Bill Bryson is one of the world's most beloved and bestselling writers. In A Short History of Nearly Everything, he takes his ultimate journey—into the most intriguing and consequential questions that science seeks to answer. It's a dazzling quest, the intellectual odyssey of a lifetime, as this insatiably curious writer attempts to understand everything that has transpired from the Big Bang to the rise of civilization. Or, as the author puts it, "...how we went from there being nothing at all to there being something, and then how a little of that something turned into us, and also what happened in between and since." This is, in short, a tall order.To that end, Bill Bryson apprenticed himself to a host of the world's most profound scientific minds, living and dead. His challenge is to take subjects like geology, chemistry, paleontology, astronomy, and particle physics and see if there isn't some way to render them comprehensible to people, like himself, made bored (or scared) stiff of science by school. His interest is not simply to discover what we know but to find out how we know it. How do we know what is in the center of the earth, thousands of miles beneath the surface? How can we know the extent and the composition of the universe, or what a black hole is? How can we know where the continents were 600 million years ago? How did anyone ever figure these things out?On his travels through space and time, Bill Bryson encounters a splendid gallery of the most fascinating, eccentric, competitive, and foolish personalities ever to ask a hard question. In their company, he undertakes a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only this superb writer can render it. Science has never been more involving, and the world we inhabit has never been fuller of wonder and delight.“Stylish [and] stunningly accurate prose. We learn what the material world is like from the smallest quark to the largest galaxy and at all the levels in between... brims with strange and amazing facts... destined to become a modern classic of science writing.” THE NEW YORK TIMES“Bryson has made a career writing hilarious travelogues, and in many ways his latest is more of the same, except that this time Bryson hikes through the world of science.” PEOPLE“Bryson is surprisingly precise, brilliantly eccentric and nicely eloquent... a gifted storyteller has dared to retell the world’s biggest story.” SEATTLE TIMES“Hefty, highly researched and eminently readable.” SIMON WINCHESTER, THE GLOBE AND MAIL“All non-scientists (and probably many specialized scientists, too) can learn a great deal from his lucid and amiable explanations.” NATIONAL POST"Bryson is a terrific stylist. You can’t help but enjoy his writing, for its cheer and buoyancy, and for the frequent demonstration of his peculiar, engaging turn of mind.” OTTAWA CITIZEN“Wonderfully readable. It is, in the best sense, learned.” WINNIPEG FREE PRESS (from CyberRead)

Description: At 26, Troost followed his wife to Kiribati, a tiny island nation in the South Pacific. Virtually ignored by the rest of humanity (its erstwhile colonial owners, the Brits, left in 1979), Kiribati is the kind of place where dolphins frolic in lagoons, days end with glorious sunsets and airplanes might have to circle overhead because pigs occupy the island's sole runway. Troost's wife was working for an international nonprofit; the author himself planned to hang out and maybe write a literary masterpiece. But Kiribati wasn't quite paradise. It was polluted, overpopulated and scorchingly sunny (Troost could almost feel his freckles mutating into something "interesting and tumorous"). The villages overflowed with scavengers and recently introduced, nonbiodegradable trash. And the Kiribati people seemed excessively hedonistic. Yet after two years, Troost and his wife felt so comfortable, they were reluctant to return home. Troost is a sharp, funny writer, richly evoking the strange, day-by-day wonder that became his life in the islands. One night, he's doing his best funky chicken with dancing Kiribati; the next morning, he's on the high seas contemplating a toilet extending off the boat's stern (when the ocean was rough, he learns, it was like using a bidet). Troost's chronicle of his sojourn in a forgotten world is a comic masterwork of travel writing and a revealing look at a culture clash. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Although accustomed to globe trotting, Troost and his wife, Sylvia, were truly innocents abroad when they moved to the island of Tarawa in the South Pacific, where Sylvia had accepted a government position. Tarawa is the capital of Kiribati--a republic of tiny atolls located just above the equator--and the place where Troost's dreams of paradise were shattered. Although Tarawa has much to offer, such as stultifying heat, dogged bureaucracy, toxic water, La Macarena , and the fantastic rituals of the I-Kiribati people, it lacks running water, television, restaurants, air-conditioning, and, the most crucial amenity, beer. Culture shock ensued for Maarten and Sylvia, and he chronicles their two years on Tarawa in a hilarious, sardonic travelogue. Among the more memorable episodes is the time a simple fishing trip turns into a hunt for a giant thresher shark and when Troost blasts a Miles Davis CD to combat the incessant repetition of La Macarena . Troost's mystified admiration for the I-Kiribati people shines through it all, and readers learn how humor itself can be a necessary tool for survival. Jerry Eberle Copyright © American Library Association. All rights reserved (from Amazon.com)

