Thomas Tryon wrote two horror materpieces; Harvest Home and The Other.
The Other is on sale for $1.99 at
Amazon,
B&N and Kobo seems to be down right now:
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“A whirlpool of Oh-My-God horror.” —Ira Levin, author of Rosemary’s Baby
Holland and Niles Perry are identical 13-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud.
The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of her husband’s gruesome end and stays sequestered in her room, leaving her sons to roam free. As the summer goes on, though, and Holland’s pranks become increasingly sinister, Niles finds he can no longer make excuses for his brother’s actions.
Thomas Tryon’s best-selling novel about a homegrown monster is an eerie examination of the darkness that dwells within everyone. It is a landmark of psychological horror that is a worthy descendent of the books of James Hogg, Robert Louis Stevenson, Shirley Jackson, and Patricia Highsmith.
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Another lesser known work, Night Magic is on sale for $2.99 at
Amazon:
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“A slick Manhattan spin on the story of the sorcerer’s apprentice” from the New York Times–bestselling author of the horror classic The Other (Chicago Tribune).
Though he bills himself as the Greatest Magician in the World, Michael Hawke is painfully aware that he’s nothing more than a sidewalk. He plies his trade outside the Metropolitan Museum of Art, entrancing passing crowds with feats of conjuring and sleight of hand. One afternoon, he plays a trick on a shabbily dressed man whose beard is twisted and whose glass eye gives him a sinister leer. Offended, the man responds with magic of his own, casting a spell that causes Michael to hop like a frog, maniacally splashing in the fountain until the police have to haul him out.
When he recovers from this trance, Michael knows that he has encountered a true magician, one whose secrets he will give anything to understand. But this is black magic, mysterious and deadly, and pursuing it will mean a confrontation with an evil older than civilization itself.
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