myriad forms and came from many different evolutionary trees. White bowed respectfully at Dr. Jack Cohen, a lecturer in comparative animal taxonomy in the UK. Whenever White thought he'd developed a truly weird alien species, he mentioned it to Cohen, who immediately mentioned at least two Earth species twice as weird as what White had postulated. (Larry Niven and Jerry Pournelle make similar comments about Dr. Cohen.) ______ Dennis Last edited by DMcCunney; 09-23-2010 at 10:39 AM. |
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#145 |
Grand Sorcerer
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So... we could consider easy communication with aliens as akin to fantasy. OTOH, it also ranks as being an accepted part of the convention, no matter how unlikely.
Maybe our SF rules need a subcategory of conventions that, strictly speaking, do not fit the accepted rules of SF, but have been accepted nonetheless:
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#146 | |
Samurai Lizard
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- Tangent history (a history that is identical to ours until the point it diverges) |
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#147 | ||
New York Editor
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You can certainly postulate that all of the above are fantasy, because they aren't possible, and you may be right, but that hasn't been conclusively proven, so they are still grist for the SF mill. If you want, you can base your story on the idea that what we think we know is wrong, like a variety of stories that suggested the speed of light was a local limitation that did not hold elsewhere, and suggest that a wholly new paradigm of How Things Work will be developed that will make the impossible possible, but that's a much harder row to hoe. ______ Dennis Last edited by DMcCunney; 09-22-2010 at 10:05 PM. |
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#148 | |
New York Editor
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______ Dennis |
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#149 |
Sci-Fi Author
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Well, there's two basic "types" of sci-fi if you want to go into what's allowed and what's not. "Hard" scifi is any sci-fi story that sticks as absolutely close to accepted rules and theories of science as possible. "Soft" or "mass media" scifi is any type of sci-fi that goes into the impossible or the extraordinary. IE, FTL, Time Travel, etc.
The most common and most popular kind is soft scifi, simply because it's the one people enjoy most. Why? Because it breaks far enough away from reality to allow the reader to properly engage in the escapism they desire. Yes, there is a point at which their "suspension of belief" ends. But if you can get yourself comfortably inside that bubble, you're almost guaranteed to keep the vast majority of people happy. Well, so long as the story is good. ^_^ |
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#150 | |
Grand Sorcerer
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Or the effects are good.
Or the actors are popular. Isn't that what this thread is for? Quote:
Seems like there are simply too many unknowns and variations to allow useful labels (or rules, for that matter) to exist. If Star Wars and Solaris can be painted with the same brush, that brush must be awful large. And very gray in color. Last edited by Steven Lyle Jordan; 09-23-2010 at 09:15 AM. |
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