Description: The Bible Unearthed is a balanced, thoughtful, bold reconsideration of the historical period that produced the Hebrew Bible. The headline news in this book is easy to pick out: there is no evidence for the existence of Abraham, or any of the Patriarchs; ditto for Moses and the Exodus; and the same goes for the whole period of Judges and the united monarchy of David and Solomon. In fact, the authors argue that it is impossible to say much of anything about ancient Israel until the seventh century B.C., around the time of the reign of King Josiah. In that period, "the narrative of the Bible was uniquely suited to further the religious reform and territorial ambitions of Judah." Yet the authors deny that their arguments should be construed as compromising the Bible's power. Only in the 18th century--"when the Hebrew Bible began to be dissected and studied in isolation from its powerful function in community life"--did readers begin to view the Bible as a source of empirically verifiable history. For most of its life, the Bible has been what Finkelstein and Silberman reveal it once more to be: an eloquent expression of "the deeply rooted sense of shared origins, experiences, and destiny that every human community needs in order to survive," written in such a way as to encompass "the men, women, and children, the rich, the poor, and the destitute of an entire community." --Michael Joseph Gross Finkelstein, director of Tel Aviv University's excavations at Megiddo (ancient Armageddon), and Silberman, author of a series of successful and intriguing books on the political and cultural dimensions of archeology, present for the first time to a general audience the results of recent research, which reveals more clearly that while the Bible may be the most important piece of Western literature--serving concrete political, cultural and religious purposes--many of the events recorded in the Old Testament are not historically accurate. Finkelstein and Silberman do not aim to undermine the Bible's import, but to demonstrate why it became the basic document for a distinct religious community under particular political circumstances. For example, they maintain that the Exodus was not a single dramatic event, as described in the second book of the Bible, but rather a series of occurrences over a long period of time. The Old Testament account is, according to the authors, neither historical truth nor literary fiction, but a powerful expression of memory and hope constructed to serve particular political purposes at the time it was composed. The authors claim quite convincingly that the kingdoms of Israel and Judah became radically different regions even before the time of King David; the northern lands were densely populated, with a booming agriculture-based economy, while the southern region was sparsely populated by migratory pastoral groups. Furthermore, they contend, "we still have no hard archaeological evidence--despite the unparalleled biblical description of its grandeur--that Jerusalem was anything more than a modest highland village in the time of David, Solomon, and Rehoboam." Fresh, stimulating and highly engaging, this book will hold greatest appeal for readers familiar with the Bible, in particular the Old Testament--unfortunately, a shrinking percentage of the population. 16 pages of b&w photos not seen by PW. Agent, Carol Mann. Copyright 2001 Cahners Business Information, Inc. (from Amazon.com)

"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said (from GoodReads.com)

The outrageous exploits of one of this century's greatest scientific minds and a legendary American original.

In this phenomenal national bestseller, the Nobel Prize*-winning physicist Richard P. Feynman recounts in his inimitable voice his adventures trading ideas on atomic physics with Einstein and Bohr and ideas on gambling with Nick the Greek, painting a naked female toreador, accompanying a ballet on his bongo drums and much else of an eyebrow-raising and hilarious nature. (from Amazon.com

The diary as Anne Frank wrote it. At last, in a new translation, this definitive edition contains entries about Anne's burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne's youthful spirit and restores the original material omitted by Anne's father, Otto -- approximately thirty percent of the diary. The elder Frank excised details about Anne's emerging sexuality, and about the often-stormy relations between Anne and her mother. Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years. This is Anne's record of that time. She was thirteen when the family went into the "Secret Annex," and in these pages, she grows to be a young woman and proves to be an insightful observer of human nature as well. A timeless story discovered by each new generation, The Diary of a Young Girl stands without peer. For young readers and adults, it continues to bring to life this young woman, who for a time survived the worst horrors the modern world had seen -- and who remained triumphantly and heartbreakingly human throughout her ordeal. (From Overdrive.com)

An excellent Victorian travelogue of a journey through Egypt in the mid 19th century. Amelia Edwards is the real person on whom Elizabeth Peters' "Amelia Peabody" is based.

Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering.

Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted.

Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values. (from Amazon)

Description: Book Description Julia Child single handedly awakened America to the pleasures of good cooking with her cookbook Mastering the Art of French Cooking and her television show The French Chef , but as she reveals in this bestselling memoir, she didn't know the first thing about cooking when she landed in France. Indeed, when she first arrived in 1948 with her husband, Paul, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever. Julia's unforgettable story unfolds with the spirit so key to her success as a cook and teacher and writer, brilliantly capturing one of the most endearing American personalities of the last fifty years. Julie & Julia is now a major motion picture (releasing in August 2009) starring Meryl Streep as Julia Child. It is partially based on her memoir, My Life in France . Enjoy these images from the film, and click the thumbnails to see larger images. Famed chef Child, who died in 2004, recounts her life in France, beginning with her early days at the Cordon Bleu after WWII. Greenberg, an actress for radio and commercials, does a fine job capturing Child's joie de vivre and unmatched skill as a culinary animateur . We hear Child's delight and excitement when she discovers her calling as a writer and hands-on teacher of haute cuisine; her exasperation as yet another publishing house rejects her ever-growing monster of a manuscript; and her joy at its publication and acclaimed reception after more than a decade of work. Child's opinionated exuberance translates remarkably well to audio, from her initial Brahmin-like dismissal of the new medium of television (why would Americans want to waste a perfectly good evening staring into a box, she wondered?) and frustration at her diplomat husband being investigated in the McCarthy-driven 1950s to her ecstasy about roast chicken and mulish insistence on the one correct method to make French bread at home. The seamless abridgment has no jarring gaps or abrupt transitions to mar the listener's enjoyment. Potential listeners should beware, however: this is not a book to hear on an empty stomach. Bon appétit! Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. (from Amazon.com)

Winner of the 2012 Pulitzer Prize for Non-Fiction
Winner of the 2011 National Book Award for Non-Fiction

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

Description: Barcelona, 1945—just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his eleventh birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again. Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness and doomed love. And before long he realizes that if he doesn’t find out the truth about Julian Carax, he and those closest to him will suffer horribly. As with all astounding novels, The Shadow of the Wind sends the mind groping for comparisons—The Crimson Petal and the White? The novels of Arturo Pérez-Reverte? Of Victor Hugo? Love in the Time of Cholera?—but in the end, as with all astounding novels, no comparison can suffice. As one leading Spanish reviewer wrote, “The originality of Ruiz Zafón’s voice is bombproof and displays a diabolical talent. The Shadow of the Wind announces a phenomenon in Spanish literature.” An uncannily absorbing historical mystery, a heart-piercing romance, and a moving homage to the mystical power of books, The Shadow of the Wind is a triumph of the storyteller’s art. (from eBooks.com)

Amazon Best Books of the Month, January 2012: How many introverts do you know? The real answer will probably surprise you. In our culture, which emphasizes group work from elementary school through the business world, everything seems geared toward extroverts. Luckily, introverts everywhere have a new spokesperson: Susan Cain, a self-proclaimed introvert who’s taken it upon herself to better understand the place of introverts in culture and society. With Quiet: The Power of Introverts in a World That Can’t Stop Talking, Cain explores introversion through psychological research old and new, personal experiences, and even brain chemistry, in an engaging and highly-readable fashion. By delving into introversion, Cain also seeks to find ways for introverts and extroverts to better understand one another--and for introverts to understand their own contradictions, such as the ability to act like extroverts in certain situations. Highly accessible and uplifting for any introvert--and any extrovert who knows an introvert (and over one-third of us are introverts)--Quiet has the potential to revolutionize the “extrovert ideal.” –Malissa Kent

(Provided by VioletVal)

