11-24-2009, 07:47 AM | #121 |
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You guys are funny. All this talk about why justification on most readers is terrible and not a single one of you experts has mentioned the single largest factor -- most readers don't have hyphenation algorithms (the H in H&J -- there's a reason why they go together). Being able to move blocks of 2, 3, 4+ letters to short lines would make a huge difference in the word spacing problem.
Also, many of you seem to be hung up on kerning. While kerning would come into play in some instances, tracking would have a much larger influence on the overall appearance (kerning refers to spacing between individual letter pairs, while tracking refers to the spacing over whole lines or blocks of letters). |
11-24-2009, 08:10 AM | #122 | |
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I certainly don't know the technical terms from the printing world (kerning may not be the right term), but I do know that the control of spacing and "smoothing" the flow of the lines (in order to obtain full justification) has been optimized in print books but is far from it on e-readers. This inconsistent spacing when the software attempts to fully justify text is atrocious on every reader I've seen. |
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11-24-2009, 12:28 PM | #123 | |
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11-24-2009, 12:47 PM | #124 | |
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I don't know how books are printed, to be honest. Do they employ variable kerning or tracking? It doesn't look like it to me, but that could just mean they're doing a good job at it. Pagemaker let you set tracking/kerning/font size/etc. anywhere, but I only changed the former two when I overflowed the column space in the Zine I worked on (font changes stuck out like a sore thumb). Changing kerning/tracking tended to look... obvious... against the rest of the article. Or changing it too much and applying it to the whole article also caused severely negative results. Again, I am exceptionally skeptical of the claims about the causes of eye strain. But, as I said earlier, I am not going to deny that someone experiences it from a Reader if they say they do. It may be that some people are very sensitive to certain artifacts, and others aren't at all. Look up "DLP TV Rainbow" for a case study in how some people can enjoy a certain technology, while others can't. I far prefer the LRF reading experience over the ePUB, particularly in the justified text arena. I don't think anyone claimed this, but I think it's implied that justification was left out due to eye strain. And I very much doubt they left out justification to mitigate eye strain... citations in my last post for causes of strain would bear this out. -Pie Last edited by EatingPie; 11-24-2009 at 12:51 PM. |
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11-24-2009, 01:16 PM | #125 | |
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I can see both stair stepping and very mild anti-aliasing. Neither of these are visible to my naked eye (I have perfect vision in the one ). I was actually surprised to see the anti-aliasing because I find it so objectionable on my computer, I have it completely turned off. Glad to say I cannot see it when reading on my Reader! All this to say that I did indeed verify that the two aforementioned artifacts do indeed exist on the Reader (PRS-500 in this case). -Pie |
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11-24-2009, 02:03 PM | #126 |
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Sorry if I'm confused... is this update supposed to include support for adobe DRM so I can check out library books online like the new Sony readers can?
Thanks! |
11-24-2009, 02:09 PM | #127 |
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11-24-2009, 02:10 PM | #128 | |
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For example, early laser printers didn't use anti-aliasing, and the output from them looks fairly good. The e-readers have a slightly harder time of it though, probably because their pixels are very obviously square instead of analog blogs of physical toner fused together. |
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11-24-2009, 02:12 PM | #129 | |
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Anyways, I thought the justification issue was implied. My main complaint is not enough words on each line, leading to very inconsistent spacing between words for fully justified text, and of course hyphenation would improve that immensely. I'd still prefer to use smaller text though. |
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11-24-2009, 02:23 PM | #130 | |
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But on my machine, small font sizes are bothersome. Because of the anti-aliasing, some letters are composed almost entirely of grey pixels with few black ones. Also, if you look at places where glyphs come to a point, they look annoyingly blocky (e.g. the bottom of straight quotes). You can also see sometimes that the upright portion of some letters has a very obvious grey edge. Finally, the thinner diagonal on letters like v, w, and y looks pretty stair-stepped to me. If you create a book using a delicate font, this is even more apparent. Last edited by radius; 11-24-2009 at 02:24 PM. Reason: over-use of the word "obvious" |
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11-24-2009, 02:29 PM | #131 | |
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*I'm sure the word actually used isn't "register", but I'm away from my home PC and can't look it up. Then you'll need to learn how to remove epub DRM and edit XHTML so you can increase the puny text size, and remove the gigantic margins that commercial publishers put on their books |
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11-24-2009, 02:42 PM | #132 |
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11-24-2009, 03:41 PM | #133 | |
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11-24-2009, 04:53 PM | #134 |
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Be interesting to try my magnifying glass on the 300 then. The difference between 167 dpi and 200 dpi is almost 20%. The anti aliasing may disappear completely, since it was so slight I had to look for it to see it. The stair-stepping (pixelization or pixel pattern), was readily evident.
I demoed the PRS-300, PRS-600 and PRS-500 side by side. I am absolutely convinced all the "degraded resolution" of the 600 is due to the touch screen overlay. While I loved the speed of the 600, I would pick a 300 over it in a second. However, the 600's overlay may prove be a benefit for those who can see the AA/pixelization with the naked eye. The touch screen will very likely end up blending the artifacts away, much like the paper/ink example previously given. -Pie |
11-24-2009, 06:20 PM | #135 |
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I've played with the 505, 300, 700 and 600, and yeah it is in the overlay. I also can see the anti aliasing without assistance, but it doesn't bother me.
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