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Old 05-18-2012, 12:02 PM   #1
WT Sharpe
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May Discussion: Neverwhere by Neil Gaiman

Let's discuss the May MobileRead Book Club selection, Neverwhere by Neil Gaiman. What did you think?

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Old 05-20-2012, 04:48 AM   #2
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This is the first book by Neil Gaiman that I have read and I hope to read more of his work!

I enjoyed this book immensely. It was a brilliant page-turner with a marvelously constructed world filled with interesting characters and locales. The latter were developed as plays on the literal meaning of the various London place names such as Earl's Court--which has a real Earl who holds a bizarre court on an underground train carriage.

The characters were unforgettable. Richard, the Warrior, seemed anything but a warrior and the Lady Door--for me anyway--was more reminiscent of an anime heroine than the traditional fantasy princess. Even the villains were remarkable in their {sometimes horrible} quirkiness. The plot had a wonderful whimsical quality with its unexpected twists, turns, and red herrings.

I loved this book!

BTW I've been told that Gaiman wrote a fabulous episode, "The Doctor's Wife", for series 6 of Dr Who {I've not seen it yet--but I'll make a point of it now}.
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Old 05-20-2012, 09:46 AM   #3
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I second all that fantasyfan said. I'm not much for fantasy, yet I enjoyed this very much.

Gaiman cleverly mixed the real London's history and landmarks with the creation of London Below. The notion of people literally falling through the cracks kept the book grounded, we all have the tendency of thinking everyone is exactly like us when there are many who struggle every day. Halfway through I didn't care what happened next, I only wanted to spend more time with the quirky and complex characters.

Fantasy is my husband's favourite genre and I'd bought him this audiobook earlier in the year. He loved it, so I'll certainly be acquiring more of Gaiman's work for him, and myself. I regret not buying American Gods when the anniversary version was on sale for $10 a couple of months ago. It was a cast version though, and I do prefer a single narrator, so I'll use an Audible credit to get the earlier version.

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Old 05-20-2012, 01:27 PM   #4
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I actually enjoyed this book much more than I thought I would. That said though, I did see some serious flaws in it, most of my views on that may just illustrate why fantasy novels in general are not something I generally read.

So I will start with what I found the most annoying. Even in the most fantastic world created in a fantasy novel I expect it to have its own logic, a consistent set of rules. In my opinion this novel failed in the important matter of under what circumstances and to what extent the population of “London Below” can be seen and noticed by the population of the real present day London. When Jessica and Richard first encounter Door on the sidewalk they both immediately see and recognize her, completely at odds with the rules for to what extent real Londoners notice London Below people elsewhere in the novel. Obviously the novel goes no where but for this, but still here, and through out the novel, this crucial aspect changes arbitrarily as needed by Gaiman to further the story.

I really did find myself drawn into the story though. I especially liked the angel Islington aspect of it; the idea of a fallen angel akin to Lucifer was great. In fact I came away wishing that there had been a lot more development of that story; how Islington became evil, how he became imprisoned, the role of the Black Friars, etc. In fact I would have liked a lot more development of how London Below came into existence and why it was the way it was and why its relation to modern London was what it was. For instance, London Below seemed to have been populated by and culturally tied to the historical period of somewhere from Medieval times up to approximately The Renaissance. Why just that segment of history? On the other hand going into such complete development probably would have at least doubled the length of the novel and I would have probably been now complaining about its length and slow going.


I had a problem with the ending as well, unless there is a sequel to this novel, or one is planned. Otherwise it seems tacked onto the book and at odds with the rest of the book. Or is it just standard for fantasy novels that once an ordinary person makes a trip into a fantasy world he or she will never be the same and will want to return to the fantasy world no matter how dangerous and unpleasant that journey had been?


Finally this is sort of an off-the-walk comment, but it was one of the first things I made sure to make a note about as I read this. That is the banter between the murderous Mr. Croup and Mr. Vandemar. I just immediately thought of similar banter between the pair of assassins, Mr. Kidd and Mr. Wint, in the film Diamonds Are Forever (Sean Connery's last outing as James Bond):

Quote:
Mr. Wint: The scorpion.
Mr. Kidd: One of nature's finest killers, Mr. Wint.
Mr. Wint: One is never too old to learn from a master, Mr. Kidd.
So I enjoyed reading this, but it did not make me want to read more Gaiman, nor more fantasy novels.
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Old 05-20-2012, 02:57 PM   #5
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He made the tv series first and the book goes into more detail so even if things are missing it's still more than what we get on the show lol.

This book is one of my favorites and I'm also not much of a fantasy reader. Maybe it's just me but this book seemed to have a faster pace compared to his others.
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Old 05-20-2012, 03:04 PM   #6
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In fact I would have liked a lot more development of how London Below came into existence and why it was the way it was and why its relation to modern London was what it was. For instance, London Below seemed to have been populated by and culturally tied to the historical period of somewhere from Medieval times up to approximately The Renaissance. Why just that segment of history? On the other hand going into such complete development probably would have at least doubled the length of the novel and I would have probably been now complaining about its length and slow going.
I certainly would have been complaining if that was included. Tedious detail and world building is one of the the reasons I stay away from this genre.


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He made the tv series first and the book goes into more detail so even if things are missing it's still more than what we get on the show lol.