Subjects: Children's Fiction, Fiction, Science Fiction, Fantasy, & Magic
Description: Book Description In this stunning collectors' edition of The Lightning Thief, Percy Jackson's world is brought to life with eight full-color plates by the series jacket artist John Rocco. The edition comes in an elegant slipcase with a ribbon bookmark, rough edges, and cloth cover--a perfect keepsake for fans of this truly epic series. After getting expelled from yet another school for yet another clash with mythological monsters only he can see, twelve-year-old Percy Jackson is taken to Camp Half-Blood, where he finally learns the truth about his unique abilities: He is a demigod, half human, half immortal. Even more stunning: His father is the Greek god Poseidon, ruler of the sea, making Percy one of the most powerful demigods alive. There's little time to process this news. All too soon, a cryptic prophecy from the Oracle sends Percy on his first quest, a mission to the Underworld to prevent a war among the gods of Olympus. This first installment of Rick Riordan's best-selling series is a non-stop thrill-ride and a classic of mythic proportions. A Note for Amazon Customers from Illustrator John Rocco Dear Readers, When I was about eight years old I had the great luck of stumbling upon my father’s collection of Classics Illustrated comic books. I instantly fell in love with the stories of Robert Louis Stevenson, Mark Twain, H.G. Wells, and James Fenimore Cooper. Many years later, when I became interested in illustration, I discovered the beautiful hardbound editions of these stories featuring the arresting artwork of incredible artists like N.C. Wyeth, Howard Pyle, and Maxfield Parrish. What I love about their paintings is not just the beautiful draftsmanship, color and composition, but their ability to capture a moment that held the promise of swashbuckling adventure. That promise let me know that if I read the words surrounding that picture, I could unlock the adventure. That promise is what I tried to achieve when creating the pictures for this incredible series. My approach has never been just to describe a scene from the book, but to create an illustration that offers tension and mystery--an image that provides just enough information to leave the viewer wanting to know more. When I was asked to create images for the Deluxe Edition of Rick Riordan’s The Lightning Thief it was a dream come true. It was my chance to illustrate what I consider to be a new classic. The Lightning Thief has so many wonderful moments it was difficult to choose what to paint, but I knew I wanted to create a balance of dramatic scenes and quiet moments and to capture the spirit of Rick’s unforgettable characters. It has been my own great adventure to help bring this book to life in a new way, in color, on the page. I hope you enjoy this Deluxe Edition of The Lightning Thief . Yours, John Illustrations from Percy Jackson and the Olympians: The Lightning Thief Deluxe Edition(Click to Enlarge) Percy and a Nereid Percy and Annabelle on their way to Las Vegas Percy at the Entrance to Mount Olympus Starred Review. Grade 5-9–An adventure-quest with a hip edge. At first glance, Perseus Jackson seems like a loser (readers meet him at a boarding school for troubled youth), but he's really the son of Poseidon and a mortal woman. As he discovers his heritage, he also loses that mother and falls into mortal danger. The gods (still very active in the 21st-century world) are about to go to war over a lost thunderbolt, so Percy and sidekicks Grover (a young satyr) and Annabeth (daughter of Athena) set out to retrieve it. Many close calls and monster-attacks later, they enter Hades's realm (via L.A.). A virtuoso description of the Underworld is matched by a later account of Olympus (hovering 600 floors above Manhattan). There's lots of zippy review of Greek myth and legend, and characters like Medusa, Procrustes, Charon, and the Eumenides get updates. Some of the Labors of Heracles or Odysseus's adventures are recycled, but nothing seems stale, and the breakneck pace keeps the action from being too predictable. Percy is an ADHD, wise-cracking, first-person narrator. Naturally, his real quest is for his own identity. Along the way, such topics as family, trust, war, the environment, dreams, and perceptions are raised. There is subtle social critique for sophisticated readers who can see it. Although the novel ends with a satisfying conclusion (and at least one surprise), it is clear that the story isn't over. The 12-year-old has matured and is ready for another quest, and the villain is at large. Readers will be eager to follow the young protagonist's next move. –Patricia D. Lothrop, St. George's School, Newport, RI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. (from Amazon.com)

