09-30-2010, 03:01 PM | #16 | |
Jeffrey A. Carver
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Has anyone made a case (persuasively) that you ought to be able to resell your used MP3 files when you're done with them? |
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09-30-2010, 03:34 PM | #17 |
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09-30-2010, 11:00 PM | #18 |
Jeffrey A. Carver
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Not saying you couldn't, but you don't see a lot of people putting their used MP3s up on ebay, do you? Possibly (just possibly) that's because the appearance of copyright violation would loom so large--whether there's an actual violation or not--that it would be just asking for intervention.
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09-30-2010, 11:30 PM | #19 |
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Perhaps if ebooks could be licensed (tied) to a single device only then many problems would go away.
Or better yet a time bomb similiar to what ADE has for library books. You can read the book forever if you still own it but must renew your license after a certain time. You could sell the book but must reregister it to new owner so when yours expires it is done. If you have lent it to your bud who hasn't finished reading it then too bad. Like any protection it can be overcome, but if it was fair to buyers most wouldn't. |
09-30-2010, 11:37 PM | #20 | |
Jeffrey A. Carver
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I think I personally would not feel good about reselling my ebooks like used paperbacks. That feels like a road I don't want to go down. Last edited by starrigger; 09-30-2010 at 11:39 PM. |
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09-30-2010, 11:43 PM | #21 |
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10-01-2010, 09:16 AM | #22 | |
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No book Just imagine if all those manuscripts and books now in Museums, had to have complied with the "Single Owner/User" concept being fostered buy Authors (Yes, Authors. They signed the letter of copyright contract with the publisher). Hand-me-down libraries: Kaput (Must destroy all books upon death of single licensee). |
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10-01-2010, 06:25 PM | #23 | |
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If my house floods or burns down, my insurance (indirectly) covers the cost of replacing my book collection. There is no insurance for ebooks. |
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10-02-2010, 12:40 AM | #24 |
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That's an interesting point. If your Kindle goes up in flames, you can probably re-download your ebooks onto the replacement device. Thus, there would be no need for your insurance company to reimburse the cost of the ebooks. However, suppose that a seller refused to provide you with free replacement downloads. Would the purchase fall into the category of software, and would the insurance company reimburse you for the cost of the software, assuming that you had a rider covering such a product? This seems like a natural form of rider for an insurance company to offer, especially if the damage is limited to that caused by fire. Good question to ask my agent next week.
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10-02-2010, 06:47 AM | #25 |
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I am sort of missing a couple of crucial pointdshere.
Currently if you buy/license a book you are entitled to have it on your computer and a reader at the same time. You can back it up to storage media and keep it in a safe place, back it up online, redownload it etc. If Amazon goes out of business next week you can read it again on your computer. And there are other options. Second point being if this was a pbook would you want to own it forever? Most people don't have the space to store even half a book a week over a long period and if you don't read at least half a book a week, why buy an ereader. Third point is that ebooks and their licensing do not take away any of our rights. You can still buy paper editions and keep them as long as you want. You can borrow paper books from the library. In addition you can get free ebooks and borrow ebooks from the library. Try borrowing a cheese burger from MacDonald's. |
10-02-2010, 07:03 AM | #26 |
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Given the six device limit ADE allows for device authorisation, for example, I think people removing the DRM convert the licence the publisher thinks you are buying into an effective sale.
DRM removal may or may not be legal wherever you are but once removed the publisher or distributor cannot deny access like Amazon did with the George Orwell title. This may not be germane to the topic, however, I think it is important. |
10-02-2010, 07:57 AM | #27 |
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Adobe starts with 6, but over time they sorta slip additional authorizations into your pool. When you do exceed your limit (I did, btw) they reset your account if you ask.
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10-02-2010, 10:04 AM | #28 |
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Cool, thanks for the ADE info. When I first signed up to Digital Editions I looked for instructions on how to remove and reset the limit of authorisations and could not find anything. That made me nervous. With iTunes for example once you have authorised 5 computers there is an option to reset all authorisations, letting you re authorise as you wish.
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03-28-2011, 10:00 AM | #29 | |
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What's interesting, I think, and I haven't seen it mentioned in this thread, is that the licencees in this case are not the public who buy copies of the music. They are the retailers selling copies of the music. So the case says nothing about whether the ebooks we buy are really sold or licensed. But it does say that Apple, Amazon, etc., are licensing the master copies from the producers, and any fees paid by them to the producers of the originals for this are license fees, not wholesale prices. I suspect that publishers will be making sure that this is sorted out in new contracts. But if they insist that ebooks are covered by older contracts, it seems that there is a strong argument that they're covered only as licensing, for which the authors are generally due 50% of the net fee. This also means that musicians who have been getting nothing from the music business for downloads because royalty rates are so low, and they've never 'earned out', might find that with 50% of the net income from downloads, they might actually be due some money! Last edited by pdurrant; 03-28-2011 at 10:03 AM. |
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03-28-2011, 02:19 PM | #30 |
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When did publishers explicitly claim that ebooks are licenses rather than sales?
Also, chances are that the language regarding both digital commerce and licensing are completely different in author/publisher contracts than for musician/label contracts. It's common for a musician to license a song for use in a commercial, for example. Authors, not so much. This ruling won't even apply universally to all musicians, since newer contracts are much more explicit about harmonizing digital use royalty rates with recording rates. |
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