This book is one of my favorites and I'm also not much of a fantasy reader. Maybe it's just me but this book seemed to have a faster pace compared to his others.
Not explaining everything allowed for the faster pace, I'm happy with that tradeoff. It also opened up the opportunity for my own imagination to fill in the gaps. Mind the Gap!
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Old 05-20-2012, 03:09 PM   #7
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Not explaining everything allowed for the faster pace, I'm happy with that tradeoff. It also opened up the opportunity for my own imagination to fill in the gaps. Mind the Gap!
True and I agree. I have enjoyed his other books but there were many moments where I was thinking "get on with it already!"
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Old 05-20-2012, 03:52 PM   #8
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Originally Posted by Hamlet53
In fact I would have liked a lot more development of how London Below came into existence and why it was the way it was and why its relation to modern London was what it was. For instance, London Below seemed to have been populated by and culturally tied to the historical period of somewhere from Medieval times up to approximately The Renaissance. Why just that segment of history? On the other hand going into such complete development probably would have at least doubled the length of the novel and I would have probably been now complaining about its length and slow going.


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I certainly would have been complaining if that was included. Tedious detail and world building is one of the the reasons I stay away from this genre.



Not explaining everything allowed for the faster pace, I'm happy with that tradeoff. It also opened up the opportunity for my own imagination to fill in the gaps. Mind the Gap!


I think that one gets a sense that the world of London Below does have a logic and hierarchy of its own, though this is conveyed through actions and relationships rather than by editorial description. Thus, the rat-people are high on the social scale as we see by the respect they get. The Market has certain inviolable rules, the Angel Islington is imprisoned and guarded by a Labyrinth and Minotaur equivalent. All this implies a world with its own logic--though a logic far different than that in London above.

In my opinion, the lack of editorial world-building--of the sort one gets, for example, in The Farthest Shore, the third book of the Earthsea series is an advantage as it actually makes the Neverwhere universe far more alive and vivid. It simply is--it doesn't require or demand an explanation. This is something that Richard Mayhew must learn as he adapts to it in order to survive. And there's no doubt but that the fact that the world of London Below is present as a given does help create the effective pace and excitement generated by Gaiman. And, yes, I agree, it releases our own imaginative response!

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Old 05-20-2012, 06:40 PM   #9
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I was not aware that the novel was actually written from a television program. That information does explain a lot about how the book was written. It would explain the faster pacing, and a visual medium like television naturally requires less development and descriptive narrative. As I said had the book been written to provide all sorts of background and development it would probably have been for me a case of be careful what you wish for . . .

So did the television version end on the same note as the book?
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Old 05-20-2012, 08:30 PM   #10
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It's been about 7 years since I saw the show so I honestly don't remember most of it.
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Old 05-21-2012, 05:24 AM   #11
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I nominated this book in the first place because I have wanted to read it for a long time, just to see what all the fuss was about. I did enjoy it, despite some of the inconsistencies already mentioned by Hamlet53, but would categorise it as a light read, not too involving, and not something that would make me rush out to buy another Gaiman novel ( I have read Good Omens, his collaboration with Terry Pratchett which was good).

The London Below was the best aspect of the book, in my opinion, and for some reason I particularly enjoyed the London Underground scenes - I think I like the idea of abandoned and non-existent stations lurking down there somewhere. Quite easy to relate to when you are standing on an Underground platform alone at night...

To sum up, not a book I regret reading, as it was fun, but not one I will ever reread. If a sequel does turn up, I might just be tempted to give it a go, though.

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Old 05-21-2012, 08:14 AM   #12
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So I will start with what I found the most annoying. Even in the most fantastic world created in a fantasy novel I expect it to have its own logic, a consistent set of rules. In my opinion this novel failed in the important matter of under what circumstances and to what extent the population of “London Below” can be seen and noticed by the population of the real present day London. When Jessica and Richard first encounter Door on the sidewalk they both immediately see and recognize her, completely at odds with the rules for to what extent real Londoners notice London Below people elsewhere in the novel. Obviously the novel goes no where but for this, but still here, and through out the novel, this crucial aspect changes arbitrarily as needed by Gaiman to further the story.......

.....So I enjoyed reading this, but it did not make me want to read more Gaiman, nor more fantasy novels.
Thanks for the review. I thought the inconsistencies were part of the story and some explanation will be there in the later part. For instance there was something in Jessica and Richard that caused them to see Door as they saw her. Unfortunately the explanation never came. Having said that, I really liked the book, using London history with the story was quite intriguing.
I had read American Gods by Gaiman before and it wasn’t exciting enough for me to get into his other works. Thankfully Neverwhere was a lighter read. A question to people who have read his other books, does Gaiman keeps bringing various mythological characters in his other stories as well?

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Old 05-21-2012, 12:04 PM   #13
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I didn't know about the TV series either. I notice that the DVD is available on Amazon:

http://www.amazon.com/s/ref=nb_sb_ss...ovies-tv%2C252

Personally, Since I enjoyed the book so much I'll probably rest with it and not bother with the mini-series {unless it's repeated on our channels over here}.
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Old 05-22-2012, 07:57 AM   #14
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I didn't realize there was a TV series. I'll have to check that out. Unlike some commenters, this did make me want to read more Gaiman, even though I'm normally averse to the fantasy genre. The only real flaw I noted was the somewhat flat portrayal of Hunter.

I hope someday there will be a sequel.
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Old 05-22-2012, 08:01 AM   #15
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BTW, the TV series is available to rent BUY at Amazon Instant Video.

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