Description: "The men as they rode turned black in the sun from the blood on their clothes and their faces and then paled slowly in the rising dust until they assumed once more the color of the land through which they passed." If what we call "horror" can be seen as including any literature that has dark, horrific subject matter, then Blood Meridian is, in this reviewer's estimation, the best horror novel ever written. It's a perverse, picaresque Western about bounty hunters for Indian scalps near the Texas-Mexico border in the 1850s--a ragged caravan of indiscriminate killers led by an unforgettable human monster called "The Judge." Imagine the imagery of Sam Peckinpah and Heironymus Bosch as written by William Faulkner, and you'll have just an inkling of this novel's power. From the opening scenes about a 14-year-old Tennessee boy who joins the band of hunters to the extraordinary, mythic ending, this is an American classic about extreme violence. "McCarthy is a writer to be read, to be admired, and quite honestly—envied." —Ralph Ellison "McCarthy is a born narrator, and his writing has, line by line, the stab of actuality. He is here to stay." —Robert Penn Warren From the Hardcover edition. (from Amazon.com)

Book Description
Publication Date: January 25, 2012
This Omnibus Edition collects the five Wool books into a single volume. It is for those who arrived late to the party and who wish to save a dollar or two while picking up the same stories in a single package.

The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

(From Amazon)

Description: Barcelona, 1945—just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his eleventh birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again. Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness and doomed love. And before long he realizes that if he doesn’t find out the truth about Julian Carax, he and those closest to him will suffer horribly. As with all astounding novels, The Shadow of the Wind sends the mind groping for comparisons—The Crimson Petal and the White? The novels of Arturo Pérez-Reverte? Of Victor Hugo? Love in the Time of Cholera?—but in the end, as with all astounding novels, no comparison can suffice. As one leading Spanish reviewer wrote, “The originality of Ruiz Zafón’s voice is bombproof and displays a diabolical talent. The Shadow of the Wind announces a phenomenon in Spanish literature.” An uncannily absorbing historical mystery, a heart-piercing romance, and a moving homage to the mystical power of books, The Shadow of the Wind is a triumph of the storyteller’s art. (from eBooks.com)

From Amazon:

Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. With music pulsing on every page, A Visit from the Goon Squad is a startling, exhilarating novel of self-destruction and redemption.

National Bestseller
National Book Critics Circle Award Winner
PEN/Faulkner Award Finalist
A New York Times Book Review Best Book

One of the Best Books of the Year: Boston Globe, Chicago Tribune, The Daily Beast, The Miami Herald, The Minneapolis Star-Tribune, Newsday, NPR's On Point, O, the Oprah Magazine, People, Publishers Weekly, Salon, San Francisco Chronicle, Seattle Times, Slate, Time, The Washington Post, and Village Voice

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Description: In reading this novel of interconnected lives at the fringes of the music industry, Roxana Ortega freights her breathy voice with the moral confusion and sadness of Egan's disaffected, dismayed characters. A surprisingly supple instrument, Ortega's voice can drop to a gruff near-growl, and she craftily uses her range to convey the feeling of the bottom dropping out of the characters' lives. A Knopf hardcover (Reviews, Mar. 22). Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Critics loved Egan's newest novel, describing it as "audacious" and "extraordinary" ( Philadelphia Inquirer ). In the hands of a less-gifted writer, Egans's time-hopping narrative, unorthodox format, and motley cast of characters might have failed spectacularly. But it works here, primarily because each person shines within his or her individual chapter that offers a distinct voice and a fascinating backstory. A few reviewers mentioned the uneven nature of the chapters and the different stylistic experiments within them. Yet, hailed as "a frequently dazzling piece of layer-cake metafiction" ( Entertainment Weekly ), A Visit from the Goon Squad is a gutsy novel that succeeds on all levels. (from Amazon.com)

Description: The Colour of Magic is Terry Pratchett's maiden voyage through the bizarre land of Discworld. His entertaining and witty series has grown to more than 20 books, and this is where it all starts--with the tourist Twoflower and his hapless wizard guide, Rincewind ("All wizards get like that ... it's the quicksilver fumes. Rots their brains. Mushrooms, too."). Pratchett spoofs fantasy clichés--and everything else he can think of--while marshalling a profusion of characters through a madcap adventure. The Colour of Magic is followed by The Light Fantastic . --Blaise Selby “Ingenious, brilliant, and hilarious.” (from Amazon.com)

Amazon Best Books of the Month, January 2012: How many introverts do you know? The real answer will probably surprise you. In our culture, which emphasizes group work from elementary school through the business world, everything seems geared toward extroverts. Luckily, introverts everywhere have a new spokesperson: Susan Cain, a self-proclaimed introvert who’s taken it upon herself to better understand the place of introverts in culture and society. With Quiet: The Power of Introverts in a World That Can’t Stop Talking, Cain explores introversion through psychological research old and new, personal experiences, and even brain chemistry, in an engaging and highly-readable fashion. By delving into introversion, Cain also seeks to find ways for introverts and extroverts to better understand one another--and for introverts to understand their own contradictions, such as the ability to act like extroverts in certain situations. Highly accessible and uplifting for any introvert--and any extrovert who knows an introvert (and over one-third of us are introverts)--Quiet has the potential to revolutionize the “extrovert ideal.” –Malissa Kent

(Provided by VioletVal)

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Description: Amazon Exclusive: Q & A with Author Susan Cain Q: Why did you write the book? A: For the same reason that Betty Friedan published The Feminine Mystique in 1963. Introverts are to extroverts what women were to men at that time--second-class citizens with gigantic amounts of untapped talent. Our schools, workplaces, and religious institutions are designed for extroverts, and many introverts believe that there is something wrong with them and that they should try to “pass” as extroverts. The bias against introversion leads to a colossal waste of talent, energy, and, ultimately, happiness. Q: What personal significance does the subject have for you? A: When I was in my twenties, I started practicing corporate law on Wall Street. At first I thought I was taking on an enormous challenge, because in my mind, the successful lawyer was comfortable in the spotlight, whereas I was introverted and occasionally shy. But I soon realized that my nature had a lot of advantages: I was good at building loyal alliances, one-on-one, behind the scenes; I could close my door, concentrate, and get the work done well; and like many introverts, I tended to ask a lot of questions and listen intently to the answers, which is an invaluable tool in negotiation. I started to realize that there’s a lot more going on here than the cultural stereotype of the introvert-as-unfortunate would have you believe. I had to know more, so I spent the past five years researching the powers of introversion. Q: Was there ever a time when American society valued introverts more highly? A: In the nation’s earlier years it was easier for introverts to earn respect. America once embodied what the cultural historian Warren Susman called a “Culture of Character,” which valued inner strength, integrity, and the good deeds you performed when no one was looking. You could cut an impressive figure by being quiet, reserved, and dignified. Abraham Lincoln was revered as a man who did not “offend by superiority,” as Emerson put it. Q: You discuss how we can better embrace introverts in the workplace. Can you explain? A: Introverts thrive in environments that are not overstimulating—surroundings in which they can think (deeply) before they speak. This has many implications. Here are two to consider: (1) Introverts perform best in quiet, private workspaces—but unfortunately we’re trending in precisely the opposite direction, toward open-plan offices. (2) If you want to get the best of all your employees’ brains, don’t simply throw them into a meeting and assume you’re hearing everyone’s ideas. You’re not; you’re hearing from the most vocally assertive people. Ask people to put their ideas in writing before the meeting, and make sure you give everyone time to speak. Q: Quiet offers some terrific insights for the parents of introverted children. What environment do introverted kids need in order to thrive, whether it’s at home or at school? A: The best thing parents and teachers can do for introverted kids is to treasure them for who they are, and encourage their passions. This means: (1) Giving them the space they need. If they need to recharge alone in their room after school instead of plunging into extracurricular activities, that’s okay. (2) Letting them master new skills at their own pace. If they’re not learning to swim in group settings, for example, teach them privately. (3) Not calling them “shy”--they’ll believe the label and experience their nervousness as a fixed trait rather than an emotion they can learn to control. Q: What are the advantages to being an introvert? A: There are too many to list in this short space, but here are two seemingly contradictory qualities that benefit introverts: introverts like to be alone--and introverts enjoy being cooperative. Studies suggest that many of the most creative people are introverts, and this is partly because of their capacity for quiet. Introverts are careful, reflective thinkers who can tolerate the solitude that idea-generation requires. On the other hand, implementing good ideas requires cooperation, and introverts are more likely to prefer cooperative environments, while extroverts favor competitive ones. “A superbly researched, deeply insightful, and fascinating book that will change forever the way society views introverts .” — Gretchen Rubin , author of The Happiness Project “ Susan Cain is the definer of a new and valuable paradigm . In this moving and original argument, she makes the case that we are losing immense reserves of talent and vision because of our culture's overvaluation of extroversion. A startling, important and readable page-turner that will make quiet people see themselves in a whole new light .” — Naomi Wolf , author of The Beauty Myth “Think Malcolm Gladwell for people who don’t take themselves too seriously. Mark my words, this book will be a bestseller.” — Guy Kawasaki , author of Enchantment “Susan Cain has done a superb job of sifting through decades of complex research. . . . This book will be a boon for the many highly sensitive people who are also introverts. ” — Elaine Aron , author of The Highly Sensitive Person From the Hardcover edition. (from Amazon.com)

Relatively short at 181 print pages, it's the first book from A Dance to the Music of Time.

From Amazon:

A Question of Upbringing (1951) introduces us to the young Nick Jenkins and his housemates at boarding school in the years just after World War I. Boyhood pranks and visits from relatives bring to life the amusements and longueurs of schooldays even as they reveal characters and traits that will follow Jenkins and his friends through adolescence and beyond: Peter Templer, a rich, passionate womanizer; Charles Stringham, aristocratic and louche; and Kenneth Widmerpool, awkward and unhappy, yet strikingly ambitious. By the end of the novel, Jenkins has finished university and is setting out on a life in London; old ties are fraying, new ones are forming, and the first steps of the dance are well underway.

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London.

"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."—Chicago Tribune

"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."—Elizabeth Janeway, New York Times

"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."—Naomi Bliven, New Yorker

“The most brilliant and penetrating novelist we have.”—Kingsley Amis

“There is no other work in the annals of European fiction that attempts meticulously to recreate half a century of history, decade by decade, with anything like the emotional precision or details of Powell’s twelve volumes. Neither Balzac’s panorama of the Restoration, nor Zola’s chronicles of the Second Empire, nor Proust’s reveries in the Belle Epoque can match a comparable span of time, an attention to variations within it, or a compositional intricacy capable of uniting them into a single narrative. . . . The elegance of this artifice was only compatible with comedy.”—Perry Anderson

Subjects: Literature, Fiction, General Fiction
Description: With a bit of sibling rivalry, some incestuous Greek gods, and good ol' contemporary London, Phillips puts together an amusing epic journey with perhaps a bit less pizzazz than Homer. Jealous of Neil, a mortal, because Alice loves him, Apollo schemes to bring about Alice's demise, but his sister Artemis won't let dead mortals lie. Needing a hero for a journey, she enlists the timid Neil to go into Hades and recover Alice (and save the world while he's at it). Phillips's tale is a delightful flight of fancy into the world of what would the Greek gods do that is adequately abridged, though listeners may want to hear the full extent of the characters' exploits. Tom Sellwood delivers in an English accent that works well with the setting. He ably projects the various gods' and goddesses' personas through their dialogue, so Apollo's arrogance is heard as well as Ares' more aggressive personality. Sellwood is at his best as Neil, the dry and mild-mannered engineer who gets caught up in the games of the gods. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Marie Phillips, a Cambridge graduate, just 30, left her research job at the BBC to work in a bookstore, publish a blog, and write her first novel, Gods Behaving Badly . Reviewers almost unanimously praise Phillips’s daring, high-concept premise and the wit and cleverness with which she recycles mythic tales and gives them a postmodern twist. Occasional complaints about forced, sitcom-worthy humor and reckless, predictable plotting creep into some of the reviews, but most critics send arrows of love her way—with nary a stab to the heart among them. Copyright © 2004 Phillips & Nelson Media, Inc. (from Amazon.com)

Description: What if the Second Coming didn't quite come off as advertised? What if "the Corpse" on display in that funky roadside zoo is really who they say it is what does that portend for the future f western civilization? And what if a young clairvoyant named Amanda reestablishes the flea circus as popular entertainment and fertility worship as the principal religious form of our high-tech age? Another Roadside Attraction answers those questions and a lot more. It tell us for example what the sixties were truly all about not by reporting on the psychedelic decade but by recreating it from the inside out. In the process this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind. From the Trade Paperback edition. (from Kobo)